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Eastern Han (AD 25-220) Tombs in Sichuan - Xuan Chen - Bog - Archaeopress - Plusbog.dk

Eastern Han (AD 25-220) Tombs in Sichuan - Xuan Chen - Bog - Archaeopress - Plusbog.dk

This work explores the many factors underlying the extended popularity of the cliff tomb, a local burial form in the Sichuan Basin in China during the Eastern Han dynasty (AD 25-220). The development of the cliff tomb was linked to a complex set of connections involved with burial forms, and continued through associations with many other contemporary burial practices: brick chamber tombs, stone chamber tombs, and princely rock-cut tombs. These connections and links formed to a large extent through the incorporation of the Sichuan region within the Empire, which began in the fourth century BC. It was as part of this overall context that a series of factors contributed to the formation and popularity of the cliff tombs in Sichuan. The hilly topography and the soft sandstone, easy to cut, provided a natural resource for the development of cliff tombs. The present book, therefore, analyses the decisions behind the exploitation of this natural resource, which were also affected by many complexities rooted in the social background. The inherent nature of the cliff tomb structure is fully explored, followed by an investigation into the corresponding innovations involving pictorial carvings and burial objects. The meanings behind the seemingly continuous ‘family’ associated with the cliff tomb structure are also explored, as the construction of the tomb resulted from the continuous endeavours of many generations, and the physical appearance of the cliff tomb becomes a metaphor for family prosperity.

DKK 310.00
1

Sources of Han Decor: Foreign Influence on the Han Dynasty Chinese Iconography of Paradise (206 BC-AD 220) - Sophia Karin Psarras - Bog - Archaeopress

Sources of Han Decor: Foreign Influence on the Han Dynasty Chinese Iconography of Paradise (206 BC-AD 220) - Sophia Karin Psarras - Bog - Archaeopress

Using archaeological data to examine the development of Han dynasty Chinese art (206 BC-AD 220), Sources of Han Décor focusses on three major iconographies (the animal master, the tree of life, and animal predation), together with a series of minor motifs (particularly the griffin and a number of vegetal forms). All of these are combined in what may be considered the most important iconographic creation of the Han: images of paradise. While influence from the Chinese Bronze Age (especially, c. the 14th-3rd centuries BC) on Han art is expected, a surprisingly profound debt to Greece, the Near East, and the steppe is evident not only in the art of the Han era, but in that of the preceding Eastern Zhou (c. 771-221 BC). Initial Eastern Zhou incorporation of this largely-Western influence appears concentrated in chronological parallel to the Orientalization of Greek art (c. the 7th century BC) and the eastern spread of Hellenism (c. the 4th century BC), followed by repeated introduction of foreign motifs during the Han, when these influences were fully integrated into Chinese art.

DKK 356.00
1

Han Dynasty (206BC–AD220) Stone Carved Tombs in Central and Eastern China - Chen Li - Bog - Archaeopress - Plusbog.dk

Han Dynasty (206BC–AD220) Stone Carved Tombs in Central and Eastern China - Chen Li - Bog - Archaeopress - Plusbog.dk

Han Dynasty (206 BC–AD 220) stone carved tombs were constructed from carved stone slabs or a combination of moulded bricks and carved stones, and were distributed in Central and Eastern China. Such multi-chambered stone tombs were very popular among the Han people, but they were entirely new, and were a result of outside stimuli rather than an independent development within China. The stone carved tombs were a result of imitating royal rock-cut tombs, while the rock-cut tombs were stimulated by foreign examples. Moreover, many details of stone carved tombs also had Western features. These exotic elements reflected the desire to assimilate exotica within Chinese traditions. Some details within stone carved tombs showed high level of stone working technologies with Western influences. But in general the level of stone construction of the Han period was relatively low. The methods of construction showed how unfamiliar the Western system was to the Han artisans. Han Dynasty stone carved tombs were hybrids of different techniques, including timber, brick and stone works. From these variations, Han people could choose certain types of tombs to satisfy their specific ritual and economic needs. Not only structures, but also pictorial decorations of stone carved tombs were innovations. The range of image motifs was quite limited. Similar motifs can be found in almost every tomb. Such similarities were partly due to the artisans, who worked in workshops and used repertoires for the carving of images. But these also suggest that the tombs were decorated for certain purposes with a given functional template. Together with different patterns of burial objects and their settings, such images formed a way through which the Han people gave meaning to the afterworld. As the Han Empire collapsed, stone carved tombs ceased being constructed in the Central Plains. However, they set a model for later tombs. The idea of building horizontal stone chamber tombs spread to Han borderlands, and gradually went further east to the Korean Peninsula. In this book, the origins, meanings and influences of Han Dynasty stone carved tombs are presented as a part of the history of interactions between different parts of Eurasia.

DKK 572.00
1