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Making of the Auden canon - Joseph Warren Beach - Bog - University of Minnesota Press - Plusbog.dk

Making of the Auden canon - Joseph Warren Beach - Bog - University of Minnesota Press - Plusbog.dk

Making of the Auden canon was first published in 1957. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. No poet writing in English is more representative of the intellectual trends of the thirties and forties than W. H. Auden. British born, Oxford educated, American by naturalization, and now returned to Oxford to occupy the chair of poetry, he is widely regarded as the spiritual guide and keeper of the conscience of the age, at the same time that he exemplifies the gradual passage from ideological left to right so characteristic of the period. This study of Auden''s poetry and revisions has far-reaching implications for an understanding not only of Auden''s own writing but that of his contemporaries as well. Considering that 1945 Collected Poetry as the Auden canon, or authorized version of the poems, Mr. Beach examines the process by which Auden selected poems to be admitted to the canon. He shows that the poet eliminated many that were at odds with his later style and thought, discreetly revised others to bring them into line, and, at the same time, left unaltered some of the pieces from his unregenerate days. Auden''s system of selection and revision reflects the winding course of his thought, and, by tracing this course, Mr. Beach endeavors to penetrate the poet''s diverse masks in an effort to get at the identity of t he man himself.

DKK 472.00
1

Cacaphonies - Annabel L. Kim - Bog - University of Minnesota Press - Plusbog.dk

Cacaphonies - Annabel L. Kim - Bog - University of Minnesota Press - Plusbog.dk

Exploring why there is so much fecal matter in literary works that matterCacaphonies takes fecal matter and its place in literature seriously. Readers and critics have too long overlooked excrement’s vital role in the twentieth- and twenty-first-century French canon. In a stark challenge to the tendency to view this literature through sanitizing abstractions, Annabel L. Kim undertakes close readings of key authors to argue for feces as a figure of radical equality, both a literary object and a reflection on literature itself, without which literary studies is impoverished and sterile. Following the fecal through line in works by Céline, Beckett, Genet, Sartre, Duras, and Gary and the contemporary authors Anne Garréta and Daniel Pennac, Kim shows that shit, far from vanishing from the canon after the early modern period, remains present in the modern and contemporary French literature that follows. She argues that all the shit in the canon expresses a call to democratize literature, making literature for all, just as shit is for (or of) all. She attends to its presence in this prized element of French identity, treating it as a continually uttered desire to manifest the universality France aspires to—as encapsulated by the slogan Liberté, égalité, fraternité—but fails to realize. In shit there is a concrete universalism that traverses bodies with disregard for embodied differences. Cacaphonies reminds us that literature, and the ideas to be found therein, cannot be separated from the corporeal envelopes that create and receive them. In so doing, it reveals the aesthetic, political, and ethical potential of shit and its capacity to transform literature and life.

DKK 800.00
1

Cacaphonies - Annabel L. Kim - Bog - University of Minnesota Press - Plusbog.dk

Cacaphonies - Annabel L. Kim - Bog - University of Minnesota Press - Plusbog.dk

Exploring why there is so much fecal matter in literary works that matterCacaphonies takes fecal matter and its place in literature seriously. Readers and critics have too long overlooked excrement’s vital role in the twentieth- and twenty-first-century French canon. In a stark challenge to the tendency to view this literature through sanitizing abstractions, Annabel L. Kim undertakes close readings of key authors to argue for feces as a figure of radical equality, both a literary object and a reflection on literature itself, without which literary studies is impoverished and sterile. Following the fecal through line in works by Céline, Beckett, Genet, Sartre, Duras, and Gary and the contemporary authors Anne Garréta and Daniel Pennac, Kim shows that shit, far from vanishing from the canon after the early modern period, remains present in the modern and contemporary French literature that follows. She argues that all the shit in the canon expresses a call to democratize literature, making literature for all, just as shit is for (or of) all. She attends to its presence in this prized element of French identity, treating it as a continually uttered desire to manifest the universality France aspires to—as encapsulated by the slogan Liberté, égalité, fraternité—but fails to realize. In shit there is a concrete universalism that traverses bodies with disregard for embodied differences. Cacaphonies reminds us that literature, and the ideas to be found therein, cannot be separated from the corporeal envelopes that create and receive them. In so doing, it reveals the aesthetic, political, and ethical potential of shit and its capacity to transform literature and life.

