21 resultater (0,22379 sekunder)

Mærke

Butik

Pris (EUR)

Nulstil filter

Produkter
Fra
Butikker

Interpreting Star Wars - Miles (independent Scholar Booy - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Interpreting Star Wars - Miles Booy - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Manic Street Preachers’ The Holy Bible - David Evans - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Kylie Minogue's Kylie - Dr. Adrian Renzo - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Kylie Minogue's Kylie - Dr. Liz (senior Lecturer In Communication Giuffre - Bog - Bloomsbury Publishing Plc - Plusbog.dk

South African Horror Cinema - Calum Waddell - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Germany from the Outside - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Goldie’s Timeless - Martyn Deykers - Bog - Bloomsbury Publishing Plc - Plusbog.dk

New Directions in Print Culture Studies - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Germany from the Outside - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Ida Lupino, Filmmaker - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Ida Lupino, Filmmaker - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Paul Auster's Writing Machine - Evija Trofimova - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Heiner Muller and Heiner Goebbels’s Wolokolamsker Chaussee - Prof Philip V. Bohlman - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Heiner Muller and Heiner Goebbels’s Wolokolamsker Chaussee - Prof Philip V. (university Of Chicago Bohlman - Bog - Bloomsbury Publishing Plc -

Mary Butts - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Mary Butts - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

A scholarly and experimental collection that offers fresh insight—with a feminist focus—into the often overlooked modernist writer Mary Butts and the contested processes of recovering such an author. Scholars instrumental in the recovery of Mary Butts, along with newer writers, publishers, printers, and artists, enter into conversation exploring the work of the British author, whose body of work plays between high modernist forms and more popular genres—writing that can be described as occult, Gothic, queer, proto-environmental, and feminist. Taking its cue from Butts’s experimental, rhythmic writing and the transnational artistic communities in which Butts moved in the 1920s, the collection is a non-linear exchange rather than a collection of isolated arguments—a conversation constructed from "classical" academic chapters, "knight’s move" non-academic reflections, and short responses to these. This conversation lies at the intersection of "feminism" and "reconstruction": Chapters range between Butts’s writing techniques and forms, her position in the modernist canon, contested sites of feminism in her work, critical reception of that work, queer and post-critical readings, and the success of, and the need for, a feminist recovery of the author. The collection aims to be a feminist engagement, while asking questions of what this might look like, why it is needed, and how such an approach offers fresh insight into an erudite, playful, difficult, contradictory, and experimental body of work. Ultimately, the collection asks, how should we reconstruct the author and her work for the contemporary reader?

DKK 1010.00
1

Mary Butts - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Mary Butts - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

A scholarly and experimental collection that offers fresh insight—with a feminist focus—into the often overlooked modernist writer Mary Butts and the contested processes of recovering such an author. Scholars instrumental in the recovery of Mary Butts, along with newer writers, publishers, printers, and artists, enter into conversation exploring the work of the British author, whose body of work plays between high modernist forms and more popular genres—writing that can be described as occult, Gothic, queer, proto-environmental, and feminist. Taking its cue from Butts’s experimental, rhythmic writing and the transnational artistic communities in which Butts moved in the 1920s, the collection is a non-linear exchange rather than a collection of isolated arguments—a conversation constructed from "classical" academic chapters, "knight’s move" non-academic reflections, and short responses to these. This conversation lies at the intersection of "feminism" and "reconstruction": Chapters range between Butts’s writing techniques and forms, her position in the modernist canon, contested sites of feminism in her work, critical reception of that work, queer and post-critical readings, and the success of, and the need for, a feminist recovery of the author. The collection aims to be a feminist engagement, while asking questions of what this might look like, why it is needed, and how such an approach offers fresh insight into an erudite, playful, difficult, contradictory, and experimental body of work. Ultimately, the collection asks, how should we reconstruct the author and her work for the contemporary reader?

DKK 370.00
1

Gerry - Nicholas Rombes - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Gerry - Nicholas Rombes - Bog - Bloomsbury Publishing Plc - Plusbog.dk

A minute-by-minute analysis of Gus Van Sant film, Gerry (2002). Blending film criticism with creative nonfiction, each book in the Timecodes series focuses on one film, exploring it minute by minute beginning with minute one, and ending with the final minute before the closing credits. In the canon of director Gus Van Sant’s films, Gerry (2002) stands out as a singular work, a boldly experimental film that nonetheless is accessible, darkly humorous, and profound. Gerry: Minute by Minute is a non-traditional critical study of this film, a bold, impressionistic series of vignettes that circle around questions which are highly specific to Gerry itself but which are also universal: what is it about certain works of art—films, books, paintings, music—that attach themselves to us so that we carry them with us on our journey through life? What does it mean to walk with these works inside us, as if they are a part of us? The book’s structure unfolds chronologically along with the film, with one moment from each of the film’s 100 minutes serving as the basis for the chapters. Each of the 100 vignette chapters takes on topics ranging from the particulars of the film itself, including: the inventive use of camera movement and sound; the productive nature of collaboration; the driving themes and philosophies that inform the film; the blistering heat, in Death Valley, of its production; the place of Gerry in American cinema and its European influences, especially Béla Tarr; the impact of 9-11 on the cultural landscape of 2001-02, when Gerry was filmed and released; and what it means to “walk” with a film or a book, carrying it our heads as it informs who we are, often in subtle ways invisible to those around us.

DKK 524.00
1

Gerry - Nicholas Rombes - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Gerry - Nicholas Rombes - Bog - Bloomsbury Publishing Plc - Plusbog.dk

A minute-by-minute analysis of Gus Van Sant film, Gerry (2002). Blending film criticism with creative nonfiction, each book in the Timecodes series focuses on one film, exploring it minute by minute beginning with minute one, and ending with the final minute before the closing credits.In the canon of director Gus Van Sant’s films, Gerry (2002) stands out as a singular work, a boldly experimental film that nonetheless is accessible, darkly humorous, and profound. Gerry: Minute by Minute is a non-traditional critical study of this film, a bold, impressionistic series of vignettes that circle around questions which are highly specific to Gerry itself but which are also universal: what is it about certain works of art—films, books, paintings, music—that attach themselves to us so that we carry them with us on our journey through life? What does it mean to walk with these works inside us, as if they are a part of us? The book’s structure unfolds chronologically along with the film, with one moment from each of the film’s 100 minutes serving as the basis for the chapters. Each of the 100 vignette chapters takes on topics ranging from the particulars of the film itself, including: the inventive use of camera movement and sound; the productive nature of collaboration; the driving themes and philosophies that inform the film; the blistering heat, in Death Valley, of its production; the place of Gerry in American cinema and its European influences, especially Béla Tarr; the impact of 9-11 on the cultural landscape of 2001-02, when Gerry was filmed and released; and what it means to “walk” with a film or a book, carrying it our heads as it informs who we are, often in subtle ways invisible to those around us.

DKK 167.00
1