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Adagio and Allegro, Op. 70

Adagio and Allegro, Op. 70

Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it rounds out his small yet important output of solo repertoire for wind instruments. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn. Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it rounds out his small yet important output of solo repertoire for wind instruments. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.

DKK 175.00
1

Concerto in E Minor

Concerto in E Minor

Antonio Vivaldi (c. 1678—1741) remains one of the most-loved and oft-performed of the baroque composers. In 1703, he was appointed to the position of music master at the Ospedale della Pieta in Venice, a home for orphaned girls. It was for this famous orchestra of young girls that he produced his more than 400 concertos, of which over 200 are for the violin. This Concerto in E Minor is one of only three concertos that Vivaldi wrote for four violins, all of which were contained in his Opus 3 L’estro armónico, his first work published in Amsterdam, affording him not only improved printing of his music, but also greater distribution of his music throughout eighteenth century Europe.It is in four movements: Andante, Allegro assai, Adagio, and Allegro. Antonio Vivaldi (c. 1678—1741) remains one of the most-loved and oft-performed of the baroque composers. In 1703, he was appointed to the position of music master at the Ospedale della Pieta in Venice, a home for orphaned girls. It was for this famous orchestra of young girls that he produced his more than 400 concertos, of which over 200 are for the violin. This Concerto in E Minor is one of only three concertos that Vivaldi wrote for four violins, all of which were contained in his Opus 3 L’estro armónico, his first work published in Amsterdam, affording him not only improved printing of his music, but also greater distribution of his music throughout eighteenth century Europe.It is in four movements: Andante, Allegro assai, Adagio, and Allegro.

DKK 239.00
1

Sonata in F Minor

Sonata in F Minor

Georg Philipp Telemann (1681-1767), is one of the most prolific composers of all time. He wrote a great amount of music for wind instruments, including many concerti and sonatas for flute, oboe and bassoon. The Sonata in F Major for bassoon and basso continuo, composed in four movements (Triste, Allegro, Andante, Vivace), was originally included in the collection Der getreue Musikmeister, dating back to 1728. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Georg Philipp Telemann (1681-1767), is one of the most prolific composers of all time. He wrote a great amount of music for wind instruments, including many concerti and sonatas for flute, oboe and bassoon. The Sonata in F Major for bassoon and basso continuo, composed in four movements (Triste, Allegro, Andante, Vivace), was originally included in the collection Der getreue Musikmeister, dating back to 1728. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.

DKK 175.00
1

Concerto

Concerto

The Concerto for Flute by Eugene Magalif was completed in 2015. In February 2016, it was recorded for the CD album "Colibri" by soloist Patrick Dillery, flute (USA) and Dnipro Symphony Orchestra (Ukraine), and a few days later, in March, the World Premiere took place in Dnipro Philharmonic Hall. It consists of three movements: Allegretto – Andante – Allegro, and the form is close to similar works of the 18th century. The first and third movements are written in the rondo-variation form, while the second movement is a three-part fugue with a freely-floating flute obbligato, each combining styles of 18th-19th century classical music with modern popular music.The Concerto for Flute by Eugene Magalif was completed in 2015. In February 2016, it was recorded for the CD album "Colibri" by soloist Patrick Dillery, flute (USA) and Dnipro Symphony Orchestra (Ukraine), and a few days later, in March, the World Premiere took place in Dnipro Philharmonic Hall. It consists of three movements: Allegretto – Andante – Allegro, and the form is close to similar works of the 18th century. The first and third movements are written in the rondo-variation form, while the second movement is a three-part fugue with a freely-floating flute obbligato, each combining styles of 18th-19th century classical music with modern popular music.

DKK 841.00
1

Concerto

Concerto

The Concerto for Flute by Eugene Magalif was completed in 2015. In February 2016, it was recorded for the CD album "Colibri" by soloist Patrick Dillery, flute (USA) and Dnipro Symphony Orchestra (Ukraine), and a few days later, in March, the World Premiere took place in Dnipro Philharmonic Hall. It consists of three movements: Allegretto – Andante – Allegro, and the form is close to similar works of the 18th century. The first and third movements are written in the rondo-variation form, while the second movement is a three-part fugue with a freely-floating flute obbligato, each combining styles of 18th-19th century classical music with modern popular music.The Concerto for Flute by Eugene Magalif was completed in 2015. In February 2016, it was recorded for the CD album "Colibri" by soloist Patrick Dillery, flute (USA) and Dnipro Symphony Orchestra (Ukraine), and a few days later, in March, the World Premiere took place in Dnipro Philharmonic Hall. It consists of three movements: Allegretto – Andante – Allegro, and the form is close to similar works of the 18th century. The first and third movements are written in the rondo-variation form, while the second movement is a three-part fugue with a freely-floating flute obbligato, each combining styles of 18th-19th century classical music with modern popular music.

