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Literature and Nation in the Sixteenth Century - Timothy Hampton - Bog - Cornell University Press - Plusbog.dk

Literature and Nation in the Sixteenth Century - Timothy Hampton - Bog - Cornell University Press - Plusbog.dk

Assessing the relationship between the emergence of modern French literary culture and the ideological debates that marked Renaissance France, Timothy Hampton explores the role of literary form in shaping national identity. The foundational texts of modern French literature were produced during a period of unprecedented struggle over the meaning of community. In the face of religious heresy, political threats from abroad, and new forms of cultural diversity, Renaissance French culture confronted, in new and urgent ways, the question of what it means to be "French." Hampton shows how conflicts between different concepts of community were mediated symbolically through the genesis of new literary forms. Hampton''s analysis of works by Rabelais, Montaigne, Du Bellay, and Marguerite de Navarre, as well as writings by lesser-known poets, pamphleteers, and political philosophers, shows that the vulnerability of France and the instability of French identity were pervasive cultural themes during this period. Contemporary scholarship on nation-building in early modern Europe has emphasized the importance of centralized power and the rise of absolute monarchy. Hampton offers a counterargument, demonstrating that both community and national identity in Renaissance France were defined through a dialogic relationship to that which was not French—to the foreigner, the stranger, the intruder from abroad. He provides both a methodological challenge to traditional cultural history and a new consideration of the role of literature in the definition of the nation.

DKK 682.00
1

Fictions of Embassy - Timothy Hampton - Bog - Cornell University Press - Plusbog.dk

Fictions of Embassy - Timothy Hampton - Bog - Cornell University Press - Plusbog.dk

Historians of early modern Europe have long stressed how new practices of diplomacy that emerged during the period transformed European politics. Fictions of Embassy is the first book to examine the cultural implications of the rise of modern diplomacy. Ranging across two and a half centuries and half a dozen languages, Timothy Hampton opens a new perspective on the intersection of literature and politics at the dawn of modernity. Hampton argues that literary texts-tragedies, epics, essays-use scenes of diplomatic negotiation to explore the relationship between politics and aesthetics, between the world of political rhetoric and the dynamics of literary form. The diplomatic encounter is a scene of cultural exchange and linguistic negotiation. Literary depictions of diplomacy offer occasions for reflection on the definition of genre, on the power of representation, on the limits of rhetoric, on the nature of fiction making itself. Conversely, discussions of diplomacy by jurists, political philosophers, and ambassadors deploy the tools of literary tradition to articulate new theories of political action. Hampton addresses these topics through a discussion of the major diplomatic writers between 1450 and 1700-Machiavelli, Grotius, Gentili, Guicciardini-and through detailed readings of literary works that address the same topics-works by Shakespeare, More, Rabelais, Montaigne, Tasso, Corneille, Racine, and Camoens. He demonstrates that the issues raised by diplomatic theorists helped shape the emergence of new literary forms, and that literature provides a lens through which we can learn to read the languages of diplomacy.

DKK 590.00
1

Fictions of Embassy - Timothy Hampton - Bog - Cornell University Press - Plusbog.dk

Fictions of Embassy - Timothy Hampton - Bog - Cornell University Press - Plusbog.dk

Historians of early modern Europe have long stressed how new practices of diplomacy that emerged during the period transformed European politics. Fictions of Embassy is the first book to examine the cultural implications of the rise of modern diplomacy. Ranging across two and a half centuries and half a dozen languages, Timothy Hampton opens a new perspective on the intersection of literature and politics at the dawn of modernity. Hampton argues that literary texts-tragedies, epics, essays-use scenes of diplomatic negotiation to explore the relationship between politics and aesthetics, between the world of political rhetoric and the dynamics of literary form. The diplomatic encounter is a scene of cultural exchange and linguistic negotiation. Literary depictions of diplomacy offer occasions for reflection on the definition of genre, on the power of representation, on the limits of rhetoric, on the nature of fiction making itself. Conversely, discussions of diplomacy by jurists, political philosophers, and ambassadors deploy the tools of literary tradition to articulate new theories of political action. Hampton addresses these topics through a discussion of the major diplomatic writers between 1450 and 1700-Machiavelli, Grotius, Gentili, Guicciardini-and through detailed readings of literary works that address the same topics-works by Shakespeare, More, Rabelais, Montaigne, Tasso, Corneille, Racine, and Camoens. He demonstrates that the issues raised by diplomatic theorists helped shape the emergence of new literary forms, and that literature provides a lens through which we can learn to read the languages of diplomacy.

