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Johann Pachelbel: Canon And Gigue In D (Henle Urtext)

Johann Pachelbel: Canon And Gigue In D (Henle Urtext)

Johann Pachelbel, born in Nuremberg in 1653, a generation before Bach, is one of Southern Germany?s most important post-Reformation organ composers. His compositions were already widely known at the time. The most popular work today is probably the canon with ensuing gigue in D major. The canon - according to the source ?a 3 Violinis con Basso c.? - is built up over an ostinato bass whose two bar fi gure is repeated a total of 28 times. The following short gigue is also in a strict contrapuntal style. It is not known when the work was composed. As with most of his other chamber music works, Pachelbel might have composed it during his time in Thuringia between 1677 and 1695. This pleasing work is also popular with amateur ensembles.

DKK 218.00
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Easy Piano Music: Classical and Romantical Eras - Volume 1

Easy Piano Music: Classical and Romantical Eras - Volume 1

With this rewarding “sampler,” beginners can enjoy a stimulating introduction to the standard canon of classical piano literature. The journey begins with little pieces by Daniel Gottlob Türk and compositions from Mozart’s early music books, then goes on to Clementi sonatinas, easy piano sonatas by Haydn, a few single pieces by Beethoven and dances by Schubert, to the first “romantic” works by Robert Schumann. Rounding off each volume are the helpful comments by the knowlegeable piano instructor Walter Georgii. They were selected in such a way that they do not exceed level 4 of difficulty.

DKK 184.00
1

Johannes Brahms: Symphony No.4 In E Minor Op.98 (Study Score)

Johannes Brahms: Symphony No.4 In E Minor Op.98 (Study Score)

The genesis of the Fourth Symphony possibly goes back to the 1870s when Brahms was studying the Bach Cantata ?Nach dir, Herr, verlanget mich?, whose chaconne theme forms the nucleus of the finale. Around 29 August 1885 Brahms wrote to Hans von Bülow from Mürzzuschlag in Styria: ?However I have a few entr?actes ? which together form what one would usually call a symphony. [?] I am afraid [?], it takes after the climate in this region ? the cherries do not ripen here.? Yet we are by no means speaking of ?sour? cherries here. The work is today a part of the canon of classical-romantic symphonies. Our handy and inexpensive priced study edition is based on the musical text in the Johannes Brahms Complete Edition (HN 6015).

DKK 141.00
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Max Reger: Leaves and Blossoms

Max Reger: Leaves and Blossoms

From early childhood, Max Reger grew into the tradition of artisanal, practical composition in which Johann Sebastian Bach became his role model. Traditional forms such as canon, fugue, passacaglia and variation gave stable form to his means of expression. But there is also another Reger. In the “Blätter und Blüten” (“Leaves and Blossoms”), whose moods range from the humorous to the melancholic, we find a sentimental, romantic side to Reger that rarely receives attention. The pieces bear titles such as “Spring Song”, “Hunting Piece”, “Moment musical” or “Elegie”. Something of Schumann’s melodic charm, Brahms’s profundity and Grieg’s folk style resonates here. With this Urtextedition, pianists can discover these pieces for themselves. The fingerings are by Helmut Brauss, an expert on Reger’s piano music.

DKK 184.00
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Joseph Haydn: The Seven Last Words Of Christ - Arrangement For Piano

Joseph Haydn: The Seven Last Words Of Christ - Arrangement For Piano

In 1786 Haydn was commissioned by the cathedral canon in Cádiz to write meditative music, which was to be performed alternately with readings of Christ's last words on Good Friday. Already in the spring of 1787 the orchestral version and an arrangement for string quartet (HN851 and HN9771) were published by Artaria in Vienna. Barely ten years later he also made an oratorio version, which Henle has published as a study score (HN9830). Although Haydn did not undertake the version for "Clavicembalo o Forte Piano" (harpsichord or fortepiano) himself, he received the proofs and praised the piano reduction as being "very good and conceived with particular care". In addition, this expressive work is also extremely well-suited to being performed on the organ.

DKK 264.00
1

J. S. Bach: French Suites BWV 812-817

J. S. Bach: French Suites BWV 812-817

Johann Sebastian Bach composed three great cycles of suites that belong to the fundamental canon of Piano literature: the Partitas and the so-called English and French Suites . It is the French Suites that have long been by far the most popular – and this was also the case at the time that they were written. However, this also creates problems for an editor preparing an Urtext edition, because a vast number of copies of them were made by Bach ’s circle of pupils, and these contain many presumably authentic variants. This Henle Urtext Edition has been edited by Ullrich Scheideler, who explains the complicated source situation with exemplary clarity. He lists the more minor source variants in footnotes; where there are major differences, both versions of individual movements are printed in full. This opulent volume is rounded off with an appendix offering alternative and additional pieces. This Henle Urtext Edition has been completely revised. It enables pianists and Bach enthusiasts alike to re-discover Bach ’s universe for themselves. This edition includes fingering by Michael Schneidt.

