Drei Sonaten MF 101

Sinfonie Nr. 101 (D-Dur) Die Uhr : Die Uhr'

Piano ABC 2 : begeleiding - CDs

You can find all pieces and excercises of the Piano ABC on this recording. The CD contains only the Primo part of the four-handed pieces. CD-2/1: Excercises #1-100\ CD-2/2: Excercises #101-140

Gyöngyvirág (Maiglöckchen) : 92 ungarische Volkslieder

Taken together, the ten volumes of the Virágos (Flowers) series comprise a large collection of over 1000 folk songs. In the 1920s, it was considered increasingly important in Hungarian musical life that young people should sing more Hungarian songs, rather than ones borrowed from abroad. This purpose was served by Lajos Bárdos's pocket-sized book 101 Hungarian Folk Songs, which was published at the end of the 1920s with a preface by Kodály. As Bárdos later said: 'It was not me but Szabolcsi and others, who claimed that this laid the foundations of the singing of folk songs by young people in the towns, and through them adults too.' Later, following the pattern of this volume,the Virágos series was launched, with the first two volumes published in 1952 and 1957, again edited by Lajos Bárdos. Subsequently, with contributions from outstanding specialists like Benjamin Rajeczky, György Deák Bárdos, Károly Mathia and others, the series grew within fifteen years to ten volumes.

Viola (Violen) 93 ungarische Volkslieder

Taken together, the ten volumes of the Virágos (Flowers) series comprise a large collection of over 1000 folk songs. In the 1920s, it was considered increasingly important in Hungarian musical life that young people should sing more Hungarian songs, rather than ones borrowed from abroad. This purpose was served by Lajos Bárdos's pocket-sized book 101 Hungarian Folk Songs, which was published at the end of the 1920s with a preface by Kodály. As Bárdos later said: 'It was not me but Szabolcsi and others, who claimed that this laid the foundations of the singing of folk songs by young people in the towns, and through them adults too.' Later, following the pattern of this volume,the Virágos series was launched, with the first two volumes published in 1952 and 1957, again edited by Lajos Bárdos. Subsequently, with contributions from outstanding specialists like Benjamin Rajeczky, György Deák Bárdos, Károly Mathia and others, the series grew within fifteen years to ten volumes.

Tulipaln - 95 ungarische Volkslieder

Taken together, the ten volumes of the Virágos (Flowers) series comprise a large collection of over 1000 folk songs. In the 1920s, it was considered increasingly important in Hungarian musical life that young people should sing more Hungarian songs, rather than ones borrowed from abroad. This purpose was served by Lajos Bárdos's pocket-sized book 101 Hungarian Folk Songs, which was published at the end of the 1920s with a preface by Kodály. As Bárdos later said: 'It was not me but Szabolcsi and others, who claimed that this laid the foundations of the singing of folk songs by young people in the towns, and through them adults too.' Later, following the pattern of this volume,the Virágos series was launched, with the first two volumes published in 1952 and 1957, again edited by Lajos Bárdos. Subsequently, with contributions from outstanding specialists like Benjamin Rajeczky, György Deák Bárdos, Károly Mathia and others, the series grew within fifteen years to ten volumes.

MUSKaTLI (Geranien) 97 ungarische Volkslieder : 97 ungarische Volkslieder

Taken together, the ten volumes of the Virágos (Flowers) series comprise a large collection of over 1000 folk songs. In the 1920s, it was considered increasingly important in Hungarian musical life that young people should sing more Hungarian songs, rather than ones borrowed from abroad. This purpose was served by Lajos Bárdos's pocket-sized book 101 Hungarian Folk Songs, which was published at the end of the 1920s with a preface by Kodály. As Bárdos later said: 'It was not me but Szabolcsi and others, who claimed that this laid the foundations of the singing of folk songs by young people in the towns, and through them adults too.' Later, following the pattern of this volume,the Virágos series was launched, with the first two volumes published in 1952 and 1957, again edited by Lajos Bárdos. Subsequently, with contributions from outstanding specialists like Benjamin Rajeczky, György Deák Bárdos, Károly Mathia and others, the series grew within fifteen years to ten volumes.

