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Race, Time, and Utopia - William Paris - Bog - Oxford University Press Inc - Plusbog.dk

Race, Time, and Utopia - William Paris - Bog - Oxford University Press Inc - Plusbog.dk

Racial injustice, at its core, is the domination of time. Utopia has been one response to this domination. The racially dominated are not free to define what counts as "progress," they are not free from the accumulation of past injustices, and, most importantly, they are not free from the arbitrary organization of work in capitalist labor markets. Racially unjust societies are forms of life where the justifications for how to organize time around life, labor, and leisure are out of the hands of the dominated. In Race, Time, and Utopia, William Paris provides a theoretical account of utopia as the critical analysis of the sources of time domination and the struggle to create emancipatory forms of life.Rather than focusing on inclusion and equality before the law, as found in liberal theories of racial injustice, Paris analyses the neglected "utopian" tradition of justice in black political thought that insists justice can only be secured through the transformation of society as a whole. This transformation is nothing less than the democratic transformation of how organize and narrate our shared time. Bringing into conversation the work W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs with the critical theory of Karl Marx, Ernst Bloch, Rahel Jaeggi, and Rainer Forst, Paris reconstructs a social theory and normative account of forms of life as the struggle over how time will be organized, asking "Can there be freedom without a new order of time?"

DKK 717.00
3

Becoming Americans in Paris - Brooke L. Blower - Bog - Oxford University Press Inc - Plusbog.dk

Becoming Americans in Paris - Brooke L. Blower - Bog - Oxford University Press Inc - Plusbog.dk

Americans often look back on Paris between the world wars as a charming escape from the enduring inequalities and reactionary politics of the United States. In this bold and original study, Brooke Blower shows that nothing could be further from the truth. She reveals the breadth of American activities in the capital, the lessons visitors drew from their stay, and the passionate responses they elicited from others. For many sojourners-not just for the most famous expatriate artists and writers- Paris served as an important crossroads, a place where Americans reimagined their position in the world and grappled with what it meant to be American in the new century, even as they came up against conflicting interpretations of American power by others. Interwar Paris may have been a capital of the arts, notorious for its pleasures, but it was also smoldering with radical and reactionary plots, suffused with noise, filth, and chaos, teeming with immigrants and refugees, communist rioters, fascism admirers, overzealous police, and obnoxious tourists. Sketching Americans'' place in this evocative landscape, Blower shows how arrivals were drawn into the capital''s battles, both wittingly and unwittingly. Americans in Paris found themselves on the front lines of an emerging culture of political engagements-a transatlantic matrix of causes and connections, which encompassed debates about "Americanization" and "anti-American" protests during the Sacco-Vanzetti affair as well as a host of other international incidents. Blower carefully depicts how these controversies and a backdrop of polarized European politics honed Americans'' political stances and sense of national distinctiveness. A model of urban, transnational history, Becoming Americans in Paris offers a nuanced portrait of how Americans helped to shape the cultural politics of interwar Paris, and, at the same time, how Paris helped to shape modern American political culture.

DKK 380.00
3

Becoming Americans in Paris - Brooke L. Blower - Bog - Oxford University Press Inc - Plusbog.dk

Becoming Americans in Paris - Brooke L. Blower - Bog - Oxford University Press Inc - Plusbog.dk

Americans often look back on Paris between the World Wars as a charming escape from the problems and politics of home. In this bold and original study, Brooke Blower shows that nothing could be further from the truth. Drawing on a range of sources in French as well as English, she uncovers the breadth of American activities in the capital, the lessons visitors drew from their stay, and the passionate responses they elicited from others. For many sojourners-not just for those most famous expatriates- Paris served as an important crossroads, a place where Americans reimagined their position in the world and grappled with what it meant to be American in the new century, even as they came up against conflicting interpretations of American power by others.Interwar Paris may have been a capital of the arts, notorious for its pleasures, but it was also a city on the brink-a tinderbox smoldering with radical and reactionary plots, suffused with noise, filth, and chaos, teeming with immigrants and refugees, Communist rioters, fascist admirers, overzealous police, and obnoxious tourists. Sketching Americans'' place in this evocative landscape, Blower shows how arrivals were drawn into the capital''s battles, both wittingly and unwittingly. As a result, Americans in Paris found themselves on the front lines of an emerging culture of political engagements-a transatlantic matrix of causes and connections, which encompassed debates about "Americanization" and rising forms of "anti-American" protest as well as a host of international controversies, such as those surrounding the Sacco-Vanzetti affair and plans for an American Legion parade down the Champs-Elysées. A model for writing urban, transnational history, this book offers a nuanced portrait of how Americans helped to shape the cultural politics of interwar Paris, and, at the same time, how Paris helped to shape modern American political culture.