DKK 255.00
1

Border Women - Debra A. Castillo - Bog - University of Minnesota Press - Plusbog.dk

Border Women - Debra A. Castillo - Bog - University of Minnesota Press - Plusbog.dk

The first study to foreground writing by women who live at the U.S.-Mexico Border. It is a peculiar fact that U.S.-Mexico border theory is dominated by those who write about, not from, the border. By looking at the work of women writers from both sides of the border, Debra A. Castillo and María-Socorro Tabuenca Córdoba open border studies to a truly transnational analysis while bringing questions of gender to the fore. Border Women rethinks border theory by emphasizing women writers whose work—in Spanish, English, or a mixture of the two languages—calls into question accepted notions of border identities. These writers include those who are already well recognized internationally (Helena María Viramontes, Sheila and Sandra Ortiz Taylor, and María Novaro); those who have become part of the Chicano canon (Norma Cantú, Alicia Gaspar de Alba, and Demetria Martínez); along with some of the lesser-known, yet most exciting, women’s voices from the Mexican border (Rosario Sanmiguel, Rosina Conde, and Regina Swain).

DKK 228.00
1

Against Literature - John Beverley - Bog - University of Minnesota Press - Plusbog.dk

Against Literature - John Beverley - Bog - University of Minnesota Press - Plusbog.dk

Is there a way of thinking about literature that is “outside” or “against” literature? In Against Literature, John Beverly brilliantly responds to this question, arguing for a negation of the literary that would allow nonliterary forms of cultural practice to displace literature’s hegemony. Reminding us that most contemporary theorist speak today of literature with historically and socially specific conditions of production and reading formations, Beverley begins with a provocative exploration of Latin American literature, which he says the legacy of Columbus (discovery, conquest, and colonization) has endowed with an ambiguous cultural function, making it both a colonial institution and a historical agent of nation formation. He moves from this consideration to an extensive discussion of the postcolonial testimonio, poised between literature and the dynamics of subaltern culture. Beverley’s demonstration of how the internal logic that has always driven the dominant conception f literature must of necessity explode int cultural politics is a significant intervention into current debates about cultural studies, the canon, and multiculturalism.

DKK 212.00
1

Border Women - Debra A. Castillo - Bog - University of Minnesota Press - Plusbog.dk

Border Women - Debra A. Castillo - Bog - University of Minnesota Press - Plusbog.dk

The first study to foreground writing by women who live at the U.S.-Mexico Border. It is a peculiar fact that U.S.-Mexico border theory is dominated by those who write about, not from, the border. By looking at the work of women writers from both sides of the border, Debra A. Castillo and María-Socorro Tabuenca Córdoba open border studies to a truly transnational analysis while bringing questions of gender to the fore. Border Women rethinks border theory by emphasizing women writers whose work—in Spanish, English, or a mixture of the two languages—calls into question accepted notions of border identities. These writers include those who are already well recognized internationally (Helena María Viramontes, Sheila and Sandra Ortiz Taylor, and María Novaro); those who have become part of the Chicano canon (Norma Cantú, Alicia Gaspar de Alba, and Demetria Martínez); along with some of the lesser-known, yet most exciting, women’s voices from the Mexican border (Rosario Sanmiguel, Rosina Conde, and Regina Swain).

DKK 472.00
1

Dark Deleuze - Andrew Culp - Bog - University of Minnesota Press - Plusbog.dk

Dark Deleuze - Andrew Culp - Bog - University of Minnesota Press - Plusbog.dk

French philosopher Gilles Deleuze is known as a thinker of creation, joyous affirmation, and rhizomatic assemblages. In this short book, Andrew Culp polemically argues that this once-radical canon of joy has lost its resistance to the present. Concepts created to defeat capitalism have been recycled into business mantras that joyously affirm “Power is vertical; potential is horizontal!” Culp recovers the Deleuze’s forgotten negativity. He unsettles the prevailing interpretation through an underground network of references to conspiracy, cruelty, the terror of the outside, and the shame of being human. Ultimately, he rekindles opposition to what is intolerable about this world. Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

