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Unpublished Fragments from the Period of Human, All Too Human I (Winter 1874/75–Winter 1877/78) - Friedrich Nietzsche - Bog - Stanford University

Unpublished Fragments from the Period of Human, All Too Human I (Winter 1874/75–Winter 1877/78) - Friedrich Nietzsche - Bog - Stanford University

This volume in The Complete Works presents the first English translations of Nietzsche''s unpublished notebooks from Winter 1874/1875 through 1878, the period in which he developed the mixed aphoristic-essayistic mode that continued across the rest of his career. These notebooks comprise a range of different materials, including early drafts and near-final versions of aphorisms that would appear in both volumes of Human, All Too Human . Additionally, there are extensive notes for a never-completed Unfashionable Observation that was to be titled "We Philologists," early drafts for the final sections of "Richard Wagner in Bayreuth," plans for other possible publications, and detailed reading notes on philologists, philosophers, and historians of his era, including Friedrich August Wolf, Eugen Dühring, and Jacob Burckhardt. Through this volume, readers gain insight into Nietzsche''s emerging sense of himself as a composer of complexly orchestrated, stylistically innovative philosophical meditations—influenced by, but moving well beyond, the modes used by aphoristic precursors such as Goethe, La Rochefoucauld, Vauvenargues, and Schopenhauer. Further, these notebooks allow readers to trace more closely Nietzsche''s development of ideas that remain central to his mature philosophy, such as the contrast between free and constrained spirits, the interplay of national, supra-national, and personal identities, and the cultural centrality of the process of Bildung as formation, education, and cultivation. With this latest book in the series, Stanford continues its English-language publication of the famed Colli-Montinari edition of Nietzsche''s complete works, which include the philosopher''s notebooks and early unpublished writings. Scrupulously edited so as to establish a new standard for the field, each volume includes an Afterword that presents and contextualizes the material it contains.

DKK 1034.00
1

Unpublished Fragments from the Period of Human, All Too Human I (Winter 1874/75–Winter 1877/78) - Friedrich Nietzsche - Bog - Stanford University

Unpublished Fragments from the Period of Human, All Too Human I (Winter 1874/75–Winter 1877/78) - Friedrich Nietzsche - Bog - Stanford University

This volume in The Complete Works presents the first English translations of Nietzsche's unpublished notebooks from Winter 1874/1875 through 1878, the period in which he developed the mixed aphoristic-essayistic mode that continued across the rest of his career. These notebooks comprise a range of different materials, including early drafts and near-final versions of aphorisms that would appear in both volumes of Human, All Too Human. Additionally, there are extensive notes for a never-completed Unfashionable Observation that was to be titled "We Philologists," early drafts for the final sections of "Richard Wagner in Bayreuth," plans for other possible publications, and detailed reading notes on philologists, philosophers, and historians of his era, including Friedrich August Wolf, Eugen Dühring, and Jacob Burckhardt. Through this volume, readers gain insight into Nietzsche's emerging sense of himself as a composer of complexly orchestrated, stylistically innovative philosophical meditations—influenced by, but moving well beyond, the modes used by aphoristic precursors such as Goethe, La Rochefoucauld, Vauvenargues, and Schopenhauer. Further, these notebooks allow readers to trace more closely Nietzsche's development of ideas that remain central to his mature philosophy, such as the contrast between free and constrained spirits, the interplay of national, supra-national, and personal identities, and the cultural centrality of the process of Bildung as formation, education, and cultivation. With this latest book in the series, Stanford continues its English-language publication of the famed Colli-Montinari edition of Nietzsche's complete works, which include the philosopher's notebooks and early unpublished writings. Scrupulously edited so as to establish a new standard for the field, each volume includes an Afterword that presents and contextualizes the material it contains.

DKK 262.00
1

Cities, Business, and the Politics of Urban Violence in Latin America - Eduardo Moncada - Bog - Stanford University Press - Plusbog.dk

Cities, Business, and the Politics of Urban Violence in Latin America - Eduardo Moncada - Bog - Stanford University Press - Plusbog.dk

This book analyzes and explains the ways in which major developing world cities respond to the challenge of urban violence. The study shows how the political projects that cities launch to confront urban violence are shaped by the interaction between urban political economies and patterns of armed territorial control. It introduces business as a pivotal actor in the politics of urban violence, and argues that how business is organized within cities and its linkages to local governments impacts whether or not business supports or subverts state efforts to stem and prevent urban violence. A focus on city mayors finds that the degree to which politicians rely upon clientelism to secure and maintain power influences whether they favor responses to violence that perpetuate or weaken local political exclusion. The book builds a new typology of patterns of armed territorial control within cities, and shows that each poses unique challenges and opportunities for confronting urban violence. The study develops sub-national comparative analyses of puzzling variation in the institutional outcomes of the politics of urban violence across Colombia''s three principal cities—Medellin, Cali, and Bogota—and over time within each. The book''s main findings contribute to research on violence, crime, citizen security, urban development, and comparative political economy. The analysis demonstrates that the politics of urban violence is a powerful new lens on the broader question of who governs in major developing world cities.

