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Aymeric Zublena, architect - Silvana Editoriale - Bog - Silvana - Plusbog.dk

Aymeric Zublena, architect - Silvana Editoriale - Bog - Silvana - Plusbog.dk

After studying architecture at the Ecole Nationale Superieure des Beaux-Arts in Paris, Aymeric Zublena, born in September 1936 in Paris, graduated in 1963 and completed his training in urban planning at the Tony Garnier ''seminar''. In 1967 he won a Second Grand Prix of Rome on the theme ''A House of Europe in Paris''. In the same year, he became chief architect of the new town of Marne la Vallée, directing the studies of the regional urban centre for nearly 15 years. He developed the principle of diversity and urban density organised around powerful public transport. During this same period, he was the architect of the French mission of study in charge of the master plan of Greater Buenos Aires, foreseeing the creation of two new linear cities along the Rio de la Plata.For each of his programs, Aymeric Zublena is looking for a singular architectural response that strongly marks the host site with an emblematic sign making it easily identifiable: the ''hospital street'' of the Georges Pompidou European Hospital, a long glass gallery that inscribes a new axis in the heart of Paris, the cover of the Stade de France which floats above the stands and the forecourt, the crescent of the Istanbul stadium, the bird wing of the Suwon stadium. The ''butterfly'' metal lifting structures of the Rouen bridge, the monumental mobile door of the DASES on the Quai de la Rapée in Paris.Text in English and French.

DKK 288.00
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Man Ray - - Bog - Silvana - Plusbog.dk

Man Ray - - Bog - Silvana - Plusbog.dk

Man Ray (1890-1976) occupies a prominent place in 20th century art history. A versatile artist, he was a pioneer of modern art. His polymorphic work crosses all fields visuals: photography, assemblage, sculpture, painting, drawing, film...Man Ray arrived from New York in Paris in July 1921. Born in Philadelphia in 1890, of Jewish parents of Russian origin, Emmanuel Radintsky took a two-syllable pseudonym: “Man”, man (short for Manny, his childhood nickname) and “Ray”, the ray of light. Painter, draftsman, assembler of objects, in New York he frequents intellectual and artistic circles, discovers the European avant-gardes with his first wife who makes him discover French literature... He became friends with Marcel Duchamp, with whom he collaborates for artistic creations.This friendship will last all their lives. In connection with the movement European Dada, they publish the only issue of New York Dada , which attracted very little attention. Disappointed and disillusioned, Man Ray concludes that “Dada cannot live in New York”. He only has one objective: to join Duchamp who has just returned to Paris...

DKK 308.00
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Brassai - - Bog - Silvana - Plusbog.dk

Brassai - - Bog - Silvana - Plusbog.dk

The volume offers a chance to approach the work of Brassaï (1899-1984), a multifaceted figure in the history of French photography. A painter, sculptor and writer in addition to being a photographer, his name is inextricably linked to the masterpiece Paris de Nuit , published in 1933 with a preface by Paul Morand. Brassaï’s views of the capital – illuminated by public lighting and other sources, and at times shrouded in fog – lend a mysterious aura to the urban landscape. Brassaï was a forerunner in capturing the night-time atmosphere of different areas of Paris, masterfully blending photographic art with his personal sensitivity. The volume, curated by the photographer’s nephew Philippe Ribeyrolles, sets out to revive Brassaï’s body of work, offering an overview of his evolution over the years. From the artist’s collaboration with Edward Steichen to international recognition in the wake of his 1957 exhibit at the Museum of Modern Art (MoMA) in New York, Brassaï’s influence spreads far beyond the French borders. The volume includes texts by Philippe Ribeyrolles, Silvia Paoli, an interview with Gilbert Brassaï, the artist’s wife, and biographical information. Text in English and French.

