9 resultater (0,20706 sekunder)

Vis alle filtre

Mærke

Butik

Pris (EUR)

Nulstil filter

Produkter
Fra
Butikker

The Other Canon of Economics, Volume 1 - Erik Reinert - Bog - Anthem Press - Plusbog.dk

The Other Canon of Economics, Volume 1 - Erik Reinert - Bog - Anthem Press - Plusbog.dk

Other Canon Economics: Essays in the Theory and History of Uneven Economic Development brings together key essays on development economics from one of the most prolific and important development economists and historians of economic policy today. Erik S Reinert argues through essays ranging from 1994 to 2020 that neo-classical economics damages developing countries: the theory of comparative advantage leaves out a number of factors which make economic activities qualitatively different as carriers of economic growth. Based on a long intellectual tradition – started by the Italian economists Giovanni Botero (1589) and Antonio Serra (1613) and later used in virtually all presently industrialised countries – Reinert shows that the country which exports increasing returns goods – e.g. high-end manufacture and advanced services – has advantages over the country which exports diminishing returns goods – i.e. commodities. This has very important implications for today’s development strategies that, Reinert argues, should be seen as variations of industrial strategies.

DKK 948.00
1

The Other Canon of Economics, Volume 2 - Erik Reinert - Bog - Anthem Press - Plusbog.dk

The Other Canon of Economics, Volume 2 - Erik Reinert - Bog - Anthem Press - Plusbog.dk

Other Canon Economics: Essays in the Theory and History of Uneven Economic Development brings together key essays on development economics from one of the most prolific and important development economists and historians of economic policy today. Erik S Reinert argues through essays ranging from 1994 to 2020 that neo-classical economics damages developing countries: the theory of comparative advantage leaves out a number of factors which make economic activities qualitatively different as carriers of economic growth. Based on a long intellectual tradition – started by the Italian economists Giovanni Botero (1589) and Antonio Serra (1613) and later used in virtually all presently industrialised countries – Reinert shows that the country which exports increasing returns goods – e.g. high-end manufacture and advanced services – has advantages over the country which exports diminishing returns goods – i.e. commodities. This has very important implications for today’s development strategies that, Reinert argues, should be seen as variations of industrial strategies.

DKK 948.00
1

Screen Performance and the Shakespeare Film Canon in the Spotlight of Archivision - Anthony R. Guneratne - Bog - Anthem Press - Plusbog.dk

Screen Performance and the Shakespeare Film Canon in the Spotlight of Archivision - Anthony R. Guneratne - Bog - Anthem Press - Plusbog.dk

Without exception, existing studies of cinematic Shakespeare adaptations conform to the long-established paradigm of the descriptive history. Even comprehensive studies of segments of this vast and diverse grouping of films (by Robert H. Ball, Jeremy Sams, Mark T. Burnett, Luke McKernan, et al.) focus on readily available screening prints of films with nary an acknowledgement of the textual uncertainties of films subject to editorial intervention and the vicissitudes of material history; lost, damaged, fragmentary or censored films barely creep within range of critical radars, and even when they do seem only to merit passing consideration. As a consequence, historical accounts of Shakespearean film production are skewed in the direction of conformity, and the dominant perspectives – chronological narrative, intermittent contributions to adaptation studies and episodes in genre history – rely on the assumption of a relatively stable canon of Shakespeare films (that can on occasion be supplemented by rediscoveries). The present work explodes this mythology and explores the underlying assumptions behind the mask of critical convenience. No less significantly, it martials the research of ten years into a coherent, cumulative, chapter-by-chapter argument that proposes methodologies that will not only herald a comprehensive revision of the Shakespeare film canon, but also establish a standard methodology that redirects attention to “hidden” aspects of even the most widely discussed of these texts, thereby making significant methodological contributions to a number of emerging fields of study.

DKK 977.00
1

What was the First Bible Like? - Tomas Bokedal - Bog - Anthem Press - Plusbog.dk

What was the First Bible Like? - Tomas Bokedal - Bog - Anthem Press - Plusbog.dk

This book explores the emergence of the first bible, with particular focus on second-century Scripture, the earliest New Testament, and the canon formation process. The fourth-century Codex Sinaiticus, which contains the earliest extant complete New Testament, is used as a template to detect textual features of second- to fourth-century scripturality. What does this luxury manuscript, kept at the British Library, reveal about Christianity’s literary journey from oral gospel message to canonical text? What does it tell us about nascent Christianity as a “bookish” religious movement? A wide range of textual-interpretative, ritual, and paratextual aspects of the Christian Scriptures are discussed throughout the book as well as their impact on the wider Roman and Medieval literary cultures, and beyond.

DKK 294.00
1

German Gothic Literature - - Bog - Anthem Press - Plusbog.dk

German Gothic Literature - - Bog - Anthem Press - Plusbog.dk

The volume is organized chronologically in three parts that pursue a broader organizational trajectory, articulate the common genre characteristics, destabilize boundaries and emphasize socio-artistic ruptures, while establishing the place of German cultural output within the framework of the Anglo-German gothic phenomenon. Furthermore, the volume distinguishes itself through a focus on the evolution from these early texts through the adaptations and original contributions by authors of early nineteenth-century romantic narratives of the unexplained in prose and verse, emphasizing the evolution of forms both within and beyond the oeuvres of individual authors, generations and movements. The second wave of German Gothic features the rise of the fairy tale, folklore, collections of ghost stories, entertainment literature, philosophical treatises and literary journals through the neo-romantic works of the turn of the twentieth century. The volume concludes with reevaluations of the German canon and explorations of global responses, expanding the research focus to encompass the transmedial productions of the twentieth and early twenty-first centuries, including popular novellas, horror cinema, prestige television and indie and mainstream video games.

