Bartok B - Kodaly Z

Suite In Do Minore BWV 997

Concerto In Do Maggiore Per Fagotto E Pianoforte R

Concerto in do maggiore per oboe e pianoforte, R

Concerto In Do Maggiore Per Oboe, Archi E Czalo

Concerto In Do Maggiore RV 399 : Per Violoncello, Archi e Cembalo

Die zweite Hälfte des 18. Jahrhunderts

The series 300 YEARS OF FLUTE MUSIC was compiled with the history of music and the instrument in mind. The Early Baroque (Z. 13533) presents the beginnings, the Italian Baroque (Z. 13534) collates the Mediterranean style with the German, French and Netherlandish art of The High Baroque (Z. 13535). The volume entitled The Second Half of the 18th Century (Z. 13536) illustrates the end phase of the Baroque as well as the rise of Classicism. The Vienna Classics (Z. 13537) draws on the works of the "three great masters" only. The two volumes of Romantic Flute Virtuosos (Z. 13538 and Z. 13539) contain works by German and French composers.

Flötenvirtuosen der Romatik II

The series 300 YEARS OF FLUTE MUSIC was compiled with the history of music and the instrument in mind. The Early Baroque (Z. 13533) presents the beginnings, the Italian Baroque (Z. 13534) collates the Mediterranean style with the German, French and Netherlandish art of The High Baroque (Z. 13535). The volume entitled The Second Half of the 18th Century (Z. 13536) illustrates the end phase of the Baroque as well as the rise of Classicism. The Vienna Classics (Z. 13537) draws on the works of the "three great masters" only. The two volumes of Romantic Flute Virtuosos (Z. 13538 and Z. 13539) contain works by German and French composers.

Frühbarock

The series 300 YEARS OF FLUTE MUSIC was compiled with the history of music and the instrument in mind. The Early Baroque (Z. 13533) presents the beginnings, the Italian Baroque (Z. 13534) collates the Mediterranean style with the German, French and Netherlandish art of The High Baroque (Z. 13535). The volume entitled The Second Half of the 18th Century (Z. 13536) illustrates the end phase of the Baroque as well as the rise of Classicism. The Vienna Classics (Z. 13537) draws on the works of the "three great masters" only. The two volumes of Romantic Flute Virtuosos (Z. 13538 and Z. 13539) contain works by German and French composers.

Menuetto : Offprint from volume III of Mozart Album for violinists Z. 5213

From the Quartet for flute, violin, viola and violoncello (K. 298) arranged by László Dobszay.

Menuetto : Offprint from volume III of Mozart Album for violinists Z. 5213

From the String Quartet in D minor (K. 173) arranged by László Dobszay

Mikrokosmos for piano 4 : New Definitive Edition

'The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose (Vol. 1: Z. 125, Vol. 2: Z. 126, Vol. 3: Z. 127, Vol. 4: Z. 128, Vol. 5: Z. 129, Vol. 6: Z. 130). That is, to give piano pieces which can be used from the very beginning, and then going on, it is graded according to difficulties. And the word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as "world of the little ones, the children".' (Interview broadcast by WNYC, in early 1945, on a programme entitled Ask the Composer.)

Mikrokosmos for piano 6 : New Definitive Edition

'The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose (Vol. 1: Z. 125, Vol. 2: Z. 126, Vol. 3: Z. 127, Vol. 4: Z. 128, Vol. 5: Z. 129, Vol. 6: Z. 130). That is, to give piano pieces which can be used from the very beginning, and then going on, it is graded according to difficulties. And the word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as "world of the little ones, the children".' (Interview broadcast by WNYC, in early 1945, on a programme entitled Ask the Composer.)

Mikrokosmos for piano 5 : New Definitive Edition

'The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose (Vol. 1: Z. 125, Vol. 2: Z. 126, Vol. 3: Z. 127, Vol. 4: Z. 128, Vol. 5: Z. 129, Vol. 6: Z. 130). That is, to give piano pieces which can be used from the very beginning, and then going on, it is graded according to difficulties. And the word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as "world of the little ones, the children".' (Interview broadcast by WNYC, in early 1945, on a programme entitled Ask the Composer.)

Repertoire für Musikschulen - Blockflöte I-b

In publishing the recorder volumes of the Répertoire series the editor seeks to provide music students with a collection of pieces from different eras written for, transcribed for or easy to play on recorders. The volumes 'a' (Z 14132 and Z. 14168) contain solos and duets, the volumes 'b' (Z. 14216 and Z. 14217) contain solos with accompaniment, as well as works for trio sonata scoring.

Repertoire für Musikschulen - Blockflöte I-a

In publishing the recorder volumes of the Répertoire series the editor seeks to provide music students with a collection of pieces from different eras written for, transcribed for or easy to play on recorders. The volumes 'a' (Z 14132 and Z. 14168) contain solos and duets, the volumes 'b' (Z. 14216 and Z. 14217) contain solos with accompaniment, as well as works for trio sonata scoring.

Repertoire für Musikschulen - Blockflöte II-b

In publishing the recorder volumes of the Répertoire series the editor seeks to provide music students with a collection of pieces from different eras written for, transcribed for or easy to play on recorders. The volumes 'a' (Z 14132 and Z. 14168) contain solos and duets, the volumes 'b' (Z. 14216 and Z. 14217) contain solos with accompaniment, as well as works for trio sonata scoring.

Repertoire für Musikschulen - Blockflöte II-a

In publishing the recorder volumes of the Répertoire series the editor seeks to provide music students with a collection of pieces from different eras written for, transcribed for or easy to play on recorders. The volumes 'a' (Z 14132 and Z. 14168) contain solos and duets, the volumes 'b' (Z. 14216 and Z. 14217) contain solos with accompaniment, as well as works for trio sonata scoring.

Sonate per flauto dolce e basso continuo II

The present edition contains Handel's entire sonata outpout for recorder (Z. 13405) and transverse flute (Z. 13404), except the so-called Halle sonatas of doubtful authenticity.

Sonate per flauto dolce e basso continuo I

The present edition contains Handel's entire sonata outpout for recorder (Z. 13405) and transverse flute (Z. 13404), except the so-called Halle sonatas of doubtful authenticity.

Adagio for Viola and Piano

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new separate edition.Adagio for violin and piano: Z. 14911Adagio for viola and piano: Z. 14894Adagio for violoncello and piano: Z. 14895Adagio for double bass and piano: Z. 14896

Adagio for Double Bass and Piano

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new edition.Adagio for violin and piano: Z. 14911Adagio for viola and piano: Z. 14894Adagio for violoncello and piano: Z. 14895Adagio for double bass and piano: Z. 14896

Adagio for Violoncello and Piano

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new edition.Adagio for violin and piano: Z. 14911Adagio for viola and piano: Z. 14894Adagio for violoncello and piano: Z. 14895Adagio for double bass and piano: Z. 14896

Bevezetés Az Avantgárdba : furulyásoknak

This is the Hungarian version of Z.14734

Cadenze : Per Il Concerto per Violoncello in Do Maggiore e Re Maggiore di Joseph Haydn