DKK 310.00
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Pierre Lesieur - - Bog - Silvana - Plusbog.dk

Pierre Lesieur - - Bog - Silvana - Plusbog.dk

Painter, draftsman and engraver, Pierre Lesieur (1922-2011) was one of the most influential French artists of the second half of the 20th century. Trained at the École des Beaux-Arts in Paris - where he took lessons from André Lhote - and at the Académie de Montmartre, he had his first exhibition in 1952. Lesieur’s paintings of the 1950s are characterised by the use of brightly coloured areas, in line with the work of Henri Matisse and Pierre Bonnard. In the 1960s, this research bordered on abstraction, particularly in still lifes and representations of objects. From the 1970s onwards, through his paintings and drawings, Lesieur took a particular interest in interiors, as well as in portraits and female nudes. Early in his career, Pierre Lesieur was recognised as an important artist. After his first personal exhibition in 1952, his work was regularly shown at the Coard Gallery in Paris. From the 1990s, Lesieur’s notoriety became international, resulting in further exhibitions in Japan and the United States. Some of his works are now housed in major museums such as the Center Pompidou, the Metropolitan Museum of Art and the Hiroshima Museum. Text in English and French.

DKK 701.00
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Yuri Ancarani - Iolanda Ratti - Bog - Silvana - Plusbog.dk

Yuri Ancarani - Iolanda Ratti - Bog - Silvana - Plusbog.dk

Yuri Ancarani''s works are based on an original and careful blending of documentary cinema and video art. With the same lucid, impartial gaze that has always characterised the artistic point of view, this book endeavours to present the most authentic aspects of his production, composed of impalpable images that cross the established boundaries between visual art and cinema. Winner of the ACACIA 2023 Award, Yuri Ancarani has exhibited his work in the most prestigious museums and exhibitions, including the Kunstverein Hannover (Germany); the Castello di Rivoli (Rivoli Torino, Italy); Manifesta 12 (Palermo, Italy); the Kunsthalle Basel (Basel, Switzerland); the 55th Venice Biennale; the Centre Pompidou (Paris, France); the Guggenheim Museum (New York, USA), and the Palais de Tokyo (Paris, France), also receiving important recognition, such as the ‘Special Prize of the Jury CINÉ+’ Cineasti del presente, 69th Locarno Film Festival (Locarno, Switzerland); five nominations for the Cinema Eye Honors, Museum of the Moving Image (New York, USA); and the ‘Grand Prix in Lab Competition’, Clermont-Ferrand Film Festival (Clermont-Ferrand, France). In 2022, he was a finalist for the best documentary at the David di Donatello Awards. Text in English and Italian.

DKK 356.00
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Robert Doisneau - - Bog - Silvana - Plusbog.dk

Robert Doisneau - - Bog - Silvana - Plusbog.dk

"Robert Doisneau is commonly regarded as one of the pioneers of French street photography, so if you want a masterclass in the genre, this is the book for you." —Live Preston & Fylde Robert Doisneau (Gentilly, 1912 - Montrouge, 1994) is regarded as one of the founding fathers of French humanist photography and street photojournalism. Through his lens he was able to grasp the daily life of the men and women who populate Paris and its suburbs, presenting the city and its inhabitants with an ironic and light touch, but also with deep humanity and participation. The volume collects 130 black and white silver salt prints from the Atelier Robert Doisneau in Montrouge, which houses his photographic archive. Whether they are photographs made on commission or the result of his wanderings in Paris, the artist’s personal style is outlined through these shots, which mixes charm and imagination, but also a freedom of expression not far from surrealism. These pictures capture moments of daily happiness among ordinary people – such as the famous Le Baiser de l’Hôtel de Ville, or “The kiss” – in which tenderness, sometimes veiled with melancholy, but also ever-present notes of humour are mixed. Text in English, Italian, and French. Published to accompany an exhibition at Rovigo, Palazzo Roverella 23 September 2021- 30 January 2022

DKK 244.00
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Mimmo Rotella - Germano Celant - Bog - Silvana - Plusbog.dk

Mimmo Rotella - Germano Celant - Bog - Silvana - Plusbog.dk

Rich in critical contributions and a vast iconographic apparatus, the book traces every stage of Mimmo Rotella''s career: from the first abstract works to the informal experiences of the 50s, from the relationship with Pierre Restany''s Nouveau Réalisme to the tangencies with Pop Art and his relationship with America.Extensive detail is dedicated to his most famous research, the one revolving around the décollages and the back of posters, but also to Rotella''s relationship with cities such as New York, Rome, Paris and Milan, with the critics and his contemporaries. This book is published on the occasion of Mimmo Rotella''s centenary, and coincides with the largest ever exhibition dedicated to the artist (Rome, GNAM, 30 October 2018 - 10 February 2019).