DKK 239.00
1

Christmas Concerto

Christmas Concerto

Francesco Manfredini's Christmas Concerto (Concerto Grosso per il Santissimo Natale) was published in Bologna in 1718, nine years after Torelli's Christmas concerto and just six years after Corelli's celebrated work. As in both of these other compositions, there is a pastorale movement that uses the dotted siciliano rhythm pattern in a 12/8 time, evoking images of the shepherds and the nativity. Also similar to these two other restrained, Bolognese-styled concerti, Manfredini's composition is neither showy nor technically demanding but uses the soloist group as a dynamic and textural contrast to the full orchestral tutti. Scored for a solo grouping of three players (Concertino) andaccompaniment by the remainder of the ensemble (Ripieno), this concerto is in three movements: Pastorale, Largo, and Allegro. Francesco Manfredini's Christmas Concerto (Concerto Grosso per il Santissimo Natale) was published in Bologna in 1718, nine years after Torelli's Christmas concerto and just six years after Corelli's celebrated work. As in both of these other compositions, there is a pastorale movement that uses the dotted siciliano rhythm pattern in a 12/8 time, evoking images of the shepherds and the nativity. Also similar to these two other restrained, Bolognese-styled concerti, Manfredini's composition is neither showy nor technically demanding but uses the soloist group as a dynamic and textural contrast to the full orchestral tutti. Scored for a solo grouping of three players (Concertino) andaccompaniment by the remainder of the ensemble (Ripieno), this concerto is in three movements: Pastorale, Largo, and Allegro.

DKK 231.00
1

Trio No. 1, Op. 51

Trio No. 1, Op. 51

Based on source material from the archive of the Netherlands Music Institute in The Hague, this newly-engraved reconstruction of the Trio No. 1, Op. 51 by Benoit Tranquille Berbiguier for Three Flutes includes a full score and all three parts. Berbiguier is primarily known for his methods and small ensembles for flutes composed during and after his education at the National Conservatory of Music in Paris. The original edition from the archives, published by French publisher Janet & Cotelle, c. 1820, contains only three parts with no score. While the original aim was to assemble a full score while recreating the individual parts faithfully, editorial decisions were made throughout tocorrect many serious inconsistencies between the parts, especially regarding articulations and dynamics, and even including differences in tempo markings. The resulting standardized, consistent editions should allow students and teachers more effective – and more efficient – learning and instruction. Trio No. 1, Op. 51 is in three movements: Allegro poco assai, Andante non tanto, Poco presto (Finale). Based on source material from the archive of the Netherlands Music Institute in The Hague, this newly-engraved reconstruction of the Trio No. 1, Op. 51 by Benoit Tranquille Berbiguier for Three Flutes includes a full score and all three parts. Berbiguier is primarily known for his methods and small ensembles for flutes composed during and after his education at the National Conservatory of Music in Paris. The original edition from the archives, published by French publisher Janet & Cotelle, c. 1820, contains only three parts with no score. While the original aim was to assemble a full score while recreating the individual parts faithfully, editorial decisions were made throughout tocorrect many serious inconsistencies between the parts, especially regarding articulations and dynamics, and even including differences in tempo markings. The resulting standardized, consistent editions should allow students and teachers more effective – and more efficient – learning and instruction. Trio No. 1, Op. 51 is in three movements: Allegro poco assai, Andante non tanto, Poco presto (Finale).

DKK 215.00
1

Trio No. 3, Op. 51

Trio No. 3, Op. 51

Based on source material from the archive of the Netherlands Music Institute in The Hague, this newly-engraved reconstruction of the Trio No. 3, Op. 51 by Benoit Tranquille Berbiguier for Three Flutes includes a full score and all three parts. Berbiguier is primarily known for his methods and small ensembles for flutes composed during and after his education at the National Conservatory of Music in Paris. The original edition from the archives, published by French publisher Janet & Cotelle, c. 1820, contains only three parts with no score. While the original aim was to assemble a full score while recreating the individual parts faithfully, editorial decisions were made throughout tocorrect many serious inconsistencies between the parts, especially regarding articulations and dynamics, and even including differences in tempo markings. The resulting standardized, consistent editions should allow students and teachers more effective – and more efficient – learning and instruction. Trio No. 3, Op. 51 is in three movements: Allegro risoluto, Andantino, Poco vivo (Rondo). Based on source material from the archive of the Netherlands Music Institute in The Hague, this newly-engraved reconstruction of the Trio No. 3, Op. 51 by Benoit Tranquille Berbiguier for Three Flutes includes a full score and all three parts. Berbiguier is primarily known for his methods and small ensembles for flutes composed during and after his education at the National Conservatory of Music in Paris. The original edition from the archives, published by French publisher Janet & Cotelle, c. 1820, contains only three parts with no score. While the original aim was to assemble a full score while recreating the individual parts faithfully, editorial decisions were made throughout tocorrect many serious inconsistencies between the parts, especially regarding articulations and dynamics, and even including differences in tempo markings. The resulting standardized, consistent editions should allow students and teachers more effective – and more efficient – learning and instruction. Trio No. 3, Op. 51 is in three movements: Allegro risoluto, Andantino, Poco vivo (Rondo).

DKK 239.00
1