Pro1.pl | Se de billigste priser og tilbud på !URL

Dancing on the Color Line - African American Tricksters in Nineteenth-Century American Literature - Bog af Gretchen Martin - Hardback

A vivid canvas of how the black trickster affected the white canon

DKK 1387.95

2

King Noir - Stephen King - Bog - University Press of Mississippi - Plusbog.dk

Over the past thirty years, Stephen King has received enormous attention from both the popular press as well as academics seeking to explain the unique phenomenon of his success. Books on King explore his canon in religious contexts, in political and historical contexts, in mythic—specifically Jungian—contexts, in Gothic/horror (especially American literary) contexts, and in a wide variety of other contexts appropriate to a writer who, over the past half century, has become "America’s Storyteller." Beginning with a never-published chapter authored by Stephen King himself on the influence of the genre on his own writing, King Noir makes an invaluable contribution to King scholarship by placing King’s works in conversation with American crime fiction. This is the third book that Tony Magistrale and Michael J. Blouin have coauthored on the work of Stephen King, and the first to consider King’s canon through the lens of crime fiction. King Noir examines not only King’s own efforts at writing in the detective genre, but also how the detective genre finds its way into work typically regarded as horror fiction. In interviews, King has acknowledged his debt to earlier writers in the genre, such as Ed McBain and Raymond Chandler, and he much more often references hardboiled writers than he does horror writers. One could speculate that King became a writer because of his love of pulpy crime fiction, which he continues to hold in high esteem. From The Dead Zone to Mr. Mercedes, from the crime fiction of his pseudonym Richard Bachman to his most recent novel Holly, King returns obsessively to patterns established by American sleuths of every stripe, paying homage to them at the same time as he innovates on the formulas he has inherited. To focus upon a hardboiled Stephen King is to discover exciting new avenues for inquiry into one of America’s most enduring, and adaptable, storytellers.

DKK 970.00

1

The Speeches of Bishop Henry McNeal Turner - - Bog - University Press of Mississippi - Plusbog.dk

Henry McNeal Turner (1834-1915) was a bishop of the African Methodist Episcopal Church, one of America''s earliest Black activists and social reformers, and an outspoken proponent of emigration. In The Speeches of Bishop Henry McNeal Turner: The Press, the Platform, and the Pulpit , Andre E. Johnson has compiled selected political speeches, sermons, lectures, and religious addresses delivered by Turner in their original form. Alongside Turner''s oratory, Johnson places the speeches in their historical context and traces his influence on Black social movements in the twentieth century, from W. E. B. Du Bois''s idea of cultural nationalism to Marcus Garvey''s "Back to Africa" movement, the modern-day civil rights movement, the Black Power movement, James Cone''s Black liberation theology, and more. While Turner was widely known as a great orator and published copious articles, essays, and editorials, no single collection of only Turner''s speeches has yet been published, and scholars have largely ignored his legacy. This volume recovers a lost voice within American and African American rhetorical history, expanding the canon of the African American oratorical tradition.

DKK 787.00

1

Firefly in a Box - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Marina Balina, Sibelan Forrester, Anna Krushelnitskaya, Dmitri Manin, Svetlana Maslinskaya, Ainsley Morse, and Serguei Alex. OushakineIn Firefly in a Box: An Anthology of Soviet Kid Lit, translators Anna Krushelnitskaya and Dmitri Manin present a hybrid scholarly and literary volume of popular Russian-language Soviet children’s texts alongside essays that outline the significance and meanings behind these popular texts. The selection features both poetry and short prose, all of which are instantly recognizable to a Soviet native, and all of which hold cultural currency, potency, and valence similar to popular children’s literature in the United States, such as Green Eggs and Ham, Curious George, or Make Way for Ducklings. These texts have either never been translated into English before or appear in all-new translations, literary rather than literal; the featured original Soviet illustrations are reprinted for the English-reading market for the first time. Alongside the translations themselves is a scholarly component that guides Anglophone readers to experience mainstays of Soviet children’s writing. Essayists investigate literary material and perspectives using a broad range of approaches and methodologies applied to Soviet children’s literature. Topics include the Soviet literary canon, the beginning and evolution of Soviet children’s literature in the 1920s and 1930s, interactions between literary texts for children and folklore, and the interplay between Soviet and British children’s poetry.