DKK 289.00
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Kiki Smith - Silvana Editoriale - Bog - Silvana - Plusbog.dk

Kiki Smith - Silvana Editoriale - Bog - Silvana - Plusbog.dk

This unique collection of exceptional breadth brings together almost 100 works by American artist Kiki Smith, from the 1990s to the present day. The exhibition at La Monnaie in Paris covers the major themes of the artist''s oeuvre, including the human body, the female figure and the symbiotic relationship with nature, all of which are recurring motifs. Kiki Smith''s oeuvre resembles a voyage, a quest in search of a union between the body and all other living beings and the cosmos. From microscopic elements to the organs of the body, from the organs to the body in its entirety, then from the body to cosmic systems, the artist explores the relationship between different species and scales, seeking out the harmony that unites us with nature and the universe. Text in English and French.

DKK 271.00
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Mario Bellini. Italian Beauty - Francesco Moschini - Bog - Silvana - Plusbog.dk

Mario Bellini. Italian Beauty - Francesco Moschini - Bog - Silvana - Plusbog.dk

The search for beauty must be relentless. But it cannot be the sole aim of the architect, who should unfailingly perceive the need for dialogue: with humankind, with the city, with the landscape, between cultures, religions, etc. This is a tribute to the remarkable, multi-faceted work of an Italian designer who has achieved all manner of success on both the small scale (eight Compasso d''Oro awards, and objects and furnishings that have become icons in homes and offices around the world, often anticipating or revolutionising tastes and styles), and on the large scale (conference centres, trade fair venues and museums from Japan to the USA, Germany and Australia and, in 2012, the Department of Islamic Art - a golden wave for the most prestigious museum in the world, the Louvre in Paris). Text in English and Italian.

DKK 243.00
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Lee Ufan - - Bog - Silvana - Plusbog.dk

Lee Ufan - - Bog - Silvana - Plusbog.dk

The volume provides an insight into the work of the Korean artist Lee Ufan (born 1936, lives and works in Kamakura, Japan and Paris), one of the most important representatives of the Mono-ha school in Japan and the Dansaekhwa movement in Korea, which developed in parallel to other minimal art movements. Lee’s philosophical writings shaped the artists’ collective Mono-ha (School of Things), which was active in Tokyo from 1968 to 1975. Mono-ha is one of the most influential styles of post-war art in Japan. In their sculptures and installations, the artists combined raw materials such as stones, branches or earth with industrial materials such as steel or glass. In the Dansaekhwa movement, Korean artists began to explore abstraction and materiality in the mid-1970s, especially in monochrome painting. Text in English and German.

DKK 195.00
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Antoni Clave - - Bog - Silvana - Plusbog.dk

Antoni Clave - - Bog - Silvana - Plusbog.dk

Born in Barcelona in 1913, Antoni Clavé was first confronted by war in 1937. The theme of the warrior is found very early on in his art and is among the subjects that ensured him public recognition in Paris by 1958. In contact with the sculptures and African masks that he surrounded himself with in his ateliers, the figure of the warrior remained fundamental to Clavé’s work and haunted him his whole life. It was the artist’s favourite title and subject, and is an obsessive recurring image in Clavé’s sculptures, paintings, textile and wood assemblages through to the early 2000s. It is through the prism of the memory of African masks that this catalogue takes a new look at the art of Antoni Clavé. Homage, admiration, appropriation, his connection to the arts of Africa is multiple. Clavé takes up his artistic weaponry to assert his pictorial identity, which is one of absolute modernity, timeless and universal. Texts by: Franco Calarota, Illa Donwahi, Aude Hendgen, Sitor Senghor, José Corredor-Matheos Text in English and French.

