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Jean Dubuffet: Anticultural Positions - - Bog - Rizzoli International Publications - Plusbog.dk

George Carlson - George Carlson - Bog - Rizzoli International Publications - Plusbog.dk

Bob Crewe - Donald Albrecht - Bog - Rizzoli International Publications - Plusbog.dk

American Weathervanes - Robert Shaw - Bog - Rizzoli International Publications - Plusbog.dk

American Weathervanes - Robert Shaw - Bog - Rizzoli International Publications - Plusbog.dk

American Weathervanes: The Art of the Winds , published to coincide with an exhibition at the American Folk Art Museum, reveals the beauty, historical significance, and technical virtuosity of American vanes fashioned between the late seventeenth and early twentieth centuries. This American art form has long been an enduring part of the country''s skylines. Early church steeples were graced with weathercocks, following a European tradition that dates to the MiddleAges. America''s first documented vane maker, metalsmith Shem Drowne of Boston, crafted a number of surviving vanes, including the iconic golden grasshopper that has topped the city''s Faneuil Hall since 1742. Farmers, blacksmiths, and other craftsmen proudly fashioned roosters, cows, horses, and other forms for country barns, and as the tradition and public demand expanded over the course of the nineteenth century, so did the diversity of forms, which grew to fill the mail order catalogs of commercial manufacturers in Boston, New York, and other cities. Today, weathervanes hold a well-established place in the canon of American folk art and American Weathervanes celebrates this artistry in the most up-to-date and authoritative work on the subject. Lavishly illustrated with masterworks from prominent private and public collections, this is a book to be treasured by anyone who collects or simply admires American vernacular art and sculpture.

DKK 442.00
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Summer Wheat - Diedrick Brackens - Bog - Rizzoli International Publications - Plusbog.dk

Summer Wheat - Diedrick Brackens - Bog - Rizzoli International Publications - Plusbog.dk

The Future (and the past) is Female: Summer Wheat’s whimsical, often tongue-in-cheek tableaux in rich jewel tones punctuated with bright neons, teem with fantastical figures that imagine tribes of women hunting, collaborating, celebrating, and ultimately replacing millennia of images of male rulers and warriors. Summer Wheat’s unique formative experiences with art growing up in Oklahoma were shaped by the aesthetic and conceptual drive of the images that surrounded her from the rich textures Native American weavings to the brilliant hues of Lisa Frank Trapper Keepers. Bridging those early influences with the canon of Western art (from ancient sculpture to medieval tapestries) and popular references such as astrology and music videos, the artist’s work centers female archetypes 0in her expansive practice of painting, sculpture, and large-scale installation. For the artist’s first monograph, curator Jen Sudul Edwards discusses the wide range of subjects that inform Wheat’s work and positions her use of materials in the context of alchemy. Curator Anne Ellegood in conversation with the artist traces Wheat’s transition from painting to sculptural work, large-scale installations ,and first foray into building a freestanding architectural space. Jennifer Krasinski explores Wheat’s unique approach to painting, with her large panels seemingly a cross between intricate beadwork and the pixel-like structure of a digital image. Artist Diedrick Brackens speaks with Wheat about lines—from one that is drawn by hand to the ones that define spaces between art and craft, and the ones defined by a single thread.

DKK 480.00
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Antony Gormley - Martin Caiger Smith - Bog - Rizzoli International Publications - Plusbog.dk

Antony Gormley - Martin Caiger Smith - Bog - Rizzoli International Publications - Plusbog.dk

A new and updated edition of the definitive monograph on the British artist Antony Gormley, now available in an affordably priced format. This beautiful and comprehensive monograph, expanded and updated in a new affordably priced edition, examines the entirety of Gormley’s career, from his earliest sketches to his best-known public installations. Martin Caiger-Smith’s “magnificent, magisterial overview” (The Independent) examines the relationship between Gormley’s life and art and identi-fies the singular vision that ties together a vast canon of work in an extraordinary range of media and materials. Best known for the major public works that most visibly represent his innovative approach to sculpture, Gormley is a prolific artist who has renegotiated the tension between the individual and the universal. Drawing on images that range from childhood snap-shots to photographs of his most recent installations, this book traces the evolution of Gormley’s work, from the drawings he makes every day in the studio, through the constantly evolving process of casting his own body in various forms, to the ultimate expression of his ideas in such masterpieces as the colossal Angel of the North or the scattered figures of Another Place . Illustrated with hundreds of images that explore the scale and impact of Gormley’s work—including his acclaimed exhibition at the Royal Academy in 2019, as well as recent installations in Florence, Delos, and New York City—and “dense with insight and deeply considered analysis from the author” (Financial Times), this book is the definitive survey of a monumental career.

DKK 414.00
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Barkley L. Hendricks - Aimee Ng - Bog - Rizzoli International Publications - Plusbog.dk

Barkley L. Hendricks - Aimee Ng - Bog - Rizzoli International Publications - Plusbog.dk

American artist Barkley L. Hendricks (1945–2017) revolutionized contemporary portraiture with his vivid depictions of Black subjects beginning in the late 1960s. This book contextualizes Hendricks’s portraits at different stages of the country’s history and places him in the pantheon of innovative twentieth-century artists. Hendricks developed his signature style at a time of significant social and cultural change in the United States, especially with regard to Black artists, and amid a perceived bifurcation between abstraction and representation. He produced portraits from the late 1960s through the early 1980s. Following a hiatus during which he made landscapes, basketball paintings, works on paper, and photographs, he resumed his portraiture practice from 2002 until his death in 2017. Hendricks’s portrait paintings, often derived from photographs of friends and family, hired models, or figures he encountered on the street, were inspired by the artist’s research, international travels, and visits to museums like The Frick Collection, where he studied centuries-old European paintings by artists such as Rembrandt, Van Dyck, Bronzino, and others.This publication presents some of the most inventive and striking examples from Hendricks’s first period of portrait painting, including “limited-palette” canvases—featuring Black figures dressed in white against white backgrounds—a self-portrait, and boldly colorful works that spotlight their subjects’ spectacular styles and poses. An assessment of this great artist acknowledges his significant contributions to the canon of American art and portraiture in general. In the book, Hendricks’s art and its impact are explored by artists and creative figures including Derrick Adams, Hilton Als, Nick Cave, Awol Erizku, Rashid Johnson, Fahamu Pecou, Mickalene Thomas, and Kehinde Wiley.

DKK 388.00
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