Nefelejcs Vergissmeinnicht

Taken together, the ten volumes of the Virágos (Flowers) series comprise a large collection of over 1000 folk songs. In the 1920s, it was considered increasingly important in Hungarian musical life that young people should sing more Hungarian songs, rather than ones borrowed from abroad. This purpose was served by Lajos Bárdos's pocket-sized book 101 Hungarian Folk Songs, which was published at the end of the 1920s with a preface by Kodály. As Bárdos later said: 'It was not me but Szabolcsi and others, who claimed that this laid the foundations of the singing of folk songs by young people in the towns, and through them adults too.' Later, following the pattern of this volume,the Virágos series was launched, with the first two volumes published in 1952 and 1957, again edited by Lajos Bárdos. Subsequently, with contributions from outstanding specialists like Benjamin Rajeczky, György Deák Bárdos, Károly Mathia and others, the series grew within fifteen years to ten volumes.

150 Ungarische Volkslieder

Taken together, the ten volumes of the Virágos (Flowers) series comprise a large collection of over 1000 folk songs. In the 1920s, it was considered increasingly important in Hungarian musical life that young people should sing more Hungarian songs, rather than ones borrowed from abroad. This purpose was served by Lajos Bárdos's pocket-sized book 101 Hungarian Folk Songs, which was published at the end of the 1920s with a preface by Kodály. As Bárdos later said: 'It was not me but Szabolcsi and others, who claimed that this laid the foundations of the singing of folk songs by young people in the towns, and through them adults too.' Later, following the pattern of this volume,the Virágos series was launched, with the first two volumes published in 1952 and 1957, again edited by Lajos Bárdos. Subsequently, with contributions from outstanding specialists like Benjamin Rajeczky, György Deák Bárdos, Károly Mathia and others, the series grew within fifteen years to ten volumes.

Rozmaring 91 Ungarische Volkslieder

Taken together, the ten volumes of the Virágos (Flowers) series comprise a large collection of over 1000 folk songs. In the 1920s, it was considered increasingly important in Hungarian musical life that young people should sing more Hungarian songs, rather than ones borrowed from abroad. This purpose was served by Lajos Bárdos's pocket-sized book 101 Hungarian Folk Songs, which was published at the end of the 1920s with a preface by Kodály. As Bárdos later said: 'It was not me but Szabolcsi and others, who claimed that this laid the foundations of the singing of folk songs by young people in the towns, and through them adults too.' Later, following the pattern of this volume,the Virágos series was launched, with the first two volumes published in 1952 and 1957, again edited by Lajos Bárdos. Subsequently, with contributions from outstanding specialists like Benjamin Rajeczky, György Deák Bárdos, Károly Mathia and others, the series grew within fifteen years to ten volumes.

RoZSA 94 ungarische Volkslieder

Taken together, the ten volumes of the Virágos (Flowers) series comprise a large collection of over 1000 folk songs. In the 1920s, it was considered increasingly important in Hungarian musical life that young people should sing more Hungarian songs, rather than ones borrowed from abroad. This purpose was served by Lajos Bárdos's pocket-sized book 101 Hungarian Folk Songs, which was published at the end of the 1920s with a preface by Kodály. As Bárdos later said: 'It was not me but Szabolcsi and others, who claimed that this laid the foundations of the singing of folk songs by young people in the towns, and through them adults too.' Later, following the pattern of this volume,the Virágos series was launched, with the first two volumes published in 1952 and 1957, again edited by Lajos Bárdos. Subsequently, with contributions from outstanding specialists like Benjamin Rajeczky, György Deák Bárdos, Károly Mathia and others, the series grew within fifteen years to ten volumes.

111 Folk Dances

Taken together, the ten volumes of the Virágos (Flowers) series comprise a large collection of over 1000 folk songs. In the 1920s, it was considered increasingly important in Hungarian musical life that young people should sing more Hungarian songs, rather than ones borrowed from abroad. This purpose was served by Lajos Bárdos's pocket-sized book 101 Hungarian Folk Songs, which was published at the end of the 1920s with a preface by Kodály. As Bárdos later said: 'It was not me but Szabolcsi and others, who claimed that this laid the foundations of the singing of folk songs by young people in the towns, and through them adults too.' Later, following the pattern of this volume,the Virágos series was launched, with the first two volumes published in 1952 and 1957, again edited by Lajos Bárdos. Subsequently, with contributions from outstanding specialists like Benjamin Rajeczky, György Deák Bárdos, Károly Mathia and others, the series grew within fifteen years to ten volumes.