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Paris in the Age of Absolutism - Orest Ranum - Bog - Pennsylvania State University Press - Plusbog.dk

Paris in the Age of Absolutism - Orest Ranum - Bog - Pennsylvania State University Press - Plusbog.dk

By the eighteenth century Paris was one of the great wonders of Europe, renowned for its magnificent royal monuments and as a center for science, literature, and the arts. More so than any other European city, Paris reflected the spirit of an age—an age that reached its zenith with the reign of France's Sun King, Louis XIV. No book better captures that spirit than Orest Ranum's Paris in the Age of Absolutism, first published in 1968 and now reissued in a revised and expanded edition. Ranum's tour of Paris begins in the late 1500s with a French capital city exhausted by the violence of the Wars of Religion and proceeds through the long century that ends with the death of Louis XIV in 1715. Henry IV (1589-1610), head of the Bourbon branch of the royal family, laid the foundations of modern Paris, but it was during the mature years of his grandson, Louis XIV, and during the service of his visionary minister, Jean-Baptiste Colbert, that a New Rome was created. By 1715 the city was far different from what it had been in 1590. There were now large geometrical public squares with statues of the King at their focal point. There were arches of triumph, hospital-prisons, a new and gigantic wing on the Louvre, handsome stone bridges, streetlights, and massive stone quays along the Seine. Ranum ranges widely through the streets and quarters of Paris, attentive to the achievements of town planners, architects, and engineers as well as to city politics, social currents, and the spirit of religious reform. Behind it all lay the rule-creating authoritarianism of the absolute state, which, ironically, unleashed Parisians' creative impulses in everything from literature, painting, and music to architecture, mathematics, and physics. Paris in the Age of Absolutism is one of those rare books that combines elegant prose with stunning erudition, making it both captivating for general readers and challenging to scholars. This new edition has been thoroughly revised and expanded to take into account the wealth of scholarship that has appeared since 1968. Of particular note are a new introduction and a new chapter on women writers. A larger format accentuates a full selection of illustrations, many of them new to this edition.

DKK 381.00
1

The Powers of Sound and Song in Early Modern Paris - Nicholas Hammond - Bog - Pennsylvania State University Press - Plusbog.dk

The Powers of Sound and Song in Early Modern Paris - Nicholas Hammond - Bog - Pennsylvania State University Press - Plusbog.dk

The long and spectacular reign of Louis XIV of France is typically described in overwhelmingly visual terms. In this book, Nicholas Hammond takes a sonic approach to this remarkable age, opening our ears to the myriad ways in which sound revealed the complex acoustic dimensions of class, politics, and sexuality in seventeenth-century Paris. The discovery in the French archives of a four-line song from 1661 launched Hammond’s research into the lives of the two men referenced therein—Jacques Chausson and Guillaume de Guitaut. In retracing the lives of these two men (one sentenced to death by burning and the other appointed to the Ordre du Saint-Esprit), Hammond makes astonishing discoveries about each man and the ways in which their lives intersected, all in the context of the sounds and songs heard in the court of Louis XIV and on the streets and bridges of Paris. Hammond’s study shows how members of the elite and lower classes in Paris crossed paths in unexpected ways and, moreover, how noise in the ancien régime was central to questions of crime and punishment: street singing was considered a crime in itself, and yet street singers flourished, circulating information about crimes that others may have committed, while political and religious authorities wielded the powerful sounds of sermons and public executions to provide moral commentaries, to control crime, and to inflict punishment. This innovative study explores the theoretical, social, cultural, and historical contexts of the early modern Parisian soundscape. It will appeal to scholars interested in sound studies and the history of sexuality as well as those who study the culture, literature, and history of early modern France.

DKK 754.00
1

Policing Same-Sex Relations in Eighteenth-Century Paris - - Bog - Pennsylvania State University Press - Plusbog.dk

Policing Same-Sex Relations in Eighteenth-Century Paris - - Bog - Pennsylvania State University Press - Plusbog.dk

Police in Paris arrested thousands of men for sodomy or similar acts in the eighteenth century. In the mid-1780s, they recorded depositions in which prisoners recounted their own sexual histories. These remarkable documents, curated and translated into English by Jeffrey Merrick, allow us to hear the voices of men who desired men and to explore complex questions about sources, patterns, and meanings in the history of sexuality. This volume centers on two cartons of paperwork from commissaire Charles Convers Desormeaux. Dated from 1785, the cartons contain 221 dossiers of men arrested for sodomy or similar acts in Paris. Merrick translates and annotates the police interviews from these dossiers, revealing how the police and those they arrested understood sex between men at the time. Merrick discusses the implications of what the men said (and what they did not say), how they said it, and in what contexts it was said. The best-known works of clergy and jurists, of enemies and advocates of Enlightenment, and of novelists and satirists from the eighteenth century tell us nothing at all about the lived experience of men who desired men. In these police dossiers, Merrick allows them to speak in their own words. This primary text brings together a wealth of important information that will appeal to scholars, students, and general readers interested in the history of sexuality, sodomy, and sexual policing.