DKK 975.00

1

Beyond Windrush - - Bog - University Press of Mississippi - Plusbog.dk

This edited collection challenges a long sacrosanct paradigm. Since the establishment of Caribbean literary studies, scholars have exalted an elite cohort of emigre novelists based in postwar London, a group often referred to as ""the Windrush writers"" in tribute to the SS Empire Windrush, whose 1948 voyage from Jamaica inaugurated large-scale Caribbean migration to London. In critical accounts this group is typically reduced to the canonical troika of V. S. Naipaul, George Lamming, and Sam Selvon, effectively treating these three authors as the tradition's founding fathers. These ""founders"" have been properly celebrated for producing a complex, anticolonial, nationalist literature. However, their canonization has obscured the great diversity of postwar Caribbean writers, producing an enduring but narrow definition of West Indian literature. Beyond Windrush stands out as the first book to reexamine and redefine the writing of this crucial era. Its fourteen original essays make clear that in the 1950s there was already a wide spectrum of West Indian men and women--Afro-Caribbean, Indo-Caribbean, and white-creole--who were writing, publishing, and even painting. Many lived in the Caribbean and North America, rather than London. Moreover, these writers addressed subjects overlooked in the more conventionally conceived canon, including topics such as queer sexuality and the environment. This collection offers new readings of canonical authors (Lamming, Roger Mais, and Andrew Salkey); hitherto marginalized authors (Ismith Khan, Elma Napier, and John Hearne); and commonly ignored genres (memoir, short stories, and journalism).

DKK 1082.00

1

Reconsidering Laura Ingalls Wilder - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Emily Anderson, Elif S. Armbruster, Jenna Brack, Christine Cooper-Rompato, Christiane E. Farnan, Melanie J. Fishbane, Vera R. Foley, Sonya Sawyer Fritz, Miranda A. Green-Barteet, Anna Thompson Hajdik, Keri Holt, Shosuke Kinugawa, Margaret Noodin, Anne K. Phillips, Dawn Sardella-Ayres, Katharine Slater, Lindsay Stephens, and Jericho Williams Reconsidering Laura Ingalls Wilder: Little House and Beyond offers a sustained, critical examination of Wilder's writings, including her Little House series, her posthumously published and unrevised The First Four Years, her letters, her journalism, and her autobiography, Pioneer Girl. The collection also draws on biographies of Wilder, letters to and from Wilder and her daughter, collaborator and editor Rose Wilder Lane, and other biographical materials. Contributors analyze the current state of Wilder studies, delineating Wilder's place in a canon of increasingly diverse US women writers, and attending in particular to issues of gender, femininity, space and place, truth, and collaboration, among other issues. The collection argues that Wilder's work and her contributions to US children's literature, western literature, and the pioneer experience must be considered in context with problematic racialized representations of peoples of color, specifically Native Americans. While Wilder's fiction accurately represents the experiences of white settlers, it also privileges their experiences and validates, explicitly and implicitly, the erasure of Native American peoples and culture. The volume's contributors engage critically with Wilder's writings, interrogating them, acknowledging their limitations, and enhancing ongoing conversations about them while placing them in context with other voices, works, and perspectives that can bring into focus larger truths about North American history. Reconsidering Laura Ingalls Wilder examines Wilder's strengths and weaknesses as it discusses her writings with context, awareness, and nuance.