DKK 132.00
1

Whale - K.l. Evans - Bog - University of Minnesota Press - Plusbog.dk

Whale - K.l. Evans - Bog - University of Minnesota Press - Plusbog.dk

An entirely fresh approach to Moby Dick , by way of Ludwig Wittgenstein The aim of this thoroughly unconventional work is to demonstrate that Herman Melville’s Moby Dick and Ludwig Wittgenstein’s Philosophical Investigations share the same projects and are, in effect, one and the same book. Confounding and improbable as such an enterprise might seem, Whale! not only successfully reveals the vital intersections between Melville and Wittgenstein but also, more important, makes a compelling argument for why such intersections are essential to understanding common political projects in literature and philosophy. Written with grace, passion, and wit, Whale! manages to produce a startling and remarkably original reading of one of the most written-about and interpreted books in the American canon. K. L. Evans explores Melville’s vast work as a tale not of vengeance but of affection, and Ahab’s near-pathological agitation as indicative of his refusal to accept the world as unknowable. Between Ahab and the whale, Evans traces a longing for connection and meaning and finds a forceful response to the skeptical view that language is bankrupt and knowledge is uncertain. In Ahab’s hunt for Moby Dick, Whale! discovers a way to reconnect matter with meaning, object with knowledge.

DKK 228.00
1

Ethnological Imagination - Fuyuki Kurasawa - Bog - University of Minnesota Press - Plusbog.dk

Ethnological Imagination - Fuyuki Kurasawa - Bog - University of Minnesota Press - Plusbog.dk

A significant intervention in contemporary debates about cross-cultural understandingFuyuki Kurasawa unearths what he terms “the ethnological imagination,” a substantial countercurrent of thought that interprets and contests Western modernity’s existing social order through comparison and contrast to a non-Western other. Accordingly, Kurasawa traces and critiques, through this prism of cultural alterity, the writings of some of the key architects of this way of thinking: Jean-Jacques Rousseau, Karl Marx, Max Weber, Émile Durkheim, Claude Lévi-Strauss, and Michel Foucault. In the work of these thinkers, Kurasawa finds little justification for two of the most prevalent claims about social theory: the wholesale “postmodern” dismissal of the social-theoretical enterprise because of its supposedly intractable ethnocentrism and imperialism, or, on the other hand, the traditionalist and historicist revival of a canon stripped of its intercultural foundations. Rather, Kurasawa’s book defends a cultural perspective that eschews both the false universalism of “end of history” scenarios and the radical particularism embodied in the vision of “the clash of civilizations.” It contends that the ethnological imagination can invigorate critical social theory by informing its response to an increasingly multicultural world—a response that calls for a reconsideration of the identity and boundaries of the West as well of modernity itself.

DKK 228.00
1

Ethnological Imagination - Fuyuki Kurasawa - Bog - University of Minnesota Press - Plusbog.dk

Ethnological Imagination - Fuyuki Kurasawa - Bog - University of Minnesota Press - Plusbog.dk

A significant intervention in contemporary debates about cross-cultural understandingFuyuki Kurasawa unearths what he terms “the ethnological imagination,” a substantial countercurrent of thought that interprets and contests Western modernity’s existing social order through comparison and contrast to a non-Western other. Accordingly, Kurasawa traces and critiques, through this prism of cultural alterity, the writings of some of the key architects of this way of thinking: Jean-Jacques Rousseau, Karl Marx, Max Weber, Émile Durkheim, Claude Lévi-Strauss, and Michel Foucault. In the work of these thinkers, Kurasawa finds little justification for two of the most prevalent claims about social theory: the wholesale “postmodern” dismissal of the social-theoretical enterprise because of its supposedly intractable ethnocentrism and imperialism, or, on the other hand, the traditionalist and historicist revival of a canon stripped of its intercultural foundations. Rather, Kurasawa’s book defends a cultural perspective that eschews both the false universalism of “end of history” scenarios and the radical particularism embodied in the vision of “the clash of civilizations.” It contends that the ethnological imagination can invigorate critical social theory by informing its response to an increasingly multicultural world—a response that calls for a reconsideration of the identity and boundaries of the West as well of modernity itself.

DKK 539.00
1

Each Hour Redeem - Daylanne K. English - Bog - University of Minnesota Press - Plusbog.dk

Each Hour Redeem - Daylanne K. English - Bog - University of Minnesota Press - Plusbog.dk