DKK 1069.00
1

Ezra Pound in London and Paris, 1908-1925 - James J. Wilhelm - Bog - Pennsylvania State University Press - Plusbog.dk

Ezra Pound in London and Paris, 1908-1925 - James J. Wilhelm - Bog - Pennsylvania State University Press - Plusbog.dk

This book systematically traces Pound's career from his arrival in London in 1908 to his departure from Paris in 1924, emphasizing his activities but also describing his writings and relating them to his life. Avoiding either vitriolic condemnation or pious hagiography, Wilhelm examines Pound's strengths, especially his influence on other artists (including painters and sculptors); he also deals with Pound's weaknesses, as manifested particularly in his stormy encounters with people like Amy Lowell. Unlike recent popular biographies, this work offers the reader much new material about Pound's life, notably his amatory adventures with Nancy Cunard and Iseult MacBride Stuart, his musical relations with Katherine Ruth Heyman and Walter Morse Rummel, and his friendships with artists such as Francis Picabia, Henri Gaudier-Brzeska, and Wyndham Lewis. The Paris years from 1921 to 1924 are presented in a novel way through the dynamic interplay in Pound's life--both as a diary listing important events and as a series of constellations of artists, musicians, writers, and lovers. The book concludes with Pound's eventual disenchantment with Parisian life, his writing of his first Cantos, and his removal to Mussolini's Italy, a land that would greatly influence his tragic later years.

DKK 653.00
1

Ezra Pound in London and Paris, 1908–1925 - James J. Wilhelm - Bog - Pennsylvania State University Press - Plusbog.dk

Ezra Pound in London and Paris, 1908–1925 - James J. Wilhelm - Bog - Pennsylvania State University Press - Plusbog.dk

This book systematically traces Pound's career from his arrival in London in 1908 to his departure from Paris in 1924, emphasizing his activities but also describing his writings and relating them to his life. Avoiding either vitriolic condemnation or pious hagiography, Wilhelm examines Pound’s strengths, especially his influence on other artists (including painters and sculptors); he also deals with Pound’s weaknesses, as manifested particularly in his stormy encounters with people like Amy Lowell. Unlike recent popular biographies, this work offers the reader much new material about Pound’s life, notably his amatory adventures with Nancy Cunard and Iseult MacBride Stuart, his musical relations with Katherine Ruth Heyman and Walter Morse Rummel, and his friendships with artists such as Francis Picabia, Henri Gaudier-Brzeska, and Wyndham Lewis. The Paris years from 1921 to 1924 are presented in a novel way through the dynamic interplay in Pound’s life—both as a diary listing important events and as a series of constellations of artists, musicians, writers, and lovers. The book concludes with Pound’s eventual disenchantment with Parisian life, his writing of his first Cantos, and his removal to Mussolini’s Italy, a land that would greatly influence his tragic later years.

DKK 317.00
1

Figuring Transcendence in Les Miserables - Kathryn M. Grossman - Bog - Pennsylvania State University Press - Plusbog.dk

Figuring Transcendence in Les Miserables - Kathryn M. Grossman - Bog - Pennsylvania State University Press - Plusbog.dk

First published in 1994, Figuring Transcendence in “Les Misérables” is a book-length study of Victor Hugo’s Les Misérables. Kathryn M. Grossman’s authoritative command of Hugo’s work and Hugo criticism enables her to situate the novelist’s masterpiece in relation both to his earlier novels—up to and including Notre-Dame de Paris—and to the poetry published during his exile under the Second Empire. Drawing on Paul Ricoeur’s theory of metaphor and on Thomas Weiskel’s analysis of the romantic sublime, Grossman illustrates how the novel’s motifs and structures correspond to a closely connected set of ethical, spiritual, political, and aesthetic concerns.