DKK 281.00
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Becoming Matisse - Silvana Editoriale - Bog - Silvana - Plusbog.dk

Becoming Matisse - Silvana Editoriale - Bog - Silvana - Plusbog.dk

On the 150th anniversary of the painter Henri Matisse (1869-1954), the Musée Matisse in Cateau-Cambresis, which was founded by the artist in his hometown in 1952, pays tribute to the lesser-known man of the North, who became one of the greatest masters of the 20th century. You thought you knew everything about Matisse''s work? This exhibition reveals the mystery of the first 20 years of his career and the awakening of a genius moving from shadow to light. It honours his early works from the revelation of painting, and his academic training until the end of his academic studies in Paris, where he taught until 1911. This decisive and defining period of his identity helps us to understand how he grew into a painter on his Hauts-de-France lands. It dissects the creative process of the man copying the ancients, drawing inspiration from the greatest masters of the past and his contemporaries, to shake the codes with ''luxury, calm and voluptuousness'' and impose himself on the rank of those he has contemplated. Text in English and French.

DKK 291.00
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Aldo Rossi - Chiara Spangaro - Bog - Silvana - Plusbog.dk

Aldo Rossi - Chiara Spangaro - Bog - Silvana - Plusbog.dk

Aldo Rossi (1931-1997) added to his successful activity as architect, professor and theorist, also that - equally well known - of designer: in this field he continued with great professionalism and passion until his untimely death in 1997, collaborating with some of the most important Italian and international manufacturers, such as Alessi, Artemide, Bruno Longoni Atelier d’Arredo, Molteni, Rosenthal and Unifor. The volume investigates Aldo Rossi’s activity in the design sector in its entirety, presenting the furnishings and objects designed and manufactured from 1960 to 1997. Among these, some pieces well known to the public stand out, such as the La Conica and La Cupola coffee makers by Alessi, the Cabina dell’Elba by Bruno Longoni Atelier d’Arredo or the Paris chair by Unifor, just to name a few. The analysis of this production, which also includes unpublished projects and prototypes, highlights the continuous and constant relationship with architecture, while the technical drawings and photographic and archival documentation help to restore the history of each piece. The volume includes a critical essay by Domitilla Dardi. Text in English and Italian.

DKK 534.00
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Picasso - - Bog - Silvana - Plusbog.dk

Picasso - - Bog - Silvana - Plusbog.dk

This book explores the great interest that Pablo Picasso had in ceramics, which he certainly didn''t consider a minor art, but a means of artistic expression in its own right, like sculpture, painting and graphics. In Vallauris, at the Madoura ceramic laboratories, Picasso dedicated himself to working clay for a period of 25 years, from 1946 to 1971, producing thousands of unique pieces. This volume retraces this exceptional chapter of the Picasso''s art, through 50 ceramics from the Picasso of the Musée National Picasso in Paris - a core of inestimable value, which represents almost half of the museum''s large collection - placed in a fertile and unprecedented dialogue with the direct sources of his inspiration: classic ceramics with red and black figures, the Etruscan buccheri , Spanish and Italian popular ceramics, 15th century Italian graffiti, and examples of the Mediterranean area with iconographies of fish, fantastic animals, owls and birds, as well as terracottas from Mesoamerican cultures. A chapter is dedicated to the relationship between Picasso and Faenza through unpublished documents from the historical archive of the MIC, and to the historical video by Luciano Emmer of 1954 ( Picasso a Vallauris ). Text in English and Italian.

DKK 241.00
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Carlo Valsecchi - - Bog - Silvana - Plusbog.dk

Carlo Valsecchi - - Bog - Silvana - Plusbog.dk

The volume documents Bellum , the new artistic project by Carlo Valsecchi (Brescia, 1965). The 44 large-scale photographs in this series tell the story of the ancestral conflict between man and nature and man and man; nature used as a defence from others, and nature as something to defend ourselves from. The Alps are a symbol of all this, as nature at its most extreme, yet also the site of the last war of position. The project therefore explores the territories and fortifications of northeast Italy connected to World War I, one of the last times when human fate and experience were directly linked to the laws, conditions and control of nature. In three years of work, Valsecchi roamed these mountains with his view camera from winter until spring, and captured its harsh reality, in a form that is often abstract, intimately aesthetic, and absolute. The images in Bellum are sudden glimpses, portals of light and composition that hover in an endless time between loneliness, isolation and waiting. The catalogue features essays by Florian Ebner, chief curator of the Cabinet of Photography at the Centre Pompidou in Paris, and Yehuda Emmanuel Safran, art and architecture critic and professor at the Pratt Institute in New York. Text in English, German and Italian.