DKK 623.00
1

Haruko’s World - Gail Lee Bernstein - Bog - Stanford University Press - Plusbog.dk

Haruko’s World - Gail Lee Bernstein - Bog - Stanford University Press - Plusbog.dk

In Japan as in the United States, family farming is on the wane, increasingly rejected by the younger generation in favor of more promising economic pursuits and more sophisticated comforts. Yet for centuries past, the village and the family farm have constituted the world of the vast majority of Japanese women, as of Japanese men. The dramatic economic and demographic developments of the past two decades have orced extensive changes in the lives of Japanese farm women, many of hwom have been left virtually in charge of their family farms. This book is a study of Japanese farm women’s lives in the present era: its central figure is 42-year-old Haruko, a complex, vibrant woman who both exemplifies and makes a mockery of the stereotype of Japanese women. Through Haruko we learn the work routine, family relationships, and social life of the women who are the mainstay of Japanese agriculture. Other women from Haruko’s village also figure in the story, and the author’s observations of them, based largely on a six-month stay with Haruko and her family in 1974-75, are supplemented with data from questionnaires and personal interviews. An epilogue recounts the author’s return to Haruko’s village in 1982 and describes the changes that have occurred since 1975 in the lives of Haruko’s family and other village women. The book is illustrated with photographs.

DKK 240.00
1

Images of Space - Grigory Kaganov - Bog - Stanford University Press - Plusbog.dk

Images of Space - Grigory Kaganov - Bog - Stanford University Press - Plusbog.dk

This highly original work is about the spatial imagination as it has manifested itself in one of the most beautiful and historically important cities in the world. The subject is not the buildings, trees, and rivers of St. Petersburg, but the spaces between them: space as a conceptual interval, not as emptiness. Emptiness and space are not synonyms, the author argues. One way or another, space is formed and shaped into a structure that can be perceived, but emptiness has no distinct articulation or content. Interpreting the unique space of Petersburg since its founding in Russian and Soviet art, this richly illustrated book analyzes the changes of "spatial conception" that were inwardly linked with the development of Russian culture and that manifested themselves in poetry and prose, in architecture and fashion, in interior design and painting. The author''s sources are not only art and belles lettres, but travelers'' accounts, fashion magazines, autobiographies and memoirs, popular sketches, and newspapers. The book includes 75 illustrations. The importance of artistic use of urban space has a long history in Russia. When, during the reign of Catherine II, Russian cities and villages were subjected to complete replanning, this was done not so much to change the style of building as to create a new system of space, enforced by the beautiful lines of streets and squares. The outlines of the spaces of Petersburg would, with only a few exceptions, remain unchanged for over 200 years, while building styles changed three or four times during this period. The imaginative possibilities of Petersburg space remain: even in the dreary Soviet suburbs built in the 1960''s, the poetics of Petersburg space are at play.

DKK 606.00
1

White Musical Mythologies - Edmund Mendelssohn - Bog - Stanford University Press - Plusbog.dk

White Musical Mythologies - Edmund Mendelssohn - Bog - Stanford University Press - Plusbog.dk

In a narrative that extends from fin de siècle Paris to the 1960s, Edmund Mendelssohn examines modernist thinkers and composers who engaged with non-European and pre-modern cultures as they developed new conceptions of "pure sound." Pairing Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida, White Musical Mythologies offers an ambitious critical history of the ontology of sound, suggesting that the avant-garde ideal of "pure sound" was always an expression of western ethnocentrism. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. These modernist artists believed that the presence effects of sound in their moment were more real and powerful than the outmoded norms of the European musical past. By examining musicians who strove to produce sonic presence, specifically by re-thinking the concept of musical writing (écriture), the book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound. Supported by the AMS 75 PAYS Fund of the American Musicological Society, supported in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

DKK 246.00
1

White Musical Mythologies - Edmund Mendelssohn - Bog - Stanford University Press - Plusbog.dk

White Musical Mythologies - Edmund Mendelssohn - Bog - Stanford University Press - Plusbog.dk

In a narrative that extends from fin de siècle Paris to the 1960s, Edmund Mendelssohn examines modernist thinkers and composers who engaged with non-European and pre-modern cultures as they developed new conceptions of "pure sound." Pairing Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida, White Musical Mythologies offers an ambitious critical history of the ontology of sound, suggesting that the avant-garde ideal of "pure sound" was always an expression of western ethnocentrism. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. These modernist artists believed that the presence effects of sound in their moment were more real and powerful than the outmoded norms of the European musical past. By examining musicians who strove to produce sonic presence, specifically by re-thinking the concept of musical writing (écriture), the book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound. Supported by the AMS 75 PAYS Fund of the American Musicological Society, supported in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

DKK 777.00
1