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Grace and Conformity - Stephen (dean Of Peterhouse Hampton - Bog - Oxford University Press Inc - Plusbog.dk

Grace and Conformity - Stephen (dean Of Peterhouse Hampton - Bog - Oxford University Press Inc - Plusbog.dk

The Reformed Conformity that flourished within the Early Stuart English Church was a rich, vibrant, and distinctive theological tradition that has never before been studied in its own right. While scholars have observed how Reformed Conformists clashed with Laudians and Puritans alike, no sustained academic study of their teaching on grace and their attitude to the Church has yet been undertaken, despite the centrality of these topics to Early Stuart theological controversy. This ground-breaking monograph recovers this essential strand of Early Stuart Christian identity. It examines and analyses the teachings and writings of ten prominent theologians, all of whom made significant contributions to the debates that arose within the Church of England during the reigns of James I and Charles I and all of whom combined loyalty to orthodox Reformed teaching on grace and salvation with a commitment to the established polity of the English Church. The study makes the case for the coherence of their theological vision by underlining the connections that these Reformed Conformists made between their teaching on grace and their approach to Church order and liturgy. By engaging with a robust and influential theological tradition that was neither puritan nor Laudian, Grace and Conformity significantly enriches our account of the Early Stuart Church and contributes to the ongoing scholarly reappraisal of the wider Reformed tradition. It builds on the resurgence of academic interest in British soteriological discussion, and uses that discussion, as previous studies have not, to gain valuable new insights into Early Stuart ecclesiology.

DKK 837.00
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Beyond Sketches of Spain - Benjamin (professor Of Iberian Studies Fraser - Bog - Oxford University Press Inc - Plusbog.dk

Beyond Sketches of Spain - Benjamin (professor Of Iberian Studies Fraser - Bog - Oxford University Press Inc - Plusbog.dk

Few musicians shaped Iberian jazz more than pianist Vicenç "Tete" Montoliu i Massana (1933-97). Fascinated by the modernist aesthetics of mid-century jazz, Montoliu was known for a carefully crafted mix of lyricism and dissonance, a penchant for discordant crashes, and a development of highly original compositions. Over the course of his career, he boasted some 100 recordings spanning Denmark, Germany, Holland, Spain, and the United States, and performed with the most notable jazz luminaries including Lionel Hampton, Rahsaan Roland Kirk, Dexter Gordon, and Archie Shepp. In drawing from the Black American jazz form, Montoliu fashioned an adjacent critical space shaped by his experiences as a Catalan and a person with congenital visual impairment living under the dictatorship of Francisco Franco.Beyond Sketches of Spain: Tete Montoliu and the Construction of Iberian Jazz explores the artist''s life, musical production, and international reception within a cultural studies framework, invoking Fumi Okiji''s notion of gathering in difference. In its investigation of this impressive and often overlooked transnational jazz legend, the book moves beyond mere sketches of Spanish nationhood, challenges conventional scholarly narratives, and recovers links between the United States, Barcelona, Catalonia, Spain, and Europe.

DKK 349.00
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Clifford Brown - Nick Catalano - Bog - Oxford University Press Inc - Plusbog.dk

Clifford Brown - Nick Catalano - Bog - Oxford University Press Inc - Plusbog.dk

Although he died in a tragic car accident at twenty-five, Clifford Brown is widely considered one of the most important figures in the history of jazz, a trumpet player who ranks with Louis Armstrong, Dizzy Gillespie, and Miles Davis, and a leading influence on contemporary jazz musicians. Now, in Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter, Nick Catalano gives us the first major biography of this musical giant. Based on extensive interviews with Clifford Brown''s family, friends, and fellow jazz musicians, here is a fascinating portrait of a remarkable musician. Catalano depicts Brown''s early life, showing how he developed a facility and dazzling technique that few jazz players have ever equaled. We read of his meteoric rise in Philadelphia, where he played with many of the leading jazz players of the 1950s, including Dizzy Gillespie and Charlie Parker; his tour of Europe with Lionel Hampton, which made him famous; and his formation of the Brown-Roach Quintet with prominent drummer Max Roach--one of the most popular hard bop combos of the day. Catalano also shows that Brown was a remarkable individual--he grew up in a middle-class African-American home in Wilmington, Delaware, attended college, was a skilled mathematician, and had wide cultural interests. Moreover, in an era when most jazz players were either alcoholics or addicts, Brown was clean living and drug free. Indeed, he became a role model for musicians who were struggling with drugs and had great influence in this area with one prominent colleague, tenor sax player Sonny Rollins. Clifford Brown not only provides a colourful account of Brown''s life, but also features an informed analysis of his major recorded solos, highlighting Brown''s originality and revealing why he remains a great influence on trumpet players today. It is a book that anyone with a serious interest in jazz will want to own.