Each Hour Redeem advances a major reinterpretation of African American literature from the late eighteenth century to the present by demonstrating how its authors are centrally concerned with racially different experiences of time. Daylanne K. English argues that, from Phillis Wheatley to Suzan-Lori Parks, African American writers have depicted distinctive forms of temporality to challenge racial injustices supported by dominant ideas of time. The first book to explore the representation of time throughout the African American literary canon, Each Hour Redeem illuminates how the pervasive and potent tropes of timekeeping provide the basis for an overarching new understanding of the tradition. Combing literary, historical, legal, and philosophical approaches, Each Hour Redeem examines a wide range of genres, including poetry, fiction, drama, slave narratives, and other forms of nonfiction. English shows that much of African American literature is characterized by “strategic anachronism,” the use of prior literary forms to investigate contemporary political realities, as seen in Walter Mosley’s recent turn to hard-boiled detective fiction. By contrast, “strategic presentism” is exemplified in the Black Arts Movement and the Harlem Renaissance and their investment in contemporary political potentialities, for example, in Langston Hughes and Amiri Baraka’s adaptation of the jazz of their eras for poetic form and content. Overall, the book effectively demonstrates how African American writers have employed multiple and complex conceptions of time not only to trace racial injustice but also to help construct a powerful literary tradition across the centuries.

DKK 237.00
1

Infrastructures of Apocalypse - Jessica Hurley - Bog - University of Minnesota Press - Plusbog.dk

Infrastructures of Apocalypse - Jessica Hurley - Bog - University of Minnesota Press - Plusbog.dk

A new approach to the vast nuclear infrastructure and the apocalypses it produces, focusing on Black, queer, Indigenous, and Asian American literatures Since 1945, America has spent more resources on nuclear technology than any other national project. Although it requires a massive infrastructure that touches society on myriad levels, nuclear technology has typically been discussed in a limited, top-down fashion that clusters around powerful men. In Infrastructures of Apocalypse, Jessica Hurley turns this conventional wisdom on its head, offering a new approach that focuses on neglected authors and Black, queer, Indigenous, and Asian American perspectives. Exchanging the usual white, male “nuclear canon” for authors that include James Baldwin, Leslie Marmon Silko, and Ruth Ozeki, Infrastructures of Apocalypse delivers a fresh literary history of post-1945 America that focuses on apocalypse from below. Here Hurley critiques the racialized urban spaces of civil defense and reads nuclear waste as a colonial weapon. Uniting these diverse lines of inquiry is Hurley’s belief that apocalyptic thinking is not the opposite of engagement but rather a productive way of imagining radically new forms of engagement. Infrastructures of Apocalypse offers futurelessness as a place from which we can construct a livable world. It fills a blind spot in scholarship on American literature of the nuclear age, while also offering provocative, surprising new readings of such well-known works as Atlas Shrugged, Infinite Jest, and Angels in America. Infrastructures of Apocalypse is a revelation for readers interested in nuclear issues, decolonial literature, speculative fiction, and American studies.

DKK 800.00
1

Infrastructures of Apocalypse - Jessica Hurley - Bog - University of Minnesota Press - Plusbog.dk

Infrastructures of Apocalypse - Jessica Hurley - Bog - University of Minnesota Press - Plusbog.dk

A new approach to the vast nuclear infrastructure and the apocalypses it produces, focusing on Black, queer, Indigenous, and Asian American literatures Since 1945, America has spent more resources on nuclear technology than any other national project. Although it requires a massive infrastructure that touches society on myriad levels, nuclear technology has typically been discussed in a limited, top-down fashion that clusters around powerful men. In Infrastructures of Apocalypse, Jessica Hurley turns this conventional wisdom on its head, offering a new approach that focuses on neglected authors and Black, queer, Indigenous, and Asian American perspectives. Exchanging the usual white, male “nuclear canon” for authors that include James Baldwin, Leslie Marmon Silko, and Ruth Ozeki, Infrastructures of Apocalypse delivers a fresh literary history of post-1945 America that focuses on apocalypse from below. Here Hurley critiques the racialized urban spaces of civil defense and reads nuclear waste as a colonial weapon. Uniting these diverse lines of inquiry is Hurley’s belief that apocalyptic thinking is not the opposite of engagement but rather a productive way of imagining radically new forms of engagement. Infrastructures of Apocalypse offers futurelessness as a place from which we can construct a livable world. It fills a blind spot in scholarship on American literature of the nuclear age, while also offering provocative, surprising new readings of such well-known works as Atlas Shrugged, Infinite Jest, and Angels in America. Infrastructures of Apocalypse is a revelation for readers interested in nuclear issues, decolonial literature, speculative fiction, and American studies.