DKK 228.00
1

Early Southeast Asia - O. W. Wolters - Bog - Cornell University Press - Plusbog.dk

Early Southeast Asia - O. W. Wolters - Bog - Cornell University Press - Plusbog.dk

Ikki - James W. White - Bog - Cornell University Press - Plusbog.dk

Eating Beauty - Ann W. Astell - Bog - Cornell University Press - Plusbog.dk

Eating Beauty - Ann W. Astell - Bog - Cornell University Press - Plusbog.dk

"The enigmatic link between the natural and artistic beauty that is to be contemplated but not eaten, on the one hand, and the eucharistic beauty that is both seen (with the eyes of faith) and eaten, on the other, intrigues me and inspires this book. One cannot ask theo-aesthetic questions about the Eucharist without engaging fundamental questions about the relationship between beauty, art (broadly defined), and eating."—from Eating Beauty In a remarkable book that is at once learned, startlingly original, and highly personal, Ann W. Astell explores the ambiguity of the phrase "eating beauty." The phrase evokes the destruction of beauty, the devouring mouth of the grave, the mouth of hell. To eat beauty is to destroy it. Yet in the case of the Eucharist the person of faith who eats the Host is transformed into beauty itself, literally incorporated into Christ. In this sense, Astell explains, the Eucharist was "productive of an entire ''way'' of life, a virtuous life-form, an artwork, with Christ himself as the principal artist." The Eucharist established for the people of the Middle Ages distinctive schools of sanctity—Cistercian, Franciscan, Dominican, and Ignatian—whose members were united by the eucharistic sacrament that they received. Reading the lives of the saints not primarily as historical documents but as iconic expressions of original artworks fashioned by the eucharistic Christ, Astell puts the "faceless" Host in a dynamic relationship with these icons. With the advent of each new spirituality, the Christian idea of beauty expanded to include, first, the marred beauty of the saint and, finally, that of the church torn by division—an anti-aesthetic beauty embracing process, suffering, deformity, and disappearance, as well as the radiant lightness of the resurrected body. This astonishing work of intellectual and religious history is illustrated with telling artistic examples ranging from medieval manuscript illuminations to sculptures by Michelangelo and paintings by Salvador Dalí. Astell puts the lives of medieval saints in conversation with modern philosophers as disparate as Simone Weil and G. W. F. Hegel.

DKK 312.00
1

Eating Beauty - Ann W. Astell - Bog - Cornell University Press - Plusbog.dk

Eating Beauty - Ann W. Astell - Bog - Cornell University Press - Plusbog.dk

"The enigmatic link between the natural and artistic beauty that is to be contemplated but not eaten, on the one hand, and the eucharistic beauty that is both seen (with the eyes of faith) and eaten, on the other, intrigues me and inspires this book. One cannot ask theo-aesthetic questions about the Eucharist without engaging fundamental questions about the relationship between beauty, art (broadly defined), and eating."—from Eating Beauty In a remarkable book that is at once learned, startlingly original, and highly personal, Ann W. Astell explores the ambiguity of the phrase "eating beauty." The phrase evokes the destruction of beauty, the devouring mouth of the grave, the mouth of hell. To eat beauty is to destroy it. Yet in the case of the Eucharist the person of faith who eats the Host is transformed into beauty itself, literally incorporated into Christ. In this sense, Astell explains, the Eucharist was "productive of an entire ''way'' of life, a virtuous life-form, an artwork, with Christ himself as the principal artist." The Eucharist established for the people of the Middle Ages distinctive schools of sanctity—Cistercian, Franciscan, Dominican, and Ignatian—whose members were united by the eucharistic sacrament that they received. Reading the lives of the saints not primarily as historical documents but as iconic expressions of original artworks fashioned by the eucharistic Christ, Astell puts the "faceless" Host in a dynamic relationship with these icons. With the advent of each new spirituality, the Christian idea of beauty expanded to include, first, the marred beauty of the saint and, finally, that of the church torn by division—an anti-aesthetic beauty embracing process, suffering, deformity, and disappearance, as well as the radiant lightness of the resurrected body. This astonishing work of intellectual and religious history is illustrated with telling artistic examples ranging from medieval manuscript illuminations to sculptures by Michelangelo and paintings by Salvador Dalí. Astell puts the lives of medieval saints in conversation with modern philosophers as disparate as Simone Weil and G. W. F. Hegel.

DKK 472.00
1

Fighting Words - Marc W. Steinberg - Bog - Cornell University Press - Plusbog.dk

An Environmental Leader's Tool Kit - Jeffrey W. Hughes - Bog - Cornell University Press - Plusbog.dk

The Racial Contract - Charles W. Mills - Bog - Cornell University Press - Plusbog.dk

The Racial Contract - Charles W. Mills - Bog - Cornell University Press - Plusbog.dk

Rebuilding Public Institutions Together - Albert W. Dzur - Bog - Cornell University Press - Plusbog.dk

Developing Mission - Joseph W. Ho - Bog - Cornell University Press - Plusbog.dk

Developing Mission - Joseph W. Ho - Bog - Cornell University Press - Plusbog.dk

Indian Affairs in Colonial New York - Allen W. Trelease - Bog - Cornell University Press - Plusbog.dk

Bandits in Print - Scott W. Gregory - Bog - Cornell University Press - Plusbog.dk

Bandits in Print - Scott W. Gregory - Bog - Cornell University Press - Plusbog.dk

The Birds of Pennsylvania - Daniel W. Brauning - Bog - Cornell University Press - Plusbog.dk

Introductory Food Chemistry - John W. Brady - Bog - Cornell University Press - Plusbog.dk