DKK 201.00
1

J. S. Bach: French Suites BWV 812-817

J. S. Bach: French Suites BWV 812-817

Johann Sebastian Bach composed three great cycles of suites that belong to the fundamental canon of Piano literature: the Partitas and the so-called English and French Suites . It is the French Suites that have long been by far the most popular – and this was also the case at the time that they were written. However, this also creates problems for an editor preparing an Urtext edition, because a vast number of copies of them were made by Bach ’s circle of pupils, and these contain many presumably authentic variants. This Henle Urtext Edition has been edited by Ullrich Scheideler, who explains the complicated source situation with exemplary clarity. He lists the more minor source variants in footnotes; where there are major differences, both versions of individual movements are printed in full. This opulent volume is rounded off with an appendix offering alternative and additional pieces. This Henle Urtext Edition has been completely revised. It enables pianists and Bach enthusiasts alike to re-discover Bach ’s universe for themselves.

DKK 201.00
1

Franz Joseph Haydn: Streichtrios Heft II

Franz Joseph Haydn: Streichtrios Heft II

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of surprises and provide much playing enjoyment. Based on the Haydn Complete Edition, also published by G. Henle, Haydn’s eighteen surviving string trios are presented in two practical volumes. The second contains Trios Hob. V:15 21. The Critical Report provides valuable information about the trios’ genesis and sources.

DKK 371.00
1

Claude Debussy: Préludes, 1er livre

Claude Debussy: Préludes, 1er livre

After several single pieces and several smaller Piano cycles, in 1910 the recently composed Préludes, Premier Livre was published. The title draws on a traditional form, following Chopin’s example. In addition Debussy discreetly characterized his Préludes by dispensing with titles but giving the pieces programmatic directions at the end of each Prélude. This first volume became an immediate success and even today is considered to be the epitome of Debussy ’s Piano artistry. Some of these more substantial pieces are also within reach of those who do not intend to become concert pianists.

DKK 247.00
1

Joseph Haydn: Streichquartette Op.54/55 (String Quartet)

Joseph Haydn: Streichquartette Op.54/55 (String Quartet)

The chamber music world has been eagerly awaiting this ? all of Haydn's string quartets are finally available in Henle Urtext quality! This edition contains the String Quartets op. 54/55, sometimes also known as the "First Tost Quartets". Contrary to what the opus numbers might suggest, it is a cohesive cycle of six works. Mozart's influence is felt more deeply, the forms are more diverse and the first Violin is every now and then required to do real acrobatics. In this volume in particular several treasures can be found that are not often played.

DKK 294.00
1

Brahms: Waltz Op 39 No 15 Original & Simplified Piano

Brahms: Waltz Op 39 No 15 Original & Simplified Piano

“Do you love Brahms?” The majority of music lovers will answer “yes”, and they might be thinking of the Waltz op. 39 no. 15 – its gently rocking melody is one of Brahms’s most famous inspirations. Both original versions of this popular miniature for piano solo are now offered by G. Henle Publishers in a practical, stand-alone Urtext edition. The more demanding version in A-flat major (taken from HN 1286) is followed by Brahms’s own easier arrangement in A major (from HN 1287). A must for every Brahms lover!

DKK 82.00
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Georg Friedrich Händel: Nine German Arias For Soprano, Solo Instrument And Basso Continuo

Georg Friedrich Händel: Nine German Arias For Soprano, Solo Instrument And Basso Continuo

We do not know very much about Handel ’s compositions on poems by Barthold Heinrich Brockes. We can only date their composition to approximately 1724–1727. The autograph does not shed any light on the titles nor the sequence of the works. It does not even give the instrumentation. Thus there are several alternatives for the solo instrument that imitates the vocal part – although Violin, Flute or Oboe are the most likely. Henle's practical edition not only contains additional parts for the solo instrument and the Bass but also a realization of the figured Bass in the score by the editor Ullrich Scheideler .

DKK 218.00
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Joseph Haydn: String Quartets Book VII

Joseph Haydn: String Quartets Book VII

The chamber music world has been eagerly awaiting this ? all of Haydn's string quartets are finally available in Henle Urtext quality! The last edition to be finished contains the String Quartets op. 54/55, sometimes also known as the "First Tost Quartets". Contrary to what the opus numbers might suggest, it is a cohesive cycle of six works. Mozart's influence is felt more deeply, the forms are more diverse and the first Violin is every now and then required to do real acrobatics. In this volume in particular several treasures can be found that are not often played.

