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Rebirthing a Nation - Wendy K. Z. Anderson - Bog - University Press of Mississippi - Plusbog.dk

Rebirthing a Nation - Wendy K. Z. Anderson - Bog - University Press of Mississippi - Plusbog.dk

Although US history is marred by institutionalized racism and sexism, postracial and postfeminist attitudes drive our polarized politics. Violence against people of color, transgender and gay people, and women soar upon the backdrop of Donald Trump, Tea Party affiliates, alt-right members like Richard Spencer, and right-wing political commentators like Milo Yiannopoulos who defend their racist and sexist commentary through legalistic claims of freedom of speech. While more institutions recognize the volatility of these white men''s speech, few notice or have thoughtfully considered the role of white nationalist, alt-right, and conservative white women''s messages that organizationally preserve white supremacy. In Rebirthing a Nation: White Women, Identity Politics, and the Internet, author Wendy K. Z. Anderson details how white nationalist and alt-right women refine racist rhetoric and web design as a means of protection and simultaneous instantiation of white supremacy, which conservative political actors including Sarah Palin, Donald Trump, Kellyanne Conway, Sarah Huckabee Sanders, and Ivanka Trump have amplified through transnational politics. By validating racial fears and political divisiveness through coded white identity politics, postfeminist and motherhood discourse functions as a colorblind, gilded cage. Rebirthing a Nation reveals how white nationalist women utilize colorblind racism within digital space, exposing how a postfeminist framework becomes fodder for conservative white women''s political speech to preserve institutional white supremacy.

DKK 841.00
1

Wednesdays in Mississippi - Debbie Z. Harwell - Bog - University Press of Mississippi - Plusbog.dk

Wednesdays in Mississippi - Debbie Z. Harwell - Bog - University Press of Mississippi - Plusbog.dk

As tensions mounted before Freedom Summer, one organization tackled the divide by opening lines of communication at the request of local women: Wednesdays in Mississippi (WIMS). Employing an unusual and deliberately feminine approach, WIMS brought interracial, interfaith teams of northern middle-aged, middle- and upper-class women to Mississippi to meet with their southern counterparts. Sponsored by the National Council of Negro Women (NCNW), WIMS operated on the belief that the northern participants' gender, age, and class would serve as an entree to southerners who had dismissed other civil rights activists as radicals. The WIMS teams' respectable appearance and quiet approach enabled them to build understanding across race, region, and religion where other overtures had failed. The only civil rights program created for women by women as part of a national organization, WIMS offers a new paradigm through which to study civil rights activism, challenging the stereotype of Freedom Summer activists as young student radicals and demonstrating the effectiveness of the subtle approach taken by ""proper ladies."" The book delves into the motivations for women's civil rights activism and the role religion played in influencing supporters and opponents of the civil rights movement. Lastly, it confirms that the NCNW actively worked for integration and black voting rights while also addressing education, poverty, hunger, housing, and employment as civil rights issues. After successful efforts in 1964 and 1965, WIMS became Workshops in Mississippi, which strived to alleviate the specific needs of poor women. Projects that grew from these efforts still operate today.

DKK 263.00
1

Wednesdays in Mississippi - Debbie Z. Harwell - Bog - University Press of Mississippi - Plusbog.dk

Wednesdays in Mississippi - Debbie Z. Harwell - Bog - University Press of Mississippi - Plusbog.dk

As tensions mounted before Freedom Summer, one organization tackled the divide by opening lines of communication at the request of local women: Wednesdays in Mississippi (WIMS). Employing an unusual and deliberately feminine approach, WIMS brought interracial, interfaith teams of northern middle-aged, middle- and upper-class women to Mississippi to meet with their southern counterparts. Sponsored by the National Council of Negro Women (NCNW), WIMS operated on the belief that the northern participants' gender, age, and class would serve as an entree to southerners who had dismissed other civil rights activists as radicals. The WIMS teams' respectable appearance and quiet approach enabled them to build understanding across race, region, and religion where other overtures had failed. The only civil rights program created for women by women as part of a national organization, WIMS offers a new paradigm through which to study civil rights activism, challenging the stereotype of Freedom Summer activists as young student radicals and demonstrating the effectiveness of the subtle approach taken by ""proper ladies."" The book delves into the motivations for women's civil rights activism and the role religion played in influencing supporters and opponents of the civil rights movement. Lastly, it confirms that the NCNW actively worked for integration and black voting rights while also addressing education, poverty, hunger, housing, and employment as civil rights issues. After successful efforts in 1964 and 1965, WIMS became Workshops in Mississippi, which strived to alleviate the specific needs of poor women. Projects that grew from these efforts still operate today.