DKK 228.00
1

Reclaiming the Heartland - - Bog - University of Minnesota Press - Plusbog.dk

Reclaiming the Heartland - - Bog - University of Minnesota Press - Plusbog.dk

This important and diverse new collection by writers and artists who have lived in the Midwest presents a wide range of fiction, poetry, memoir, essays, and photography, adding a vital point of view to the canon of lesbian and gay literature. It seems obvious, and yet isn't, that not only are there lesbians and gay men living in the Midwest, but the Midwest offers a dynamic, if different, locus of lesbian and gay life. All too often, the discussion focuses on cities on the East and West coasts—New York, Miami, Los Angeles, San Francisco. Through their selection of works to be included in this volume, Osborne and Spurlin challenge the common portrayal of the Midwest as repressive and backward, pointing out the danger inherent in defining lesbian and gay identity and community too narrowly. Reclaiming the Heartland is composed of works as diverse in form as they are in point of view: “Christmas in the Midwest” by Maureen Seaton is a poem about a woman who brings her lesbian lover home in hopes of acceptance and validation from her parents; in D. Travers Scott's story “Digestion” a group of urban gay male friends engages in a lively debate about gender conformity, all the while enjoying an exquisitely prepared dinner; the protagonist in “Luke Giovanni's Canoe” beautifully recalls her father's intense, private battle to protect the wildlife near their home in Michigan. An essential addition to every gay and lesbian bookshelf, Reclaiming the Heartland explores the complexity of queer identity and demonstrates that beyond signifying a geographic space, the Midwest is also a perspective, a way of positioning oneself in the world.

DKK 380.00
1

Images of Bliss - Murat Aydemir - Bog - University of Minnesota Press - Plusbog.dk

Images of Bliss - Murat Aydemir - Bog - University of Minnesota Press - Plusbog.dk

Aristotle believed semen to be the purest of all bodily secretions, a vehicle for the spirit or psyche that gives form to substance. For Proust’s narrator in Swann’s Way, waking to find he has experienced a nocturnal emission, it is the product of “some misplacing of my thigh.” The heavy metal band Metallica used it to adorn an album cover. Beyond its biological function, semen has been applied with surprising frequency to metaphorical and narratological purposes. In Images of Bliss, Murat Aydemir undertakes an original and extensive analysis of images of male orgasm and semen. In a series of detailed case studies—Aristotle’s On the Generation of Animals; Andres Serrano’s use of bodily fluids in his art; paintings by Holbein and Leonardo; Proust’s In Search of Lost Time; hard-core pornography (both straight and gay); and key texts from the poststructuralist canon, including Lacan on the phallus, Bataille on expenditure, Barthes on bliss, and Derrida on dissemination—Aydemir traces the complex and often contradictory possibilities for imagination, description, and cognition that both the idea and the reality of semen make available. In particular, he foregrounds the significance of male ejaculation for masculine subjectivity. More often than not, Aydemir argues, the event or object of ejaculation emerges as the instance through which identity, meaning, and gender are not so much affirmed as they are relentlessly and productively questioned, complicated, and displaced. Combining close readings of diverse works with subtle theoretical elaboration and a keen eye for the cultural ideals and anxieties attached to sexuality, Images of Bliss offers a convincing and long overdue critical exploration of ejaculation in Western culture. Murat Aydemir is assistant professor of comparative literature at the University of Amsterdam.

DKK 573.00
1

The Devil Notebooks - Laurence A. Rickels - Bog - University of Minnesota Press - Plusbog.dk

The Devil Notebooks - Laurence A. Rickels - Bog - University of Minnesota Press - Plusbog.dk

This sequel to The Vampire Lectures takes on the DevilMilton’s Paradise Lost. Goethe’s Faust. Aaron Spelling’s Satan’s School for Girls? Laurence A. Rickels scours the canon and pop culture in this all-encompassing study on the Devil. Continuing the work he began in his influential book The Vampire Lectures, Rickels returns with his trademark wit and encyclopedic knowledge to go mano a mano with the Prince of Darkness himself. Revealing our astonishing obsession with Satan in his many forms, Rickels guides us on an entertaining and enlightening journey down the darkest corridors that film, music, folklore, theater, and literature have ever offered. “The Devil represents the father,” Rickels writes in the opening pages, setting the stage to challenge foundational interpretations of Freudian psychology. The Devil presents not the usual fantasy of immortality, he explains, but instead provides victims with a paternal origin. Until their preordained deadline is reached, the Devil’s pitch goes, people will enjoy the pleasure of uninterrupted “quality time” without the threat of random death. Rickels terms it “Dad certainty”: you know where you came from and you know where you are going. Despite the grim outlook, Rickels keeps the proceedings amusing, with extravagant wordplay and buoyant prose. A stunning cultural and psychological analysis, The Devil Notebooks shows how the prince of occult has been used—throughout history and across cultures—to represent people’s primal fear of authority and humanity’s universal suffering. Sharing this cultural moment with the idea of evil being bandied about in our political discourse, the supposed satanic influence of pop music on our children, and a wildly popular book series on the end of the world, The Devil Notebooks is a sweeping and timely work that sheds light on the source of human fear and dread in the world.