DKK 977.00
1

Reaganism in Literary Theory - Jeremiah Bowen - Bog - Anthem Press - Plusbog.dk

Reaganism in Literary Theory - Jeremiah Bowen - Bog - Anthem Press - Plusbog.dk

Reaganism is a discourse of devotion and disqualification, combining a neoliberal negative theology of the market with a neoconservative demonization of opponents. Reagan’s personality cult shelters the aggressivity of a war of all against all by representing the market as a moralistic standard of perfection, a representation of goodness and freedom. In literary theory and criticism, a homologous valuative system centered itself on the canon, representing culture as a study of perfection. Paul de Man argued for the displacement of this positive moralistic reference, but his proposals ultimately replace it with a negative moralistic reference to literariness. De Man’s premises have been perpetuated in subsequent theory by persistent misrecognitions of dialectic as suspicious hermeneutics, of materialism as reference to materiality, and of demands for democratic equity as identity politics. Tracing this motivated reasoning through misreadings of Eve Sedgwick’s critique of conspiracy theory and Edward Said’s “secular criticism,” we are led back to the unexamined premises of Paul de Man’s negative moralism and the opportunistic competition of academic careerism.

DKK 948.00
1

"Quinqui" Film in Spain - - Bog - Anthem Press - Plusbog.dk

"Quinqui" Film in Spain - - Bog - Anthem Press - Plusbog.dk

This volume of essays focuses on films of the so-called quinqui genre, films created during the 1970s–1980s depicting the lives of young criminals from the outskirts of Spanish cities, that arose/spread during the uncertain transitional period in a Spain moving from a dictatorship to a democracy. The quinqui films, produced and released on a shoestring budget, were nonetheless immensely popular, although never fully considered as part of the national film production in academic circles due to their “B” nature and low quality. These films encapsulate many of the concerns that Spaniards were facing (unemployment, class conflict and disparity, wild economic growth, increasing violence and crime activity, illegal drugs ravaging the youth, etc.) and consequently they had an impact on social, cultural, and emotional levels in the reborn country. In addition to recent interest in these films as cultural products, this book presents a thorough and multi-perspective analysis of the implications for film and society that these films reveal, clarifying both: the Spanish filmic panorama as well as the canon, and the socio-political situation in a country that was going through one of the most controversial and tumultuous times of its contemporary history.

DKK 948.00
1

The Great Illustrators of Edgar Allan Poe - Jessica Slayton - Bog - Anthem Press - Plusbog.dk

The Great Illustrators of Edgar Allan Poe - Jessica Slayton - Bog - Anthem Press - Plusbog.dk

Although there have been over 700 illustrators of Poe’s work over the past two centuries, this book chooses to examine only the best of them. Beginning with the French in the nineteenth century and tracing the great illustrators of Poe to the present, this book not only provides close analyses of individual visualizations but also seeks to supply an art history context to understanding their emergence. The majority of the artists featured remain unknown, even to Poe scholars, although their artwork represents iterations inspired by the most famous of Poe’s poems and stories. In some cases, the illustrations helped increase the visibility of particular Poe works and to make them part of the international Poe canon. A few of the illustrators featured in this book (e.g., Manet, Doré, Redon, Beardsley) are recognized among the most famous artists in the world. Others, such as Martini and Blumenschein, while remaining minor figures in art history, nevertheless produced immortal work based on Poe’s fiction and poetry. While still other visual artists represented here (Rackham, Dulac, Clarke) achieved artistic fame as book illustrators based on homages to other writers and fairy tales in combination with their Poe studies; their work on Poe, however, helped to solidify their larger reputations as professional illustrators. The last chapter extends traditional visualizations influenced by Poe to include his impact on twentieth- and twenty-first century filmmakers and cartoonists. They, too, found in Poe’s writing either a source for direct re-creation or an inspiration for their own atmospheric excursions into the bizarre, the exotic, and the psychologically complex.

DKK 948.00
1

The Uses of Literacy in Colonial Australia - Martyn Lyons - Bog - Anthem Press - Plusbog.dk

The Uses of Literacy in Colonial Australia - Martyn Lyons - Bog - Anthem Press - Plusbog.dk

What did Australians read? This book answers this question in terms of books rather than newspapers and considers the long nineteenth century, interpreted as running from 1788 to 1901. In the wake of this primary question, several others arise: how did Australians acquire the books they read, and how did readers in the outback overcome the handicaps of distance and remoteness? Did they read for pleasure, instruction, self-edification, or spiritual sustenance? More importantly, how did Australian readers respond to the books they read? The evidence is drawn from autobiographical sources, in which individual readers related their personal reading experiences and responses.At the same time, the book pursues a second and related question: What did Australians write? Reference is made here not to the kind of writing we know as ‘literature’, but to the non-literary writing which cultural historians call ‘ordinary writings’. These are the writings of everyday life, represented in this book by diaries, journals, hand-written newspapers and correspondence. The focus is wide enough to include the everyday cultural practices of people of low social status and little education. The writing practices of the partially literate, including writing delegated to a third party, have their place here.In this double investigation, the book draws on evidence from a cohort of 101 nineteenth-century readers and writers. They are a heterogeneous group of autobiographers, coming from Melbourne and Sydney to rural Queensland and Western Australia. They come from the city and the bush, from coastal towns and the interior, from sheep stations, gold diggings and city offices. They show us the perennial importance of Shakespeare and the Bible, the popularity of the English canon, the prestige of poetry and the importance of religious reading. Books held the Empire together but, as they travelled, their meanings changed according to the local cultural environment. This book registers such nuances in the Australian context. The writing of this group is represented by some prolific diarists and correspondents. In the late-nineteenth century, the eastern colonies became world leaders in sending letters. The postal environment which made this possible is also examined.

DKK 958.00
1