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The Other Canon of Economics, Volume 2 - Erik Reinert - Bog - Anthem Press - Plusbog.dk

The Other Canon of Economics, Volume 1 - Erik Reinert - Bog - Anthem Press - Plusbog.dk

Screen Performance and the Shakespeare Film Canon in the Spotlight of Archivision - Anthony R. Guneratne - Bog - Anthem Press - Plusbog.dk

Screen Performance and the Shakespeare Film Canon in the Spotlight of Archivision - Anthony R. Guneratne - Bog - Anthem Press - Plusbog.dk

Without exception, existing studies of cinematic Shakespeare adaptations conform to the long-established paradigm of the descriptive history. Even comprehensive studies of segments of this vast and diverse grouping of films (by Robert H. Ball, Jeremy Sams, Mark T. Burnett, Luke McKernan, et al.) focus on readily available screening prints of films with nary an acknowledgement of the textual uncertainties of films subject to editorial intervention and the vicissitudes of material history; lost, damaged, fragmentary or censored films barely creep within range of critical radars, and even when they do seem only to merit passing consideration. As a consequence, historical accounts of Shakespearean film production are skewed in the direction of conformity, and the dominant perspectives – chronological narrative, intermittent contributions to adaptation studies and episodes in genre history – rely on the assumption of a relatively stable canon of Shakespeare films (that can on occasion be supplemented by rediscoveries). The present work explodes this mythology and explores the underlying assumptions behind the mask of critical convenience. No less significantly, it martials the research of ten years into a coherent, cumulative, chapter-by-chapter argument that proposes methodologies that will not only herald a comprehensive revision of the Shakespeare film canon, but also establish a standard methodology that redirects attention to “hidden” aspects of even the most widely discussed of these texts, thereby making significant methodological contributions to a number of emerging fields of study.

DKK 977.00
1

What was the First Bible Like? - Tomas Bokedal - Bog - Anthem Press - Plusbog.dk

Subaltern Narratives in Fiji Hindi Literature - Vijay Mishra - Bog - Anthem Press - Plusbog.dk

Reaganism in Literary Theory - Jeremiah Bowen - Bog - Anthem Press - Plusbog.dk

German Gothic Literature - - Bog - Anthem Press - Plusbog.dk

"Quinqui" Film in Spain - - Bog - Anthem Press - Plusbog.dk

The Great Illustrators of Edgar Allan Poe - Jessica Slayton - Bog - Anthem Press - Plusbog.dk

The Great Illustrators of Edgar Allan Poe - Jessica Slayton - Bog - Anthem Press - Plusbog.dk

Although there have been over 700 illustrators of Poe’s work over the past two centuries, this book chooses to examine only the best of them. Beginning with the French in the nineteenth century and tracing the great illustrators of Poe to the present, this book not only provides close analyses of individual visualizations but also seeks to supply an art history context to understanding their emergence. The majority of the artists featured remain unknown, even to Poe scholars, although their artwork represents iterations inspired by the most famous of Poe’s poems and stories. In some cases, the illustrations helped increase the visibility of particular Poe works and to make them part of the international Poe canon. A few of the illustrators featured in this book (e.g., Manet, Doré, Redon, Beardsley) are recognized among the most famous artists in the world. Others, such as Martini and Blumenschein, while remaining minor figures in art history, nevertheless produced immortal work based on Poe’s fiction and poetry. While still other visual artists represented here (Rackham, Dulac, Clarke) achieved artistic fame as book illustrators based on homages to other writers and fairy tales in combination with their Poe studies; their work on Poe, however, helped to solidify their larger reputations as professional illustrators. The last chapter extends traditional visualizations influenced by Poe to include his impact on twentieth- and twenty-first century filmmakers and cartoonists. They, too, found in Poe’s writing either a source for direct re-creation or an inspiration for their own atmospheric excursions into the bizarre, the exotic, and the psychologically complex.

DKK 948.00
1