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Atlantic Salmon Treasury, 75th Anniversary Edition - - Bog - Goose Lane Editions - Plusbog.dk

Gerard Collins - Mary Blatherwick - Bog - Goose Lane Editions - Plusbog.dk

Mary Pratt - - Bog - Goose Lane Editions - Plusbog.dk

Mary Pratt - - Bog - Goose Lane Editions - Plusbog.dk

"The light in Pratt''s paintings seems sentient, a living thing, a pulsation or emission, imbuing the paintings with an erotic and almost mystical desire." — Canadian Art Following a stunningly successful national touring exhibition and a sold-out hardcover edition of the accompanying book, Mary Pratt is available once again in this elegant paperback edition. Says the Globe and Mail , Mary Pratt''s "gorgeous, brutal vision of the world is the best revenge against anyone who ever sought to define her." There''s something deeply resonant about Pratt''s painting for contemporary audiences — particularly for those that are food obsessed. The dark light of a jelly jar, the slippery weight of filleted cod, the dark drippings of a bloody roast, the wet yellow yolk of a cracked egg. Pratt takes these seemingly mundane subjects and fills them with light, giving them a monumental quality, making them seem luminous, signifiant, memorable. For many, they have become seared into memory, iconic in the best sense of the word. Mary Pratt , a career retrospective, features five major essays by columnist and art critic Sarah Milroy, Catharine Mastin of the Art Gallery of Windsor, Mireille Eagan and Caroline Stone of The Rooms Provincial Art Gallery, Sarah Fillmore of the Art Gallery of Nova Scotia, and art critic and curator Ray Cronin as well as 75 colour reproductions of Pratt''s most renowned work, including Eggs in an Egg Crate , Salmon on Saran , Eviscerated Chickens , and Cod Fillets on Tin Foil .

DKK 297.00
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Higher States - Gwendolyn Owens - Bog - Goose Lane Editions - Plusbog.dk

Higher States - Gwendolyn Owens - Bog - Goose Lane Editions - Plusbog.dk

Lawren S. Harris is best known for his iconic landscape paintings that declare a sense of cool Canadian resilience. Yet, in the 1920s, an audacious and more colourful interior world began to emerge in his work, and by 1934, the patriotic landscape painter had taken a seemingly unexpected turn toward a transnational career in abstract painting. The social, intellectual, and aesthetic milieu of American transcendentalism shaped a movement of abstract art across North America, seen in the paintings of Georgia O’Keeffe, Marsden Hartley, Katherine Dreier, Raymond Jonson, and Lawren Harris. Harris, in particular, made an impact on both sides of the border. Inspired by the ideas of Kandinsky and informed by the writings of Emerson and Whitman, Harris and his contemporaries turned to abstraction to express higher states of consciousness, creating work that was the very embodiment of the modern spirit. As Harris's career progressed, as he ascended from mountaintops to inner states of mind, he sought greater and more ethereal spiritual heights. This magnificent volume features reproductions of more than 75 paintings by Harris and his contemporaries. Two major essays by Roald Nasgaard and Gwendolyn Owens investigate Lawren Harris's exploration of modernity and the evolution of his work towards a form of abstraction that enthusiastically embraced the energies of the ambient visual culture. Higher States: Lawren Harris and His American Contemporaries accompanied an exhibition organized by the McMichael Canadian Art Collection.

DKK 377.00
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Masterworks from the Beaverbrook Art Gallery - - Bog - Goose Lane Editions - Plusbog.dk

Masterworks from the Beaverbrook Art Gallery - - Bog - Goose Lane Editions - Plusbog.dk

