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Making a Canon - Janice Leoshko - Bog - The University of Chicago Press - Plusbog.dk

Modern Jewish Canon - Ruth R. Wisse - Bog - The University of Chicago Press - Plusbog.dk

Canons - - Bog - The University of Chicago Press - Plusbog.dk

The Chicago Canon on Free Inquiry and Expression - - Bog - The University of Chicago Press - Plusbog.dk

The Chicago Canon on Free Inquiry and Expression - - Bog - The University of Chicago Press - Plusbog.dk

A collection of texts that provide the foundation for the University of Chicago’s longstanding tradition of free expression, principles that are at the center of current debates within higher education and society more broadly. Free inquiry and expression are hotly contested, both on campus and in social and political life. Since its founding in the late nineteenth century, the University of Chicago has been at the forefront of conversations around free speech and academic freedom in higher education. The University’s approach to free expression grew from a sterling reputation as a research university as well as a commitment to American pragmatism and democratic progress, all of which depended on what its first president referred to as the “complete freedom of speech on all subjects.” In 2015, more than 100 years later, then University provost and president J. D. Isaacs and Robert Zimmer echoed this commitment, releasing a statement by a faculty committee led by law professor Geoffrey R. Stone that has come to be known as the Chicago Principles, now adopted or endorsed by one hundred US colleges and universities. These principles are just a part of the long-standing dialogue at the University of Chicago around freedom of expression—its meaning and limits. The Chicago Canon on Free Inquiry and Expression brings together exemplary documents – some published for the first time here – that explain and situate this ongoing conversation with an introductory essay that brings the tradition to light. Throughout waves of historical and societal challenges, this first principle of free expression has required rearticulation and new interpretations. The documents gathered here include, among others, William Rainey Harper’s “Freedom of Speech” (1900), the Kalven Committee’s report on the University’s role in political and social action (1967), and Geoffrey R. Stone’s “Free Speech on Campus: A Challenge of Our Times” (2016). Together, the writings of the canon reveal how the Chicago tradition is neither static nor stagnant, but a vibrant experiment; a lively struggle to understand, practice, and advance free inquiry and expression. At a time of nationwide campus speech debates, engaging with these texts and the questions they raise is essential to sustaining an environment of broad intellectual and ideological diversity. This book offers a blueprint for the future of higher education’s vital work and points to the civic value of free expression.

DKK 193.00
1

Cultural Capital - Professor John Guillory - Bog - The University of Chicago Press - Plusbog.dk

Actors, Athletes, and Astronauts - David T. Canon - Bog - The University of Chicago Press - Plusbog.dk

Actors, Athletes, and Astronauts - David T. Canon - Bog - The University of Chicago Press - Plusbog.dk

The U.S. Congress is typically seen as an institution filled with career politicians who have been seasoned by experience in lower levels of political office. In fact, political amateurs have comprised roughly one quarter of the House of Representatives since 1930. The effect of amateurs' inexperience on their political careers, roles in Congress, and impact on the political system has never been analyzed in detail. Written in a lucid style accessible to the nonspecialist, David T. Canon's Actors, Athletes, and Astronauts is a definitive study of political amateurs in elections and in Congress. Canon examines the political conditions that prompt amateurs to run for office, why they win or lose, and whether elected amateurs behave differently from their experienced counterparts. Challenging previous work which presumed stable career structures and progressively ambitious candidates, his study reveals that amateurs are disproportionately elected in periods of high political opportunity, such as the 1930s for Democrats and 1980s for Republicans. Canon's detailed findings call for significant revision of our prevailing understanding of ambition theory and disarm monolithic interpretations of political amateurs. His unique typology of amateurism differentiates among policy-oriented, "hopeless," or ambitious amateurs. The latter resemble their professional counterparts; "hopeless" amateurs are swept into office by strong partisan motivations and decision-making styles of each type vary, affecting their degree of success, but each type of amateur provides a necessary electoral balance by defeating entrenched incumbents rarely challenged by more experienced politicians.

DKK 356.00
1

Actors, Athletes, and Astronauts - David T. Canon - Bog - The University of Chicago Press - Plusbog.dk

Actors, Athletes, and Astronauts - David T. Canon - Bog - The University of Chicago Press - Plusbog.dk

The U.S. Congress is typically seen as an institution filled with career politicians who have been seasoned by experience in lower levels of political office. In fact, political amateurs have comprised roughly one quarter of the House of Representatives since 1930. The effect of amateurs' inexperience on their political careers, roles in Congress, and impact on the political system has never been analyzed in detail. Written in a lucid style accessible to the nonspecialist, David T. Canon's Actors, Athletes, and Astronauts is a definitive study of political amateurs in elections and in Congress. Canon examines the political conditions that prompt amateurs to run for office, why they win or lose, and whether elected amateurs behave differently from their experienced counterparts. Challenging previous work which presumed stable career structures and progressively ambitious candidates, his study reveals that amateurs are disproportionately elected in periods of high political opportunity, such as the 1930s for Democrats and 1980s for Republicans. Canon's detailed findings call for significant revision of our prevailing understanding of ambition theory and disarm monolithic interpretations of political amateurs. His unique typology of amateurism differentiates among policy-oriented, "hopeless," or ambitious amateurs. The latter resemble their professional counterparts; "hopeless" amateurs are swept into office by strong partisan motivations and decision-making styles of each type vary, affecting their degree of success, but each type of amateur provides a necessary electoral balance by defeating entrenched incumbents rarely challenged by more experienced politicians.

DKK 962.00
1

The Artemisia Files - Mieke Bal - Bog - The University of Chicago Press - Plusbog.dk

The Artemisia Files - Mieke Bal - Bog - The University of Chicago Press - Plusbog.dk

One of the first female artists to achieve recognition in her own time, Artemisia Gentileschi (1593-1653) became instantly popular in the 1970s when feminist art historians "discovered" her and argued vehemently for a place for her in the canon of Italian baroque painters. Featured alongside her father, Orazio Gentileschi, in a recent exhibition at the Metropolitan Museum of Art, Artemisia has continued to stir interest though her position in the canon remains precarious, in part because her sensationalized life history has overshadowed her art. In The Artemisia Files, Mieke Bal and her coauthors look squarely at this early icon of feminist art history and the question of her status as an artist. Considering the events that shaped her life and reputation—her relationship to her father and her role as the victim in a highly publicized rape case during which she was tortured into giving evidence—the authors make the case that Artemisia's importance is due to more than her role as a poster child in the feminist attack on traditional art history; here, Artemisia emerges more fully as a highly original artist whose work is greater than the sum of the events that have traditionally defined her. The fresh, engaging discourse in The Artemisia Files will help to both renew the reputation of this artist on the merit of her work and establish her rightful place in the history of art. “Over the last generation Artemisia has been transformed from a talented curiosity . . . into a standard bearer of early feminist consciousness. This book offers a fascinating glimpse into the critical frame of mind underlying this transformation.”—Keith Christiansen, Jayne Wrightsman Curator of Italian Painting, The MetropolitanMuseum of Art

DKK 278.00
3