DKK 307.00
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Germano Celant - Germano Celant - Bog - Silvana - Plusbog.dk

Germano Celant - Germano Celant - Bog - Silvana - Plusbog.dk

“For fifty years I’ve been practicing different kinds of writing: scripture: a theoretical one for essays, one for the production of books and catalogues, and one focused on the exhibitions. The story of (my) exhibitions aims to draw attention to this last kind of writing”. - Germano CelantThis book, which Germano Celant (Genoa, 1940 - Milan, 2020) had been working on for years, is published posthumously and represents the professional and spiritual testament of this well known and internationally respected curator.It tells the story of the exhibitions that characterised Celant’s work presenting, in chronological order, a selection of 34 exhibitions: from Arte povera - Im-spazio, Genoa, 1967, to Post Zang Tumb Tuuum: Art Life Politics - Italia 1918-1943, Milan, 2018, passing through Identité italienne - L’art en Italie depuis 1959, Paris, 1981; Futuro Presente Passato , 47 - Venice International Art Exhibition, 1997; When Attitudes Become Form - Bern 1969/Venice, 2013; and Arts & Foods. Rituals since 1851 - Milan, 2015. The books retraces the exhibitions through over 400 pictures of the actual displays and the critical texts that were published in the respective catalogues.Thus emerges the evolution in Celant’s curatorial practice, from personal interpretation to his focus on historical documents, with an eye always turned towards non-traditional media (book, record, photography) and towards the encroachments between different languages (art, architecture, design).Text in English and Italian.

DKK 579.00
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Marine Hugonnier - Marine Hugonnier - Bog - Silvana - Plusbog.dk

Marine Hugonnier - Marine Hugonnier - Bog - Silvana - Plusbog.dk

The volume, dedicated to Marine Hugonnier (Paris, 1969), filmmaker and contemporary artist, presents a selection of works representative of her artistic approach since her beginnings in 1998. At the border between documentary and fiction, the work of Marine Hugonnier constitutes an exploration of the politics of the gaze. His works are an attempt to deconstruct the inherent complicity between the gaze and political ideologies. His work thus aims to question the cultural and political framework that conforms each point of view. His films, which can be described as experimental films or film essays, are sometimes associated with visual anthropology, his field of investigation being the space that separates the subject from his observer. She travelled a lot with her Aaton s16 mm camera on her shoulder, adopting the posture of the reporter and the ethnographer more than that of the artist, mixing images and genres. For Marine Hugonnier, producing images involves thinking about them. Cinema is conceived by the artist as a political act. A filmmaker above all, the artist also practices photography and creates works on paper. Her artistic research transversally addresses feminism, gender fluidity, anti-colonialism and issues related to the convergence between human and non-human. She tries to reconfigure the devices of capture and restitution of the cinema to build a new regime of images. Texts by: Michael Newman, Nicole Brenez, Carles Guerra; conversation between Eyal Weizmann and Marine Hugonnier.

DKK 387.00
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Otto Fried - - Bog - Silvana - Plusbog.dk

Otto Fried - - Bog - Silvana - Plusbog.dk

Otto Fried was born in Koblenz in 1922. Due to the emerging anti-Semitism in Germany, his family sent him to the United States, where he arrived in Portland, Oregon, United States in 1936. In 1943 he joined the U.S. Army Air Corps and was deployed to various theatres of war in India, China and Burma. Upon his return, he enrolled in the Art and Architecture Department at the University of Oregon in 1947. At the end of 1949 he travelled to France to work with Fernand Léger, in whose studio he worked for two years. In 1951 he received his first solo exhibition in the American Library in Paris. Works by him were shown in New York as early as 1952. The Metropolitan Museum of Art, NY, bought a monotype for the permanent collection in 1960. The exhibition catalogue offers an overview on Otto Fried’s career: works from the early days (1950s), which are presented with a few oil paintings and almost cubist-like drawings, form the foundation of an almost exclusively abstract visual language that the artist developed later. Compositions based primarily on cosmic disks and circles, of which Fried formulates numerous variations that are very lively in colour. This creates interweaving of depth and space, of a mostly melodic sound, which he concentrates in the center of the picture and allows it to subside towards the edges. Some sculptures expand the view of his work, which is multifaceted and varied to the present day. Text in English and German.

