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Indie - Michael Z. Newman - Bog - Columbia University Press - Plusbog.dk

Indie - Michael Z. Newman - Bog - Columbia University Press - Plusbog.dk

America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream. By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture.

DKK 898.00
1

Indie - Michael Z. Newman - Bog - Columbia University Press - Plusbog.dk

Indie - Michael Z. Newman - Bog - Columbia University Press - Plusbog.dk

America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream. By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture.

DKK 282.00
1

Video Revolutions - Michael Z. Newman - Bog - Columbia University Press - Plusbog.dk

Video Revolutions - Michael Z. Newman - Bog - Columbia University Press - Plusbog.dk

Since the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In this history, Michael Z. Newman casts video as a medium of shifting value and legitimacy in relation to other media and technologies, particularly film and television. Video has been imagined as more or less authentic or artistic than movies or television, as more or less democratic and participatory, as more or less capable of capturing the real. Techno-utopian rhetoric has repeatedly represented video as a revolutionary medium, promising to solve the problems of the past and the present-often the very problems associated with television and the society shaped by it-and to deliver a better future. Video has also been seen more negatively, particularly as a threat to movies and their culture. This study considers video as an object of these hopes and fears and builds an approach to thinking about the concept of the medium in terms of cultural status.

DKK 116.00
1

The Lower East Side Remembered and Revisited - Joyce Mendelsohn - Bog - Columbia University Press - Plusbog.dk

The Lower East Side Remembered and Revisited - Joyce Mendelsohn - Bog - Columbia University Press - Plusbog.dk

After the Breakup - - Bog - Columbia University Press - Plusbog.dk

After the Breakup - - Bog - Columbia University Press - Plusbog.dk

On January 8, 1982, the AT&T divestiture consent decree was announced. A company with $150 billion in assets--more than General Motors, General Electric, U.S. Steel, Eastman Kodak, and Xerox combined--the country's second largest employer with over a million employees, and the nations most widely held security with over three million shareholders, was to be broken up on the first day of 1984. Many economists, government officials, people in the telecommunications industry, and media observers predicted dire consequences for "the best telephone system in the world." Years later, some experts claim the divestiture has been a great success. According to present AT&T Chairman and CEO, Robert Allen, long-distance rates have dropped, local rates have not increased as dramatically as predicted, more households are on the network, other long-distance and equipment companies now effectively compete wit hAT&T, and consumers have received more choices in products, better values, and lower prices. Others are far less positive in their evaluation of divestiture's effects. After the Breakup: Assessing the New Post-AT&T Divestiture Era describes the current state of telecommunications and how the industry has changed in the first decade of divestiture. Drawn from a major project organized by the Center for Telecommunications and Information Studies at Columbia University's Graduate School of Business, this volume offers an objective account of divestiture.

DKK 971.00
1

The Culture of the Book in Tibet - Kurtis R. Schaeffer - Bog - Columbia University Press - Plusbog.dk

The Culture of the Book in Tibet - Kurtis R. Schaeffer - Bog - Columbia University Press - Plusbog.dk

The history of the book in Tibet involves more than literary trends and trade routes. Functioning as material, intellectual, and symbolic object, the book has been an instrumental tool in the construction of Tibetan power and authority, and its history opens a crucial window onto the cultural, intellectual, and economic life of an immensely influential Buddhist society. Spanning the fourteenth to the eighteenth centuries, Kurtis R. Schaeffer envisions the scholars and hermits, madmen and ministers, kings and queens who produced Tibet's massive canons. He describes how Tibetan scholars edited and printed works of religion, literature, art, and science and what this indicates about the interrelation of material and cultural practices. The Tibetan book is at once the embodiment of the Buddha's voice, a principal means of education, a source of tradition and authority, an economic product, a finely crafted aesthetic object, a medium of Buddhist written culture, and a symbol of the religion itself. Books stood at the center of debates on the role of libraries in religious institutions, the relative merits of oral and written teachings, and the economy of religion in Tibet. A meticulous study that draws on more than 150 understudied Tibetan sources, The Culture of the Book in Tibet is the first volume to trace this singular history. Through a single object, Schaeffer accesses a greater understanding of the Tibetan plateau.

DKK 281.00
1

Melancholy Order - Adam M. Mckeown - Bog - Columbia University Press - Plusbog.dk

Melancholy Order - Adam M. Mckeown - Bog - Columbia University Press - Plusbog.dk

As Adam M. McKeown demonstrates, the push for increased border control and identity documentation is the continuation of more than 150 years of globalization. Not only are modern passports and national borders inseparable from the rise of global mobility, but they are also tied to the emergence of individuals and nations as the primary sites of global power and identity. McKeown's detailed history traces how, rather than being a legacy of "traditional" forms of sovereignty, practices of border control historically rose from attempts to control Asian migration around the Pacific in the 1880s. New policies to control mobility had to be justified in the context of contemporary liberal ideas of freedom and mobility, generating principles that are taken for granted today, such as the belief that migration control is a sovereign right of receiving nations and that it should occur at a country's borders. McKeown shows how the enforcement of these border controls required migrants to be extracted from social networks of identity and reconstructed as isolated individuals within centralized filing systems. Methods for excluding Asians from full participation in the "family of civilized nations" are now the norm between all nations. These practices also helped institutionalize global cultural and economic divisions, such as East/West and First and Third World designations, which continue to shape our understanding.