DKK 573.00
1

Fuel - Karen Pinkus - Bog - University of Minnesota Press - Plusbog.dk

Fuel - Karen Pinkus - Bog - University of Minnesota Press - Plusbog.dk

Fuel is an idiosyncratic, speculative dictionary of fuels, real and imagined, historical and futuristic, hopeless and utopian. Drawing on literature, film, and scientific treatises—most produced long before “climate change” was in circulation—Fuel argues for a distinction between energy (a system of power) and fuel (a substance, which can be thought of as “potentiality”) as it endeavors to undo the dream that we can simply switch to renewables and all will be golden. From “Air” to “Zyklon B,” entries in this unusual “dictionary” include Algae, Clathrates, Dilithium, Fleece, Goats, Theology, Whale Oil, and many, many more. The tone of the entries ranges as widely as the topics: from historical anecdotes (the Ford Fiesta “boozemobile”) to eccentric readings of the classics of “energy lit” ( Germinal and Oil! ); from literary observations (a high octane Odyssey ?) to excursions into literary theory. The dictionary draws from an eccentric canon, including works by Jules Verne, George Eliot’s Silas Marner , Paolo Bacigalupi’s Windup Girl , and the Tom Cruise vehicle Oblivion , among others. A message from this ambitious project is that energy can be understood as a heterogeneous set of self-mystifying systems or machines that block access to thought as they fascinate us. Fuels emerge as more primal elements that the audience can grasp at various points along the way to consumption/combustion. This dictionary can help scramble our thinking about fuel—not in order to demonize energy and not in order to create a new hierarchy in which certain renewables take over from fossil fuels but instead to open up potential ways of interacting with real and imaginary substances, by wrenching them out of narrative and placing them into an idiosyncratic dictionary to be applied by readers into new narratives.

DKK 246.00
1

Judging Architectural Value - - Bog - University of Minnesota Press - Plusbog.dk

Judging Architectural Value - - Bog - University of Minnesota Press - Plusbog.dk

When it comes to determining the relative quality of architecture, who is best equipped to make the distinctions? Is it the public who lives in and among the buildings? The people who commission and pay for the buildings? Art historians? Or architects themselves? These provocative essays take up the questions of what people value in architecture and how changing values influence opinions about it. In the intriguing opening essay, Michael Benedikt makes an argument for the role of architects in the delineation of value in architecture. He discusses the differences between icon and canon, a theme threaded through many of the essays. In addition to unexpected analyses of buildings such as Eero Saarinen’s Gateway Arch in St. Louis, Paul Rudolph’s Art and Architecture Building at Yale University, and the work of Antoni Gaudí and Frank Gehry, the collection includes a clear-eyed look at the role of architecture in addressing social problems. Ultimately, these essays assert that judging architecture requires more than a refined sensibility. Buildings also need to be evaluated by their impact on the people living within and around them. Contributors: John Beardsley, Harvard Design School; Michael Benedikt, U of Texas, Austin; Tim Culvahouse, California College of the Arts; Lisa Finley, California College of the Arts; Kurt W. Forster, Bauhaus-Universität, Weimar, Germany; Kenneth Frampton, Columbia U; Diane Ghirardo, U of Southern California; Charles Jencks; David Leatherbarrow, U of Pennsylvania; Nancy Levinson; Hélène Lipstadt; Juhani Pallasmaa, Helsinki U of Technology; Timothy M. Rohan, U of Massachusetts, Amherst; Roger Scruton; Daniel Willis, Pennsylvania State U. William S. Saunders is editor of Harvard Design Magazine and assistant dean for external relations at Harvard University’s Graduate School of Design. He is the author of Modern Architecture: Photographs by Ezra Stoller and editor of three other Harvard Design Magazine Readers. Michael Benedikt is Hal Box Chair in Urbanism and director of the Center for American Architecture and Design at the School of Architecture at the University of Texas at Austin.

DKK 203.00
1