DKK 575.00
1

Johann Sebastian Bach: Suites, Sonatas, Capriccios, Variations

Johann Sebastian Bach: Suites, Sonatas, Capriccios, Variations

Apart from the major cycles (partitas, French and English suites), a whole series of separate keyboard suites by Bach have come down to us, including individual sonatas or sonata movements, variations, and fragments of various sorts called Capriccios. None of them reached the degree of popularity of the aforementioned large collections. Most of them go back to Bach’s youth and student years, to wit, to the years between 1700 and 1710, and do not yet reach the mastery of the later years. However, this is compensated by the enormous joy one derives in playing these works.

DKK 366.00
1

Franz Joseph Haydn: Streichtrios Heft I

Franz Joseph Haydn: Streichtrios Heft I

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of surprises and provide much playing enjoyment. Based on the Haydn Complete Edition, also published by G. Henle, Haydn’s eighteen surviving string trios are presented in two practical volumes. The first contains Trios Hob. V:1 8 and 10 13. The preface to this Urtext edition offers valuable information about the genesis of the trios. Moreover, it contains numerous hints on performance practice, concerning for example the execution of embellishments.

DKK 477.00
1

Robert Schumann: Humoresque In B Flat Op.20 - Revised Edition (Urtext)

Robert Schumann: Humoresque In B Flat Op.20 - Revised Edition (Urtext)

Do you not know Jean Paul, our great writer? I have learnt more counterpoint from him than from my music teacher. Jean Paul's "Vorschule der Ästhetik" with its extensive treatment of humour probably occasioned Schumann to think of giving a Piano work the title "Humoreske" ? thus giving birth to a new musical genre. The "romantic humour" is not, however, aimed at humour in a modern sense of the word, but rather at a portrayal of the fragility and contradictory nature of the human condition. As if in a kaleidoscope, Schumann juxtaposes the most diverse elements of form and moods. Ernst Herttrich's revision reflects the latest scholarly findings for this unusual work.

DKK 175.00
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J.S. Bach: Fantasien, Praludien Und Fugen (Urtext)

J.S. Bach: Fantasien, Praludien Und Fugen (Urtext)

In contrast to the large collections of partitas, along with the French and English Suites, Bach’s Fantasies, and his Preludes and Fugues besides the Well-Tempered Clavier have not come down to us as interconnected cycles. Perhaps this is one of the reasons why only few of these works gained widespread popularity. Only the much-acclaimed Chromatic Fantasy and Fugue BWV 903/903a and the great c-minor Fantasy BWV 919 have found a permanent place in pianists’ concert repertoires. Some of the works compiled in this volume are undoubtedly juvenilia that do not yet hint at the mature Bach whilst nevertheless pointing out the composer’s fresh power of invention.

DKK 366.00
1

Ludwig Van Beethoven: "Ah! Perfido" Op.65

Ludwig Van Beethoven: "Ah! Perfido" Op.65

The origin of this concert aria, which is a core piece in the singer?s repertoire, is swathed in mystery. We still do not know where Beethoven found the text for the aria. The text for the recitative was taken from Pietro Metastasio?s ?Achille in Sciro?, but there it was not followed by an aria. It is also not clear why Beethoven only published the piece nine years after writing it. The Critical Commentary at the end of this single edition from HN 970 gives detailed information on the source situation and all aspects of our edition of this dramatic masterpiece. Breitkopf & Härtel are publishing the performing material.

DKK 141.00
1

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

The fact that the three so-called “Hallenser” Sonatas do not all date from Handel’s youth in Halle does not adversely affect their popularity. Since only very little is known about them, and because certain stylistic characteristics suggest an early composition date, the sonatas were formerly assigned to Handel’s Halle years. However, we now know that at least the e minor Sonata was written in London. We include a combined part for Flute/Basso in this Urtext edition, so that both players flautist and accompanist can play from this musical text. We are also offering, in addition to the thoroughbass figuring, a historically-appropriate thoroughbass realization withinthe score.

DKK 218.00
1

Franz Liszt: Valses Oubliées

Franz Liszt: Valses Oubliées

The ?Valses oubliées? belong to Liszt?s late work, characterised by themes such as memory, sorrow and grief. They do not form a cycle but were written as separate pieces between 1881 and 1884. The title ?Forgotten Waltzes? alludes to the fact that certain forms and genres were no longer fashionable. These four pieces are reminiscent of Liszt?s waltzes for piano from the 1830s, but embed typical melodic and rhythmic clichés from salon waltzes in new harmonic progressions. Up to now only the first of the ?Valses oubliées? has found its way into concert repertoire. This new edition affords pianists an opportunity to discover all four waltzes and their characteristic idiosyncrasies.Valse oubliéeDeuxième Valse oubliéeTroisième Valse oubliéeQuatrième Valse oubliée

DKK 196.00
1