DKK 478.00
3

Paris a Table - David Downie - Bog - Oxford University Press Inc - Plusbog.dk

Paris a Table - David Downie - Bog - Oxford University Press Inc - Plusbog.dk

Paris à Table: 1846 is the first English translation of a seminal book in the literature of nineteenth-century gastronomy, a work described by Le Monde as "the richest view of Balzac''s time seen from the table." It was written by the journalist Eugène Briffault, well-known in his day as a theater critic and chronicler of contemporary Paris, but also as a bon-vivant, celebrated for his ability to quaff a magnum of champagne from a bell jar in a single draft and well-qualified to write authoritatively about the culinary culture of Paris. Focusing on the manners, customs, and "moeurs" of the dining scene, the author takes the reader from the opulence of a dinner at the Rothschilds through every social stratum down to the laborer eating on the streets. He surveys the restaurants of the previous generation and his own-from the most elegant to the lowest dive-along with the eating habits of the bourgeoisie, the importance and variety of banquets, the institutional meal, and even the plight of "people who do not dine." Briffault was also a fine storyteller, and the book is a compendium of culinary anecdotes, from the tantrums of a king deprived of his spinach to the tragedy of "the friendliest pig that was ever seen." The edition also includes the humorous drawings of the caricaturist Bertall, artwork that cleverly reinforces the witty and ironic tone that pervades the text. Along with an introduction -which provides the first modern biography of the author and analyses the place of Paris à Table in the literary culture of the time--the text is copiously annotated, acquainting readers with the events and characters that appear in the narrative and providing an entryway to the author''s Paris, the city Walter Benjamin characterized as "the capital of the nineteenth century."

DKK 186.00
3

One Dead at the Paris Opera Ballet - Felicia Mccarren - Bog - Oxford University Press Inc - Plusbog.dk

One Dead at the Paris Opera Ballet - Felicia Mccarren - Bog - Oxford University Press Inc - Plusbog.dk

In 1866, when the ballet La Source debuted, the public at the Paris Opera may have been content to dream about its setting in the verdant Caucasus, its exotic Circassians, veiled Georgians, and powerful Khan. Yet the ballet''s botany also played to a public thinking about ethnic and exotic others at the same time-and in the same ways-as they were thinking about plants. Along with these stereotypes, with a flower promising hybridity in a green ecology, and the death of the embodied Source recuperated as a force for regeneration, the ballet can be read as a fable of science and the performance as its demonstration. Programmed for the opening gala of the new Opera, the Palais Garnier, in 1875 the ballet reflected not so much a timeless Orient as timely colonial policy and engineering in North Africa, the management of water and women.One Dead at the Paris Opera Ballet takes readers to four historic performances, over 150 years, showing how-- through the sacrifice of a feminized Nature-- La Source represented the biopolitics of sex and race, and the cosmopolitics of human and natural resources. Its 2011 reinvention at the Paris Opera, following the adoption of new legislation banning the veil in public spaces, might have staged gender and climate justice in sync with the Arab Spring, but opted instead for luxury and dream. Its 2014 reprise might have focused on decolonizing the stage or raising eco-consciousness, but exemplified the greater urgency attached to Islamist threat rather than imminent climate catastrophe, missing the ballet''s historic potential to make its audience think.

