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Five Famous Piano Sonatas

Five famous sonatas by Beethoven – all bearing a popular epithet known the world over – are presented to advanced pianists in this attractive volume of selected works from the new three-volume Urtext edition. These five pieces do not all number among the most difficult sonatas from Beethoven’s cosmos but do indeed demand an advanced keyboard technique. They reveal to every Beethoven enthusiast the multifarious spectrum of these impassioned compositions from his quill. This collection also features all the benefits of the editions stemming from the collaboration between Perahia and Gertsch: from extensive information on the genesis, publication, and source situation, to thefirst-rate fingerings by Maestro Perahia. Five famous sonatas by Beethoven – all bearing a popular epithet known the world over – are presented to advanced pianists in this attractive volume of selected works from the new three-volume Urtext edition. These five pieces do not all number among the most difficult sonatas from Beethoven’s cosmos but do indeed demand an advanced keyboard technique. They reveal to every Beethoven enthusiast the multifarious spectrum of these impassioned compositions from his quill. This collection also features all the benefits of the editions stemming from the collaboration between Perahia and Gertsch: from extensive information on the genesis, publication, and source situation, to thefirst-rate fingerings by Maestro Perahia.

DKK 256.00

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Complete Piano Sonatas Volume II w/o fg pb. : Edition without fingering

The revision of the three-volume edition of Haydn’s piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in pure” Urtext, free from added fingering suggestions, will now also find these in the Henle catalogue. Volume II contains three sets of six sonatas, each more famous than the last and all replete with delightful thematic ideas – it is here one finds the core of Haydn’s sonata production, which amateurs and professionals alike simply cannot do without!

DKK 349.00

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Complete Piano Sonatas Volume II pb.

Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a who’s who” on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn’s sonatas will further cement their place in the world of music. Volume II contains three sets of six sonatas, each more famous than the last and all replete with delightful thematic ideas – it is here one finds the core of Haydn’s sonata production, which amateurs and professionals alike simply cannot do without!

DKK 349.00

1

Complete Piano Sonatas Volume II cb.

Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a who’s who” on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn’s sonatas will further cement their place in the world of music. Volume II contains three sets of six sonatas, each more famous than the last and all replete with delightful thematic ideas – it is here one finds the core of Haydn’s sonata production, which amateurs and professionals alike simply cannot do without!

DKK 515.00

1

Camille Saint-Saëns: Havanaise Op.83

Camille Saint-Saëns ' Havanaise Op.83 for Violin and Piano. Urtext edition. It is said that Camille Saint-Saëns ' was inspired to write Havanaise Op.83 after observing a crackling open fire at one of the hotels where he stayed whilst on tour with the violinist Rafael Diaz Albertini in 1885. We do not know whether, when writing the composition two years later, the Habanera (French Havanaise) with its typical two beat dance rhythms was an allusion to the Cuban origin of his friend Albertini , to whom this work is dedicated. At any rate, the composition was extremely well received from the very beginning, both in its original form and in the Orchestral version. Ingolf Turban kindly provided the bowings for the virtuoso Violin part.

DKK 171.00

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Six Duos (op. 48) for two Violins : Six Duos (op. 48) for two Violins

These easy duets were published around 1796/97 by Pleyel’s own publishing house both as Six Duos faciles et progressives for two violins and as Six nouvelles Sonatines progressives for piano and violin, though we do not know today which version came first. To this day, the violin duets are favorites for use in violin lessons, but also for making music at home. Though lesser known today, around 1800 Ignaz Pleyel numbered among the most popular composers in Western Europe - which may at first come as a surprise, but which to judge from these very appealing pieces, manageable for advanced beginners, is easily understandable. With an unmarked score and two marked solo parts, the Urtextedition provides optimal material for use in teaching.

DKK 184.00

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Nine Songs Opus 5 : On Poems by Boris Sandler

A new work by cult pianist and composer Evgeny Kissin! These nine Yiddish poems were penned by his friend, the author and lyricist Boris Sandler (*1950). Kissin follows in his very folksong-like settings, which are easy for amateur music-lovers to sing and play, the prevailing mood of each poem, the titles of which - such as “Sternlein mit Mandeln” (Little stars with almonds), “Wenn der Kopf kein Topf ist” (When the head isn’t a pot), “Moschl-Kaposchl”, “Was weiss ich” (What do I know) - promise a subtle, cryptic and also entirely profound humour. This Henle edition presents the Yiddish song texts not only in Hebrew letters, but also transliterated into Latin characters, with an appendix additionally offering German and English prose translations of the poems.

DKK 269.00

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Variations In F Minor

Haydn’s last piano work is also considered to be his most famous single work for this instrument. The minor theme is filled with emotional depth: “a melancholy andante in f minor, with variations, as only a genius can do them, that almost sounds like a free fantasia” (thus described in a review of the time). The form is also demanding: not merely one theme but two one in a major key, the other in a minor one are varied in turn. The autograph gives one to believe that the work was originally intended to be the first movement of a sonata. This single edition has been taken from the recently revised volume of “Piano pieces” (HN 224) and furnished with a detailed commentary.Henle also recently published a facsimile of Haydn’s autograph of the Variations in f minor: HN 3218.?

DKK 103.00

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Symphony in F major Hob. I:89

According to his dating of the autograph, Haydn composed the Symphony no. 89 in F major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work, the G-major Symphony no. 88, for the violinist Johann Tost, who sold it to the Parisian publisher Sieber. In both works, Haydn continues the compositional achievements of the Paris symphonies: mastery of orchestration, richness of musical ideas and details, and an idiosyncratic, multicoloured use of the wind section (which still makes do without Clarinets). In contrast to the buoyant G-major symphony, the F-major symphony possesses a ratherpastoral, sweet character, which in parts can nevertheless soar to dramatic heights. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future.

DKK 162.00

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Symphony in G major Hob. I:88

Haydn probably composed his Symphony no. 88 in G major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work, the F-major Symphony no. 89, for the violinist Johann Tost, who sold it to the Parisian publisher Sieber. In both works, Haydn continues the compositional achievements of the Paris symphonies: mastery of orchestration, richness of musical ideas and details, and an idiosyncratic, multicoloured use of the wind section (which still makes do without Clarinets). The G-major symphony is characterised by its cheerful, almost cheeky inflection – the theme of the rondo finale in particularpossesses the strong qualities of an earworm. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future.