DKK 710.00
1

Figuring Transcendence in Les Miserables - Kathryn M. Grossman - Bog - Pennsylvania State University Press - Plusbog.dk

Figuring Transcendence in Les Miserables - Kathryn M. Grossman - Bog - Pennsylvania State University Press - Plusbog.dk

First published in 1994, Figuring Transcendence in “Les Misérables” is a book-length study of Victor Hugo’s Les Misérables. Kathryn M. Grossman’s authoritative command of Hugo’s work and Hugo criticism enables her to situate the novelist’s masterpiece in relation both to his earlier novels—up to and including Notre-Dame de Paris—and to the poetry published during his exile under the Second Empire. Drawing on Paul Ricoeur’s theory of metaphor and on Thomas Weiskel’s analysis of the romantic sublime, Grossman illustrates how the novel’s motifs and structures correspond to a closely connected set of ethical, spiritual, political, and aesthetic concerns.

DKK 396.00
1

The Flour War - Cynthia Bouton - Bog - Pennsylvania State University Press - Plusbog.dk

The Flour War - Cynthia Bouton - Bog - Pennsylvania State University Press - Plusbog.dk

In the spring of 1775, a series of food riots shook the villages and countryside around Paris. For decades France had been free of famine, but the fall grain harvest had been meager, and the government of the newly crowned King Louis XVI had issued an untimely edict allowing the free commerce of grain within the kingdom. Prices skyrocketed, causing riots to break out in April, first in the market town of Beaumont-sur-Oise, then sweeping through the Paris Basin for the next three weeks. Known as the Flour War, or the guerre des farines, these riots are the subject of Cynthia Bouton's fascinating study. Building upon French historian George Rude's pioneering work, Bouton identifies communities of participants and victims in the Flour War, analyzing them according to class, occupation, gender, and location. As typically happened, crowds of common people (menu peuple) confronted those who controlled the grain-bakers, merchants, millers, cultivators, and local authorities. Bouton asks why women of the menu peuple were heavily represented in the riots, often assuming crucial roles as instigators and leaders. In most instances, the people did not steal the provisions but forced those they cornered to sell at a price the rioters deemed "just." Bouton examines this phenomenon, known as taxation populaire, and considers the growing "sophistication of purpose" of rioters by placing the Flour War within the larger context of food riots in early modern Europe.

DKK 398.00
1

Judah and the Judeans in the Neo-Babylonian Period - - Bog - Pennsylvania State University Press - Plusbog.dk

Judah and the Judeans in the Neo-Babylonian Period - - Bog - Pennsylvania State University Press - Plusbog.dk

This volume is the outcome of an international conference held at Tel Aviv University, May 29–31, 2001. The idea for the conference germinated at the fifth Transeuphratene colloquy in Paris in March 2000. The Tel Aviv conference was organized in order to encourage investigation into the obscure five or six decades preceding the Persian conquests in the latter part of the 6th century. The essays here are organized in 5 parts: (1) The Myth of the Empty Land Revisited; (2) Cult, Priesthood, and Temple; (3) Military and Governmental Aspects; (4) Archaeological Perspectives on the 6th Century B.C.E.; and (5) Exiles and Foreigners in Egypt and Babylonia. Contributors: H. M. Barstad, B. Oded, L. S. Fried, S. Japhet, J. Blenkinsopp, G. N. Knoppers, Y. Amit, D. Edelman, Y. Hoffman, R. H. Sack, D. Vanderhooft, J. W. Betlyon, A. Lemaire, C. E. Carter, O. Lipschits, A. Zertal, J. R. Zorn, B. Porten, and R. Zadok.

DKK 530.00
1

The Mineral and the Visual - Brigitte (smith College) Buettner - Bog - Pennsylvania State University Press - Plusbog.dk

The Mineral and the Visual - Brigitte (smith College) Buettner - Bog - Pennsylvania State University Press - Plusbog.dk

Opulent jeweled objects ranked among the most highly valued works of art in the European Middle Ages. At the same time, precious stones prompted sophisticated reflections on the power of nature and the experience of mineralized beings. Beyond a visual regime that put a premium on brilliant materiality, how can we account for the ubiquity of gems in medieval thought?In The Mineral and the Visual, art historian Brigitte Buettner examines the social roles, cultural meanings, and active agency of precious stones in secular medieval art. Exploring the layered roles played by gems in aesthetic, ideological, intellectual, and economic practices, Buettner focuses on three significant categories of art: the jeweled crown, the pictorialized lapidary, and the illustrated travel account. The global gem trade brought coveted jewels from the Indies to goldsmiths’ workshops in Paris, fashionable bodies in London, and the crowns of kings across Europe, and Buettner shows that Europe’s literal and metaphorical enrichment was predicated on the importation of gems and ideas from Byzantium, the Islamic world, Persia, and India. Original, transhistorical, and cross-disciplinary, The Mineral and the Visual engages important methodological questions about the work of culture in its material dimension. It will be especially useful to scholars and students interested in medieval art history, material culture, and medieval history.