DKK 243.00
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Montezuma Fontana - Daniele Torcellini - Bog - Silvana - Plusbog.dk

Montezuma Fontana - Daniele Torcellini - Bog - Silvana - Plusbog.dk

This book explores the different application of the concept of ''tesserae'' by sculptors beginning in the 1930s, when Lucio Fontana and Mirko Basaldella first embarked upon their research on mosaic and the plastic arts. The peculiar creative process behind their creations was inspired by primitive Mesoamerican sculptures decorated with mosaics, viewed by the two artists in different times and places, and also by the growing interest in ancient Latin American art that was felt in Italy from the 1920s onwards. While Fontana and Mirko may be defined as the ''forerunners'' of the happy union between sculpture and mosaic in the 1960s and 1970s, in the following decades it is Nane Zavagno and Riccardo Licata who set the main research trends - the former, especially for that which regards the use of ''untraditional'' materials, and the latter for the use of mosaic tesserae in contemporary art. Subsequently, the art of mosaic sculpture unfolds following all of the main expressive moods of 20th and 21st century sculpture - iconic or aniconic, poetics or narrative, symbolic or conceptual - intensifying and emerging as a ''specific genre'' at the close of the 1970s thanks to works by Antonio Trotta, Athos Ongaro and the Transavantgarde movement of Chia and Paladino. Ultimately, from the second half of the 1980s to the present, research and artistic production multiplies with varying and peculiar results - also thanks to some works of international relevance made in Ravenna, such as the tomb of Rudolf Nureyev in Paris. Hence the ''sculpture and mosaic'' phenomenon witnesses a surge forwards with artists from all over the world who employ it in increasingly innovative and unexpected ways, consolidating the perception that mosaic sculpture has by now become an independent art form.Text in English and Italian.

DKK 265.00
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Christo and Jeanne-Claude - - Bog - Silvana - Plusbog.dk

Christo and Jeanne-Claude - - Bog - Silvana - Plusbog.dk

This catalogue includes Christo and Jeanne-Claude''s realised and unrealised large-scale projects from 1961 to 2016. Besides the famous wrapped monuments, from the Kunsthalle in Bern (1967-1968) to the Reichstag in Berlin (1971-1995), the publication also includes the barriers made with barrels or with fabric, from Wall of Oil Barrels - The Iron Curtain in Paris (1961-62) to Valley Curtain in Rifle, Colorado (1960-62), the great inflatable objects, from 42,390 Cubic Feet Package of Minneapolis (1966) to 5600 Cubicmeter Package , Project for documenta IV in Kassel (1967-1968), and the fabric pathways, such as Wrapped Walk Ways in Kansas City (1977-1978), or doors, such as The Gates in New York (1979-2005).The seven Water Projects - Christo and Jeanne-Claude''s installations sharing a connection with water - are considered in further depth. In these projects, from Running Fence , Sonoma and Marin Counties, California (1972-1976) to Over the River , a project for the Arkansas River, State of Colorado (1992), the artists worked on establishing a close connection with natural, suburban and urban landscapes that all share a relation with water, be it an ocean, a sea, a lake or a river. The Floating Piers , an installation that allowed visitors to walk across Lake Iseo, is also included here. Among the Water Projects we must mention The Floating Piers, an installation open from June 18 to July 3 2016, which allowed visitors to walk across Lake Iseo and along its shores on a 3-kilometre route. By means of modular floating piers covered in shimmering yellow fabric, the installation linked the town of Sulzano on the lake''s shores, to Monte Isola, also reaching the Island of San Paolo.

DKK 288.00
1