Shortlisted, Best Atlantic Published Book Award and Canadian Regional Design Award A major publication comprising 240 pages with 75 colour plates and 60 black-and-white photographs provides extensive documentation of the exhibition Masterworks from the Beaverbrook Art Gallery . Along with a complete catalogue of artworks, it features an overview and history of the historic collection, along with curatorial commentary on each work of art by the Beaverbrook Art Gallery's Curator and Deputy Director, and curator of the exhibition, Terry Graff. Further, it includes important essays by five internationally respected art historians, scholars, and curators, Elliot King, James Hamilton, Richard Calvocoressi, Angus Stewart, and Katharine Eustace, that focus on several key works of art. In addition, Bernard Riordon, Director and CEO of the Beaverbrook Art Gallery, provides a foreword and timely essay documenting the recently resolved legal battle with the Beaverbrook Foundation (UK) over ownership of several works. Elliot King, art historian and leading specialist on the work of Salvador Dalí and curator of the recent exhibition Dalí: The Late Work at the High Museum of Art, examines Dalí's monumental painting Santiago El Grande . James Hamilton, curator and art historian, who has written several books, lectured internationally, and curated several important exhibitions on JMW Turner, examines Turner's Fountain of Indolence . Richard Calvocoressi, Director of the Henry Moore Foundation and former Director of the Scottish National Gallery of Modern Art in Edinburgh, provides special insight into Lucien Freud's Hotel Bedroom . Angus Stewart, independent curator known for his many exhibitions at the Olympia London fine art and antiques fair, including the major 2003 project that marked the centenary of artist Graham Sutherland's birth, examines important Sutherland works, such as Helena Rubinstein, Studies for Churchill , and Portrait of Lord Beaverbrook . Katharine Eustace, art historian and curator, whose publications include Continuity and Change: Twentieth Century Sculpture in the Ashmolean Museum , provides a thoughtful essay on Walter Sickert in relation to the Beaverbrook Art Gallery's Sickert paintings, such as H.M. King Edward VIII .

DKK 485.00
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Erica Rutherford - - Bog - Goose Lane Editions - Plusbog.dk

Erica Rutherford - - Bog - Goose Lane Editions - Plusbog.dk

“The struggle to realize and to express my nature is my life’s meaning.” — Erica Rutherford Erica Rutherford: Her Lives and Works accompanies a career-spanning retrospective exhibition of this multidisciplinary Canadian artist and transgender pioneer. An artist, actor, filmmaker, farmer, teacher, and writer, Erica Rutherford’s remarkably multifaceted career took her across several countries and continents before settling on Prince Edward Island in the 1970s. There she established herself as a painter and printmaker, using art to engage in a reflection on gender construction and agency. This remarkable retrospective includes reproductions of more than 60 paintings, prints, and drawings, as well as personal photographs. An interview with Rutherford’s widow, artist Gail Rutherford, accompanies critical essays by scholars and curators examining Rutherford’s stylistic evolution from dark semi-abstract collages to hard-edged Pop Art. Says editor and curator Pan Wendt, “In retrospect, Rutherford’s work represents a courageous and often solitary mission of working through questions that are only now part of the mainstream public discourse.” Ma vie trouve son sens dans le combat que je mène pour comprendre et exprimer ma vraie nature. — Erica RutherfordErica Rutherford : sa vie, son œuvres accompagne la rétrospective consacrée à la carrière de cette artiste canadienne multidisciplinaire, pionnière parmi les personnes trans. Art pictural, arts de la scène, production cinématographique, agriculture, enseignement, littérature : autant de disciplines qui ont mené Erica Rutherford dans de nombreux pays et sur plusieurs continents avant son installation à l’Île-du-Prince-Édouard dans les années 1970. Rutherford privilégie finalement la peinture, qui lui permet de s’engager dans une réflexion complexe sur la construction du genre et la puissance d’agir. Outre la reproduction des 75 peintures, estampes, dessins et photographies personnelles qui composent la rétrospective, cet ouvrage remarquable propose une entrevue avec l’artiste Gail Rutherford, partenaire d’Erica Rutherford, des essais critiques au fil desquels universitaires et conservateurs relatent l’évolution stylistique d’Erica Rutherford depuis de sombres collages semi-abstraits jusqu’à l’association hard edge et pop art. Pour Pan Wendt, commissaire de l’exposition, « il apparaît maintenant que l’œuvre d’Erica Rutherford est l’expression d’une mission poursuivie avec courage et souvent dans la solitude : celle de sonder des questions qui se font à peine jour sur la place publique ».

DKK 380.00
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