DKK 1085.00
3

One Dead at the Paris Opera Ballet - Felicia (associate Professor Of French Mccarren - Bog - Oxford University Press Inc - Plusbog.dk

One Dead at the Paris Opera Ballet - Felicia (associate Professor Of French Mccarren - Bog - Oxford University Press Inc - Plusbog.dk

In 1866, when the ballet La Source debuted, the public at the Paris Opera may have been content to dream about its setting in the verdant Caucasus, its exotic Circassians, veiled Georgians, and powerful Khan. Yet the ballet''s botany also played to a public thinking about ethnic and exotic others at the same time-and in the same ways-as they were thinking about plants. Along with these stereotypes, with a flower promising hybridity in a green ecology, and the death of the embodied Source recuperated as a force for regeneration, the ballet can be read as a fable of science and the performance as its demonstration. Programmed for the opening gala of the new Opera, the Palais Garnier, in 1875 the ballet reflected not so much a timeless Orient as timely colonial policy and engineering in North Africa, the management of water and women.One Dead at the Paris Opera Ballet takes readers to four historic performances, over 150 years, showing how-- through the sacrifice of a feminized Nature-- La Source represented the biopolitics of sex and race, and the cosmopolitics of human and natural resources. Its 2011 reinvention at the Paris Opera, following the adoption of new legislation banning the veil in public spaces, might have staged gender and climate justice in sync with the Arab Spring, but opted instead for luxury and dream. Its 2014 reprise might have focused on decolonizing the stage or raising eco-consciousness, but exemplified the greater urgency attached to Islamist threat rather than imminent climate catastrophe, missing the ballet''s historic potential to make its audience think.

DKK 401.00
3

Prescriptions for the Mind - Joel Paris - Bog - Oxford University Press Inc - Plusbog.dk

Prescriptions for the Mind - Joel Paris - Bog - Oxford University Press Inc - Plusbog.dk

The practice of psychiatry has undergone great changes in recent years. In this book, Joel Paris, MD, a veteran psychiatrist, provides a fluently written and accessible "state-of-the-field" assessment. Himself a clinician, researcher, and teacher, Paris focuses on the most striking change within the field - the diverging roles of psychopharmacology and psychotherapy in contemporary practice. Where once psychiatrists were trained in Freudian psychoanalysis - which involved, more than anything else, talking - current pressures in mental health practice, including those imposed by managed care, are leading psychiatrists to treat more and more of their patients exclusively with medication, which is cheaper and faster. At the same time, psychotherapy is increasingly not being taught to new psychiatrists-in-training, even though, as Paris reveals, there is scientific evidence that both talk therapies and medication can play an important role in the treatment of mental illness. These developments are occuring against a backdrop of exploding research in the genetics and neurobiology of mental illness that will continue to drive the field. Paris ends by contemplating how going forward psychiatry can best respond to all these forces and proposes a team-based approach to mental health care. The book will appeal both to specialists and nonspecialists, particularly psychiatric residents and fellows, medical students considering specialization in psychiatry, clinical psychologists, social workers, and general readers, especially consumers of mental health services.

DKK 476.00
3

Overdiagnosis in Psychiatry - Joel Paris - Bog - Oxford University Press Inc - Plusbog.dk

Overdiagnosis in Psychiatry - Joel Paris - Bog - Oxford University Press Inc - Plusbog.dk

Dr. Joel Paris'' Overdiagnosis in Psychiatry takes a much-needed look at the dangerous epidemic of unnecessary or incorrect treatments in contemporary psychiatry. The last 30 years of psychiatry have seen the development of a system of classification aimed at establishing greater scientific credibility. Unfortunately, the current categories are based entirely on signs and symptoms rather than on causes, which remain unknown. This has inevitably made diagnosis imprecise and uncertain. The result is that well-meaning professionals can have problems separating psychopathology from normality, can be unduly influenced by diagnostic fads, and can ultimately wind up prescribing treatments that do more harm than good. Paris examines prominent examples of overused diagnoses including major depressive disorder, ADHD, bipolar-II disorder, autism spectrum disorders, and PTSD. This new edition expands on Dr. Paris'' argument and offers a new section on the link between aggressive psychopharmacology and current diagnostic practices, as well as on transdiagnostic approaches to classification of mental disorders.