DKK 823.00
1

Books of the Dead - Tim Lanzendorfer - Bog - University Press of Mississippi - Plusbog.dk

From Madea to Media Mogul - - Bog - University Press of Mississippi - Plusbog.dk

From Madea to Media Mogul - - Bog - University Press of Mississippi - Plusbog.dk

Essays on the seemingly unstoppable writer, producer, director, actor, and entrepreneur Tyler PerryContributions by Leah Aldridge, Karen M. Bowdre, Aymar Jean Christian, Keith Corson, Rachel Jessica Daniel, Artel Great, Brandeise Monk-Payton, Miriam Petty, Paul N. Reinsch, Rashida Z. Shaw, Samantha N. Sheppard, Ben Raphael Sher, and Khadijah Costley WhiteFor over a decade Tyler Perry has been a lightning rod for both criticism and praise. To some he is most widely known for his drag performances as Madea, a self-proclaimed "mad black woman," not afraid to brandish a gun or a scalding pot of grits. But to others who watch the film industry, he is the businessman who by age thirty-six had sold more than $100 million in tickets, $30 million in videos, $20 million in merchandise, and was producing 300 projects each year viewed by 35,000 every week.Is the commercially successful African American actor, director, screenwriter, playwright, and producer "malt liquor for the masses," an "embarrassment to the race!," or is he a genius who has directed the most culturally significant American melodramas since Douglas Sirk? Are his films and television shows even melodramas, or are they conservative Christian diatribes, cheeky camp, or social satires? Do Perry''s flattened narratives and character tropes irresponsibly collapse important social discourses into one-dimensional tales that affirm the notion of a "post-racial" society?In light of these debates, From Madea to Media Mogul makes the argument that Tyler Perry must be understood as a figure at the nexus of converging factors, cultural events, and historical traditions. Contrbutors demonstrate how a critical engagement with Perry''s work and media practices highlights a need for studies to grapple with developing theories and methods on disreputable media. These essays challenge value-judgment criticisms and offer new insights on the industrial and formal qualities of Perry''s work.TreaAndrea M. Russworm, Amherst, Massachusetts, is an assistant professor of English at UMass Amherst. Her work has been published in Cinema Journal''s Teaching Media and the books Watching While Black and Game On, Hollywood! Samantha N. Sheppard, Ithaca, New York, is an assistant professor of cinema and media studies at Cornell University. Her work has appeared in Cinema Journal and the edited collection The L.A. Rebellion: Creating a New Black Cinema. Karen M. Bowdre, Radnor, Pennsylvania, is an independent scholar who has published in Black Camera; Cinema Journal; and Falling in Love Again: The Contemporary Romantic Comedy.

DKK 858.00
1

Emmett Till - Devery S. Anderson - Bog - University Press of Mississippi - Plusbog.dk

Emmett Till - Devery S. Anderson - Bog - University Press of Mississippi - Plusbog.dk

Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement offers the first truly comprehensive account of the 1955 murder and its aftermath. It tells the story of Emmett Till, the fourteen-year-old African American boy from Chicago brutally lynched for a harmless flirtation at a country store in the Mississippi Delta. Anderson utilizes documents that had never been available to previous researchers, such as the trial transcript, long-hidden depositions by key players in the case, and interviews given by Carolyn Bryant to the FBI in 2004 (her first in fifty years), as well as other recently revealed FBI documents. Anderson also interviewed family members of the accused killers, most of whom agreed to talk for the first time, as well as several journalists who covered the murder trial in 1955. Till’s death and the acquittal of his killers by an all-white jury set off a firestorm of protests that reverberated all over the world and spurred on the civil rights movement. Like no other event in modern history, the death of Emmett Till provoked people all over the United States to seek social change. Anderson’s exhaustively researched book is also the basis for HBO’s mini-series produced by Jay-Z, Will Smith, Casey Affleck, Aaron Kaplan, James Lassiter, Jay Brown, Ty Ty Smith, John P. Middleton, Rosanna Grace, David B. Clark, and Alex Foster, which is currently in active development.For six decades the Till story has continued to haunt the South as the lingering injustice of Till’s murder and the aftermath altered many lives. Fifty years after the murder, renewed interest in the case led the Justice Department to open an investigation into identifying and possibly prosecuting accomplices of the two men originally tried. Between 2004 and 2005, the Federal Bureau of Investigation conducted the first real probe into the killing and turned up important information that had been lost for decades. Anderson covers the events that led up to this probe in great detail, as well as the investigation itself. This book will stand as the definitive work on Emmett Till for years to come. Incorporating much new information, the book demonstrates how the Emmett Till murder exemplifies the Jim Crow South at its nadir. The author accessed a wealth of new evidence. Anderson made a dozen trips to Mississippi and Chicago over a ten-year period to conduct research and interview witnesses and reporters who covered the trial. In Emmett Till Anderson corrects the historical record and presents this critical saga in its entirety.

DKK 303.00
1