DKK 231.00
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Classics of Political and Moral Philosophy - Steven M. Cahn - Bog - Oxford University Press Inc - Plusbog.dk

Classics of Political and Moral Philosophy - Steven M. Cahn - Bog - Oxford University Press Inc - Plusbog.dk

Classics of Political and Moral Philosophy provides in one volume the major writings from nearly 2,500 years of political and moral philosophy, from Plato through the twentieth century. The most comprehensive collection of its kind, it moves from classical thought (Plato, Aristotle, Epicurus, Cicero) through medieval views (Augustine, Aquinas) to modern perspectives (Machiavelli, Hobbes, Spinoza, Locke, Rousseau, Hume, Adam Smith, Kant). It includes major nineteenth-century thinkers (Bentham, Hegel, Mill) and considerably more twentieth-century theorists than are found in competing volumes (Rawls, Nozick, Taylor, Foucault, Habermas, Held, Nussbaum). Also included are numerous essays from The Federalist Papers and a variety of notable documents and addresses, among them Pericles'' Funeral Oration, The Declaration of Independence, The Constitution of the United States, The Declaration of the Rights of Man and of the Citizen, and speeches by Edmund Burke, Abraham Lincoln, Elizabeth Cady Stanton, John Dewey, and Martin Luther King, Jr. The readings are substantial or complete texts, not fragments. The second edition contains two new readings--by Charles Taylor and Virginia Held--and adds The Universal Declaration of Human Rights. It also presents two works by John Locke in their entirety and includes a new translation of Kant''s Groundwork for the Metaphysics of Morals.An especially valuable feature of this volume is that the writings of each author are introduced with a substantive and engaging essay by a leading contemporary authority. These introductions include Richard Kraut on Plato, Aristotle, Epicurus, and Cicero; Paul J. Weithman on Augustine and Aquinas; Roger D. Masters on Machiavelli; Jean Hampton on Hobbes; Steven B. Smith on Spinoza and Hegel; A. John Simmons on Locke; Joshua Cohen on Rousseau and Rawls; Donald W. Livingston on Hume; Charles L. Griswold, Jr., on Smith; Bernard E. Brown on Hamilton and Madison; Jeremy Waldron on Bentham and Mill; Paul Guyer on Kant; Richard Miller on Marx and Engels; Thomas Christiano on Nozick; Robert B. Talisse on Charles Taylor; Thomas A. McCarthy on Foucault and Habermas; Cheshire Calhoun on Held; and Eva Feder Kittay on Nussbaum.Offering unprecedented breadth of coverage, Classics of Political and Moral Philosophy, Second Edition, is an ideal text for courses in political philosophy, social and political philosophy, moral philosophy, or surveys in Western civilization.

DKK 837.00
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Myself When I Am Real - Gene Santoro - Bog - Oxford University Press Inc - Plusbog.dk

Myself When I Am Real - Gene Santoro - Bog - Oxford University Press Inc - Plusbog.dk

A pioneering bassist and composer, Mingus redefined jazz''s terrain. He penned over 300 works spannig gutbucket gospel, Colombian cumbias, orchestral tone poems, multimedia performance, and chamber jazz. By the time he was 35, his growing body of music won increasing attention as it unfolded into one pioneering musical venture after another, from classical-meets-jazz extended pieces to spoken-word and dramatic performances and television and movie soundtracks. But Mingus got headlines less for his art than for his volatile and often provocative behaviour, which drew fans who wanted to watch his temper suddenly flare onstage. Keeping up with the organized chaos of Mingus''s art demanded gymnastic improvisational skills and openness from his musicians, which is why some of them called it "the Sweatshop". He hired and fired musicians on the bandstand, attacked a few musicians physically and many more verbally, twice threw Lionel Hampton''s drummer off the stage, and routinely harangued chattering audiences, once chasing a table of inattentive patrons out of the FIVE SPOT with a meat cleaver. But the musical and mental challenges this volcanic man set his bands also nurtured deep loyalties. Jey sidemen stayed with him for years and even decades.In this biography, Santoro probes the sore spots in Mingus''s easily wounded nature that helped make him so explosive: his bullying father, his interracila background, his vulnerability to women and distrust of men, his views of political and social issues, his overwhelming need for love and acceptance. Of black, white, and Asian decent, Mingus made race a central issue in his life as well as a crucial aspect of his music, becoming an outspoken (and often misunderstood) critic of racila injustice. Santoro gives us a vivid portrait of Mingus''s development, from the racially mixed Watts where he mingled with artists and writers as well as mobsters, union toughs, and pimps to the artistic ferment of postwar Greenwich Village, where he absorbed and extended the radical improvistation flowing through the work of Allen Ginsbert, Jackson Pollock, and Charlie Parker. Indeed, unlike most jazz biographers, Santoro examines Mingus''s etra-musical influences - from Orson Welles to Langston Hughes, Farwell Taylor, and Timothy Leary - and illuminates his achievement in the broader cultural context it demands. Written in a lively, novelistic style, "Myself When I Am Real" draws on dozens of new interviews and previously untapped letters and archival materials to explore the intricate connections between this extraordinary man and the extraordinary music he made.

DKK 186.00
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