DKK 851.00
1

Cambodian Evangelicalism - Briana L. Wong - Bog - Pennsylvania State University Press - Plusbog.dk

Cambodian Evangelicalism - Briana L. Wong - Bog - Pennsylvania State University Press - Plusbog.dk

The Cambodian Civil War and genocide of the late 1960s and ’70s left the country and its diaspora with long-lasting trauma that continues to reverberate through the community. In this book, Briana L. Wong explores the compelling stories of Cambodian evangelicals, their process of conversion, and how their testimonials to the Christian faith helped them make sense of and find purpose in their trauma. Based on ethnographic fieldwork with Cambodian communities in the metropolitan areas of Philadelphia, Los Angeles, Paris, and Phnom Penh, Wong examines questions of religious identity and the search for meaning within the context of transnational Cambodian evangelicalism. While the community has grown in recent decades, Christians nevertheless make up a small minority of the predominantly Buddhist diaspora. Wong explores what it is about Christianity that makes these converts willing to risk their social standing, familial bonds,and, in certain cases, physical safety in order to identify with the faith. Contributing to ongoing dialogues on conversion, reverse mission, and multiple religious belonging, this book will appeal to students and scholars of world Christianity, missiology, and the history of Christianity, as well as Southeast Asian studies, secular sociologies, and anthropologists operating within the field of religious studies.

DKK 336.00
1

Traces of a Jewish Artist - Kerry Wallach - Bog - Pennsylvania State University Press - Plusbog.dk

Traces of a Jewish Artist - Kerry Wallach - Bog - Pennsylvania State University Press - Plusbog.dk

Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888–1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit’s life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich Heine, Leo Tolstoy, Charles Dickens, and others. She published her work in the mainstream German and Jewish press, and she ran in artists’ and queer circles in Weimar Berlin and in 1930s Paris. Szalit’s fascinating life demonstrates how women artists gained access to Jewish and avant-garde movements by experimenting with different media and genres. This engaging and deeply moving biography explores the life, work, and cultural contexts of an exceptional Jewish woman artist. Complementing studies such as Michael Brenner’s The Renaissance of Jewish Culture in Weimar Germany, this book brings Rahel Szalit into the larger conversation about Jewish artists, Expressionism, and modern art.

DKK 346.00
1

Leonce Rosenberg’s Cubism - Giovanni Casini - Bog - Pennsylvania State University Press - Plusbog.dk

Leonce Rosenberg’s Cubism - Giovanni Casini - Bog - Pennsylvania State University Press - Plusbog.dk

The history of modernism has generally been written as a story of artists and their creations alongside the collectors, gallerists, and curators who supported them. This is especially true of Cubism, where the received narrative centers on a tightly circumscribed group of artists and agents connected to the dealer Daniel-Henry Kahnweiler. Léonce Rosenberg’s Cubism shakes up the canon, revealing its artificial nature and pointing to a different, more inclusive understanding of the development of Cubism. Kahnweiler’s Cubism was narrowly focused. In contrast, Giovanni Casini shows us, the influential art dealer Léonce Rosenberg bought virtually any piece that could be labeled “Cubist” and proposed a radically different understanding of the movement. At Rosenberg’s Galerie L’Effort Moderne in Paris, artists such as Joseph Csáky, Auguste Herbin, Jean Metzinger, Diego Rivera, Gino Severini, and Georges Valmier were accorded the same treatment as Pablo Picasso or Georges Braque. In this book, Casini considers Rosenberg’s contribution to the history of Cubism, reflecting on the ways in which artistic movements are manufactured—and interpretive paradigms adopted. Deftly weaving biography with a scholarly analysis built on extensive archival research, Léonce Rosenberg’s Cubism is a fresh look at the history of interwar modernism and the definitive study of a figure who has been unjustly sidelined in the history of art. It will be compulsory reading for scholars of Cubism and Modernism.

DKK 1133.00
1