DKK 1118.00
1

Chaoyue: Advancing in Chinese - Natasha Pierce - Bog - Columbia University Press - Plusbog.dk

Chaoyue: Advancing in Chinese - Natasha Pierce - Bog - Columbia University Press - Plusbog.dk

Chaoyue: Advancing in Chinese covers the five Cs--communication, cultures, comparisons, connections, and communities--and follows three communicative modes in lesson design: interpersonal, interpretive, and presentational. The authors arrange their lessons around four topics intrinsically interesting to students: the self, schooling, social customs, and the global village, fostering a full appreciation of Chinese culture. Each lesson contains warm-up activities, mini-dialogues, authentic readings, conversational relays, a cultural unit, examples of sentence patterns, and a vocabulary list. Two review lessons are geared specifically toward synthesizing and reinforcing the language and culture skills taught throughout the book, and footnote glossaries assist in reading comprehension. Written by experienced Chinese language instructors, Chaoyue helps students reach the preadvanced proficiency level within two semesters, or approximately 150 to 180 hours of course time. The preadvanced stage is comparable to a fourth-semester college Chinese course, or 250 hours of instruction. Unlike other language texts, Chaoyue is printed in both simplified and traditional Chinese characters, as well as the phonetic systems used in China (pinyin) and Taiwan (zhuyin fuhao). It also includes a CD-ROM with additional assignments and review as well as an online teacher manual. Lesson sections include: *Warm-up activities that articulate the lesson's theme and activate students' prior knowledge *Short readings in the form of letters, e-mails, reports, dialogues, stories, and interviews *Dialogue practice with key vocabulary and sentence patterns *Interactive activities such as surveys, debates, and small group discussions *Conversational relays that ask pairs to complete minidialogues *Authentic readings in the form of advertisements, Web sites, maps, and signs, with multiple-choice review questions *Common expressions that relate to the lesson theme

DKK 415.00
1

The Columbia Guide to Religion in American History - - Bog - Columbia University Press - Plusbog.dk

DKK 860.00
1

Central Park Trees and Landscapes - Edward Barnard - Bog - Columbia University Press - Plusbog.dk

Central Park Trees and Landscapes - Edward Barnard - Bog - Columbia University Press - Plusbog.dk

This is the ultimate field guide to the trees and landscapes of Central Park, with a lively, authoritative text and over 900 color photographs, botanical plates, and extraordinarily detailed maps. Under the direction of the Central Park Conservancy, the park's landscapes have been painstakingly restored to achieve the effects envisioned more than 150 years ago by the park's designers, Frederick Law Olmsted and Calvert Vaux. This book highlights the leading role that trees play in defining 22 of these landscapes and chronicles the history of each of more than 200 tree species and varieties present in the park-where it came from and where the most outstanding specimens are located. Besides being a superb guide to the world's greatest center-city park, this book is a highly informative guide to most of the tree species commonly encountered in the eastern United States. Anyone who loves trees will find this book a very rewarding read, full of fascinating details and beautiful illustrations. Central Park Trees and Landscapes is divided into two major sections: "The Landscapes" opens with a geological account of Manhattan Island-from its position 500 million years ago on the edge of the proto-North American continent to its emergence about 15,000 years ago from the Laurentide Ice Sheet. The effects that human inhabitants had on the ecology of the island are described-from the burning of field stubble by Native Americans to the clearing of forest trees by Europeans. Next, the narrative focuses on the land that would eventually become Central Park-how it was saved from being dissected by John Randel's rigid street grid and how Frederick Law Olmsted and Calvert Vaux became the park's designers. The heart of the section is devoted to the construction of the park in the late 1850s and 1860s. Twenty-two of the park's grand landscapes are pictured in dozens of photographs and in seven detailed maps pinpointing nearly 20,000 trees. Readers can identify each tree on the maps by species using the Tree Maps Key (located on the back of the front flap). "The Tree Guide" contains informative essays full of intriguing botanical and historical facts on over 200 of the park's tree species and varieties. Each two-page entry features illustrations of leaves, fruits, flowers, and bark as well as a striking portrait photograph of a park tree. The entries are organized into groups by leaf shapes shown on an easy-to-use identification key (located inside the front cover).

DKK 212.00
1