DKK 858.00

1

New Critical Essays on Toni Morrison's God Help the Child - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Alice Knox Eaton, Mar Gallego, Maxine Lavon Montgomery, Evelyn Jaffe Schreiber, Shirley A. Stave, Justine Tally, Susana Vega-González, and Anissa Wardi In her eleventh novel, God Help the Child, Toni Morrison returned to several of the signature themes explored in her previous work: pernicious beauty standards for women, particularly African American women; mother-child relationships; racism and colorism; and child sexual abuse. God Help the Child, published in 2015, is set in the contemporary period, unlike all of her previous novels. The contemporary setting is ultimately incidental to the project of the novel, however; as with Morrison's other work, the story takes on mythic qualities, and the larger-than-life themes lend themselves to allegorical and symbolic readings that resonate in light of both contemporary and historical issues. New Critical Essays on Toni Morrison's "God Help the Child" Race, Culture, and History, a collection of eight essays by both seasoned Morrison scholars as well as new and rising scholars, takes on the novel in a nuanced and insightful analysis, interpreting it in relation to Morrison's earlier work as well as locating it within ongoing debates in literary and other academic disciplines engaged with African American literature. The volume is divided into three sections. The first focuses on trauma--both the pain and suffering caused by neglect and abuse, as well as healing and understanding. The second section considers narrative choices, concentrating on experimentation and reader engagement. The third section turns a comparative eye to Morrison's fictional canon, from her debut work of fiction, The Bluest Eye, until the present. These essays build on previous studies of Morrison's novels and deepen readers' understanding of both her last novel and her larger literary output.

DKK 1029.00

1

Conversations with Terrence McNally - - Bog - University Press of Mississippi - Plusbog.dk

Arriving in New York at the tail end of what has been termed the "Golden Age" of Broadway and the start of the Off Broadway theater movement, Terrence McNally (1938-2020) first established himself as a dramatist of the absurd and a biting social critic. He quickly recognized, however, that one is more likely to change people''s minds by first changing their hearts, and--in outrageous farces like The Ritz and It''s Only a Play --began using humor more broadly to challenge social biases. By the mid-1980s, as the emerging AIDS pandemic called into question America''s treatment of persons isolated by suffering and sickness, he became the theater''s great poet of compassion, dramatizing the urgent need of human connection and the consequences when such connections do not take place. Conversations with Terrence McNally collects nineteen interviews with the celebrated playwright. In these interviews, one hears McNally reflect on theater as the most collaborative of the arts, the economic pressures that drive the theater industry, the unique values of music and dance, and the changes in American theater over McNally''s fifty-plus year career. The winner of four competitive Tony Awards as the author of the Best Play ( Love! Valour! Compassion! and Master Class ) and author of the book for the Best Musical ( Kiss of the Spider Woman and Ragtime ), McNally holds the distinction of being one of the few writers for the American theater who excelled in straight drama as well as musical comedy. In addition, his canon extends to opera; his collaboration with composer Jake Heggie, Dead Man Walking , has proven the most successful new American opera of the last twenty-five years.

DKK 939.00

1

Black Folklore and the Politics of Racial Representation - Shirley Moody Turner - Bog - University Press of Mississippi - Plusbog.dk

Before the innovative work of Zora Neale Hurston, folklorists from the Hampton Institute collected, studied, and wrote about African American folklore. Like Hurston, these folklorists worked within but also beyond the bounds of white mainstream institutions. They often called into question the meaning of the very folklore projects in which they were engaged.Shirley Moody-Turner analyzes this output, along with the contributions of a disparate group of African American authors and scholars. She explores how black authors and folklorists were active participants--rather than passive observers--in conversations about the politics of representing black folklore. Examining literary texts, folklore documents, cultural performances, legal discourse, and political rhetoric, Black Folklore and the Politics of Racial Representation demonstrates how folklore studies became a battleground across which issues of racial identity and difference were asserted and debated at the turn of the twentieth century. The study is framed by two questions of historical and continuing import. What role have representations of black folklore played in constructing racial identity? And, how have those ideas impacted the way African Americans think about and creatively engage black traditions?Moody-Turner renders established historical facts in a new light and context, taking figures we thought we knew--such as Charles Chesnutt, Anna Julia Cooper, and Paul Laurence Dunbar--and recasting their place in African American intellectual and cultural history.Shirley Moody-Turner, State College, Pennsylvania, is an assistant professor of English specializing in African American literature, critical race studies, and folklore studies at Penn State. She is coeditor of Contemporary African American Literature: The Living Canon. She has also published essays in New Essays on the African American Novel, A Companion to African American Literature, and African American Review.