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Better Living through TV - - Bog - Lexington Books - Plusbog.dk

Concept TV - Luca Bandirali - Bog - Lexington Books - Plusbog.dk

Crime in TV, the News, and Film - Beth E. Adubato - Bog - Lexington Books - Plusbog.dk

The American Civil War on Film and TV - - Bog - Lexington Books - Plusbog.dk

The American Civil War on Film and TV - - Bog - Lexington Books - Plusbog.dk

HIV on TV - Malynnda A. Johnson - Bog - Lexington Books - Plusbog.dk

HIV on TV - Malynnda A. Johnson - Bog - Lexington Books - Plusbog.dk

In the 80’s and 90’s it was Designing Women and The Real World, today it’s Grey’sAnatomy and How to Get Away with Murder. 35 years since HIV hit prime time it remains a hot topic for TV producers to include in storylines. While the motivationbehind creating an HIV narrative is sometimes the disseminate facts about HIV and STIs, farmore often it is the sexy ratings a show can receive by including a “taboo” or controversial topic. As a result, while some education is provided to audiences, far more shows are found only perpetuating misinformation and stereotypes. As a result viewers, young populations especially,continue to believe they are not at risk.HIV on TV: Popular Culture’s Epidemic offers a discussion of how HIV haspermeated popular culture. News broadcasts, movies, television shows, even musiclyrics have imbedded messages about HIV. Examining over 35-years of the HIV evolution on television this book offers a critical lens for examining how medial topics, specifically HIV, are covered in the media. Cutting across three common genres (news, drama, and comedy), characterizations, contexts, and themes are critically analyzed to uncover what each genre has contributed to audience’s understanding of risk, and what it is like to live with HIV. In total, the book offers three perspectives of the lessons presented about HIV. First, is the view from the screen; asking what the characters themselves say to the viewer. Second the book shares results from interviews with viewers themselves who have recalled seeing the shows mentioned. Finally, the book offers thoughts and reflections from writers, producers, and actors involved in the narratives. Providing the greatest insight, an interview with Daniel Franzese (Mean Girls, Road to Recovery, Looking) offers his experience in playing multiple roles as someone living with HIV and a challenge to media writers to be cautious in how they choose to write HIV into a storyline.

DKK 804.00
1

Transnational Korean Television - Hyejung Ju - Bog - Lexington Books - Plusbog.dk

Composing TV Drama - Marco Ianniello - Bog - Lexington Books - Plusbog.dk

Persuasive Attacks on Donald Trump in the 2016 Presidential Primary - William L. Benoit - Bog - Lexington Books - Plusbog.dk

Persuasive Attacks on Donald Trump in the 2016 Presidential Primary - Mark J. Glantz - Bog - Lexington Books - Plusbog.dk

Korean Food Television and the Korean Nation - Jaehyeon Jeong - Bog - Lexington Books - Plusbog.dk

Ethnicity, Gender, and Diversity - - Bog - Lexington Books - Plusbog.dk

Ethnicity, Gender, and Diversity - - Bog - Lexington Books - Plusbog.dk

Grief, Madness, and Crises of Masculinity in Mind-Game Films - Rosalind Sibielski - Bog - Lexington Books - Plusbog.dk

Political Humour and Zimbabwean Identity on Social Media Platforms - Mbongeni Jonny Msimanga - Bog - Lexington Books - Plusbog.dk

The Paths of Zatoichi - Jonathan Wroot - Bog - Lexington Books - Plusbog.dk

Henry VIII in Twenty-First Century Popular Culture - Jonas Takors - Bog - Lexington Books - Plusbog.dk

A Critical Companion to David Lynch - - Bog - Lexington Books - Plusbog.dk

Gramsci and Media Literacy - Erika Engstrom - Bog - Lexington Books - Plusbog.dk

Black Social Television - Sherri M. Williams - Bog - Lexington Books - Plusbog.dk

Black Social Television - Sherri M. Williams - Bog - Lexington Books - Plusbog.dk

In this book, Sherri Williams explores the digital activism of the Black social TV audience, a subset of Black Twitter. In addition to demands for social equality and shifts in social justice, Williams argues, the Black social TV audience advocated for a representation revolution in television, leading to some shows being blocked from airing, some being taken off the air, and others even being revived. Williams positions this activism as an extension of Black people''s historic advocacy related to the use of their image, dating back a century to when the NAACP attempted to block screenings of the notoriously racist 1915 film The Birth of a Nation . This book details how Black audiences'' use of social media impacted the way television is watched, developed, and produced through digital discourse and activism, primarily on Twitter (now known as X). Williams also demonstrates how Black content directors, like Justin Simien and Quinta Brunson, used social networks to develop their content and loyalty among audiences to ultimately bypass Hollywood''s traditional gatekeepers. Finally, the book touches on contemporary events, such as the COVID pandemic and Elon Musk''s acquisition of Twitter, have affected the ways in which Black content creators engage with their content and audience and vice versa. Scholars of television studies, social media studies, cultural studies, and sociology will find this book particularly useful.

DKK 754.00
1

The Audience and Business of YouTube and Online Videos - - Bog - Lexington Books - Plusbog.dk

The Audience and Business of YouTube and Online Videos - - Bog - Lexington Books - Plusbog.dk

Geopolitics and Culture - - Bog - Lexington Books - Plusbog.dk

Dialectics of the Goddess in Japanese Audiovisual Culture - - Bog - Lexington Books - Plusbog.dk