DKK 456.00
3

Race, Time, and Utopia - William Paris - Bog - Oxford University Press Inc - Plusbog.dk

Race, Time, and Utopia - William Paris - Bog - Oxford University Press Inc - Plusbog.dk

Racial injustice, at its core, is the domination of time. Utopia has been one response to this domination. The racially dominated are not free to define what counts as "progress," they are not free from the accumulation of past injustices, and, most importantly, they are not free from the arbitrary organization of work in capitalist labor markets. Racially unjust societies are forms of life where the justifications for how to organize time around life, labor, and leisure are out of the hands of the dominated. In Race, Time, and Utopia, William Paris provides a theoretical account of utopia as the critical analysis of the sources of time domination and the struggle to create emancipatory forms of life.Rather than focusing on inclusion and equality before the law, as found in liberal theories of racial injustice, Paris analyses the neglected "utopian" tradition of justice in black political thought that insists justice can only be secured through the transformation of society as a whole. This transformation is nothing less than the democratic transformation of how organize and narrate our shared time. Bringing into conversation the work W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs with the critical theory of Karl Marx, Ernst Bloch, Rahel Jaeggi, and Rainer Forst, Paris reconstructs a social theory and normative account of forms of life as the struggle over how time will be organized, asking "Can there be freedom without a new order of time?"

DKK 291.00
1

Paris Savant - Bruno (professor Of History Of Science Belhoste - Bog - Oxford University Press Inc - Plusbog.dk

Paris Savant - Bruno (professor Of History Of Science Belhoste - Bog - Oxford University Press Inc - Plusbog.dk

Novelist Honoré de Balzac was the first to use the phrase "Paris savant" to refer to the dynamic Parisian scientific and intellectual community of the late 18th century. The Academy of Sciences was highly active during this time, and was a meeting place for intellectual and scientific elite, who worked together toward the diffusion of scientific knowledge into Parisian society. The Royal Observatory was a headquarters for French astronomy, as well as the great geodesic project to map all of France. The Royal Mint hosted courses in chemistry and mining, and the Arsenal near the Bastille housed the laboratory of Lavoisier, the most celebrated chemist of the age.This book is the English translation of Bruno Belhoste''s Paris Savant: Encounters in Enlightenment Science, originally published in France in 2011. Belhoste discusses how the Parisian scientific community came into its important place in the French Enlightenment, focusing on the Academy of Sciences. Chapters cover subjects such as what role Parisian geography played in the movement, the contributions of French scientists to industrial and urban improvement, and how the Academy of Sciences clashed with the revolutionary crisis, resulting in its closing in 1793. The translation includes a prologue for English readers.

DKK 348.00
3

At Home in Our Sounds - Rachel Anne Gillett - Bog - Oxford University Press Inc - Plusbog.dk

At Home in Our Sounds - Rachel Anne Gillett - Bog - Oxford University Press Inc - Plusbog.dk

At Home in Our Sounds illustrates the effect jazz music had on the enormous social challenges Europe faced in the aftermath of World War I. Examining the ways African American, French Antillean, and French West African artists reacted to the heightened visibility of racial difference in Paris during this era, author Rachel Anne Gillett addresses fundamental cultural questions that continue to resonate today: Could one be both black and French? Was black solidarity more important than national and colonial identity? How could French culture include the experiences and contributions of Africans and Antilleans? Providing a well-rounded view of black reactions to jazz in interwar Paris, At Home in Our Sounds deals with artists from highly educated women like the Nardal sisters of Martinique, to the working black musicians performing at all hours throughout the city. In so doing, the book places this phenomenon in its historical and political context and shows how music and music-making constituted a vital terrain of cultural politics--one that brought people together around pianos and on the dancefloor, but that did not erase the political, regional, and national differences between them.

DKK 667.00
3